Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of abbreviations
- Introduction – Reaching the stillness of music
- 1 “Speaking as ourselves”: Authorship, impersonality, and the creative process in the early essays
- 2 A conversation about “the longest poem in the English langwidge”: Pound, Eliot, and The Waste Land
- 3 “Helping the poets … write for the theatre”: The transitional essays on collaboration, community, and drama
- 4 A dramatist and his midwives: Eliot's collaborations in the theatre
- 5 The Possum and the “creating critick”: Eliot's collaboration with John Hayward
- Conclusion – Placing collaboration in perspective: Voice and influence in the late essays
- Notes
- Index
Notes
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Acknowledgments
- List of abbreviations
- Introduction – Reaching the stillness of music
- 1 “Speaking as ourselves”: Authorship, impersonality, and the creative process in the early essays
- 2 A conversation about “the longest poem in the English langwidge”: Pound, Eliot, and The Waste Land
- 3 “Helping the poets … write for the theatre”: The transitional essays on collaboration, community, and drama
- 4 A dramatist and his midwives: Eliot's collaborations in the theatre
- 5 The Possum and the “creating critick”: Eliot's collaboration with John Hayward
- Conclusion – Placing collaboration in perspective: Voice and influence in the late essays
- Notes
- Index
Summary
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- Chapter
- Information
- T. S. Eliot and the Art of Collaboration , pp. 224 - 248Publisher: Cambridge University PressPrint publication year: 2005