7176 results in Media, mass communication
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Shane Meadows
- Critical Essays
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- Published by:
- Edinburgh University Press
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- 05 October 2013
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- 22 July 2013
1 - Introduction: From Immigrant Cinema to National Cinema
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- Post-beur Cinema
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- Edinburgh University Press
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- 05 October 2013
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- 22 July 2013, pp 1-25
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4 - Happy endings and ideology
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- Happy Endings in Hollywood Cinema
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- Edinburgh University Press
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- 22 July 2013, pp 133-190
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8 - A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England
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- 22 July 2013, pp 111-126
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Traditions in World Cinema
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- Post-beur Cinema
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- 22 July 2013, pp xi-xii
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6 - ‘Now I'm the monster’: Remembering, Repeating and Working Through in Dead Man's Shoes and TwentyFourSeven
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- 22 July 2013, pp 83-94
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2 - Structure and Agency: Shane Meadows and the New Regional Production Sectors
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- 22 July 2013, pp 21-34
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Index
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- Post-beur Cinema
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- 22 July 2013, pp 201-204
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10 - ‘Shane, don't film this bit’: Comedy and Performance in Le Donk and Scor-zay-zee
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- 22 July 2013, pp 142-154
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List of Illustrations
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- Post-beur Cinema
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- 22 July 2013, pp ix-x
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13 - Is This England '86 and '88? Memory, Haunting and Return through Television Seriality
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- 22 July 2013, pp 186-202
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Conclusion Provisions for the future
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- Happy Endings in Hollywood Cinema
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- 22 July 2013, pp 191-194
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3 - Colonial Fracture and the Counter-Heritage Film
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- Post-beur Cinema
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- 22 July 2013, pp 61-95
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Bibliography
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- Happy Endings in Hollywood Cinema
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- 22 July 2013, pp 195-215
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4 - Of Spaces and Difference in the Films of Abdellatif Kechiche
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- 22 July 2013, pp 96-129
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1 - The ‘happy ending’ and homogeneity
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- Happy Endings in Hollywood Cinema
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- 22 July 2013, pp 19-56
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3 - Twenty-first-Century Social Realism: Shane Meadows and New British Realism
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- 22 July 2013, pp 35-49
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5 - Home, Displacement and the Myth of Return: Journey Narratives in the 2000s
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- 22 July 2013, pp 130-153
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2 - Happy endings and closure
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- 22 July 2013, pp 57-97
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Index
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- Happy Endings in Hollywood Cinema
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- 22 July 2013, pp 216-218
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