Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Preface
- Acknowledgements
- Introduction
- 1 The Wardle Family and its Circle
- 2 The Business of Stitch
- 3 Stitching Narrative: Leek’s Facsimile of the Bayeux Tapestry
- 4 Stitch Meets Stone
- Conclusion: Rediscoveries and Revelations
- Appendix: Where to Find the Work of the Wardle Family
- Notes
- Bibliography
- Further Reading
- Index
2 - The Business of Stitch
Published online by Cambridge University Press: 12 June 2021
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Preface
- Acknowledgements
- Introduction
- 1 The Wardle Family and its Circle
- 2 The Business of Stitch
- 3 Stitching Narrative: Leek’s Facsimile of the Bayeux Tapestry
- 4 Stitch Meets Stone
- Conclusion: Rediscoveries and Revelations
- Appendix: Where to Find the Work of the Wardle Family
- Notes
- Bibliography
- Further Reading
- Index
Summary
Does the silkworm expend her yellow labours for thee? For thee does she undo herself.
Thomas Middleton, The Revenger's Tragedy, 1607Praised by all who came into contact with it, the Leek Embroidery Society was noted for its ingenious use of design, fine materials, innovative techniques and distinctive colour schemes. It is also an interesting example of how the ethos of the Arts and Crafts movement was interpreted in diverse ways and in a variety of places. Although the Society was the result of many different conditions and connections, the vision and skills of Thomas and Elizabeth Wardle lay at its heart. Through their initiatives a multitude of forces were united in 1879 as members of the Wardle family caught a widespread mood that fitted their interests and talents. Their sensitivity to local issues also informed their decision making. There were benefits in being a comparatively small but flexible company that had the ability to pick up ideas and match them to the talent available locally. The dynamism and diverse talents of the family meant that new projects could be developed swiftly. Risks were certainly taken, but as far as we can tell all were successful.
The Leek Embroidery Society was launched in 1879/80 in the Wardle home in the town centre. The house is there still, halfway down a broad street of handsome buildings. Later the family moved from 62 St Edward Street to more spacious premises at No. 54. As Figure 6 shows, it too is a Georgian townhouse, although larger and of rose-red brick, occupying a commanding position. Today it is a solicitor's practice. In the mid-1880s smaller premises next door at No. 56 were converted into the headquarters of the Society and other family companies. There was then space for a dedicated workroom with a shop. While St Edward Street remained the location for the Society it was moved across the road to No. 21 in the early twentieth century. This was its last known address. The workroom and shop continued under the direction of Mrs C. Bill until Miss Annie Sutton bought the business. Helped by Miss Annie Redfern, she offered a repair service for historic pieces until 1937, when the shop was bought by Miss Winnie Rawsthorne, who managed it until the outbreak of the Second World War.
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- Publisher: Boydell & BrewerPrint publication year: 2019