Book contents
- Thomas Pynchon in Context
- Thomas Pynchon in Context
- Copyright page
- Contents
- Contributors
- Abbreviations
- Chronology
- Introduction
- Part I Times and Places
- Part II Culture, Politics, and Society
- Chapter 14 Family
- Chapter 15 Sex and Gender
- Chapter 16 Humor
- Chapter 17 Popular Culture
- Chapter 18 Music and Sound
- Chapter 19 Film and Television
- Chapter 20 Real Estate and the Internet
- Chapter 21 Politics and Counterculture
- Chapter 22 Drugs and Hippies
- Chapter 23 Ecology and the Environment
- Chapter 24 Capitalism and Class
- Chapter 25 War and Power
- Chapter 26 Conspiracy and Paranoia
- Chapter 27 Terror and Anarchy
- Chapter 28 Science and Technology
- Chapter 29 Mathematics
- Chapter 30 Time and Relativity
- Chapter 31 Philosophy
- Chapter 32 Religion and Spirituality
- Chapter 33 Death and Afterlife
- Part III Approaches and Readings
- Further Reading
- Index
Chapter 21 - Politics and Counterculture
from Part II - Culture, Politics, and Society
Published online by Cambridge University Press: 31 May 2019
- Thomas Pynchon in Context
- Thomas Pynchon in Context
- Copyright page
- Contents
- Contributors
- Abbreviations
- Chronology
- Introduction
- Part I Times and Places
- Part II Culture, Politics, and Society
- Chapter 14 Family
- Chapter 15 Sex and Gender
- Chapter 16 Humor
- Chapter 17 Popular Culture
- Chapter 18 Music and Sound
- Chapter 19 Film and Television
- Chapter 20 Real Estate and the Internet
- Chapter 21 Politics and Counterculture
- Chapter 22 Drugs and Hippies
- Chapter 23 Ecology and the Environment
- Chapter 24 Capitalism and Class
- Chapter 25 War and Power
- Chapter 26 Conspiracy and Paranoia
- Chapter 27 Terror and Anarchy
- Chapter 28 Science and Technology
- Chapter 29 Mathematics
- Chapter 30 Time and Relativity
- Chapter 31 Philosophy
- Chapter 32 Religion and Spirituality
- Chapter 33 Death and Afterlife
- Part III Approaches and Readings
- Further Reading
- Index
Summary
Thomas Pynchon’s fiction, and in particular his 1973 masterpiece Gravity’s Rainbow, is considered by many critics to define the literary postmodern. In Postmodernist Fiction (1987), for instance, Brian McHale describes Gravity’s Rainbow as “one of the paradigmatic texts of postmodernist writing,” and in his later book, Constructing Postmodernism (1992), he dedicates one of four parts of his discussion to Pynchon’s work. Fredric Jameson, probably the most influential theorist of the postmodern as a broad, cultural phenomenon, also names Pynchon – alongside William Burroughs and Ishmael Reed – as one of the main avatars of the postmodern in literature.
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- Thomas Pynchon in Context , pp. 172 - 179Publisher: Cambridge University PressPrint publication year: 2019