Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-x5gtn Total loading time: 0 Render date: 2024-05-17T14:02:45.763Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  24 August 2023

James Grande
Affiliation:
King's College London
Carmel Raz
Affiliation:
Max-Planck-Institut für Empirische Ästhetik

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NC
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/cclicenses/

References

Primary Sources

Analytical Review, or History of LiteratureGoogle Scholar
The Athenaeum: Journal of English and Foreign Literature, Science, and the Fine ArtsGoogle Scholar
Bell’s Weekly MessengerGoogle Scholar
Blackwood’s Edinburgh MagazineGoogle Scholar
British Medical JournalGoogle Scholar
Bristol MercuryGoogle Scholar
The British CriticGoogle Scholar
British Spy or The Universal London Weekly JournalGoogle Scholar
The Christian ObserverGoogle Scholar
The Critical ReviewGoogle Scholar
The CullerGoogle Scholar
Daily CourantGoogle Scholar
Daily JournalGoogle Scholar
Edinburgh ReviewGoogle Scholar
Encyclopaedia Metropolitana, or, Universal Dictionary of KnowledgeGoogle Scholar
The English PostGoogle Scholar
The Evangelical MagazineGoogle Scholar
Evening PostGoogle Scholar
European MagazineGoogle Scholar
Flying Post or The Post MasterGoogle Scholar
The Fortnightly ReviewGoogle Scholar
Fraser’s Magazine for Town and CountryGoogle Scholar
Gentleman’s MagazineGoogle Scholar
The Gentleman’s Pocket Magazine; and Album of Literature and Fine ArtsGoogle Scholar
The HarmoniconGoogle Scholar
Historical MagazineGoogle Scholar
Journal of the British Archaeological AssociationGoogle Scholar
The Kingdomes Weekly PostGoogle Scholar
The Ladies Monthly MuseumGoogle Scholar
The Leisure HourGoogle Scholar
Liverpool MercuryGoogle Scholar
London Evening PostGoogle Scholar
London Farthing-PostGoogle Scholar
The London Magazine, and Monthly ChronologerGoogle Scholar
London Magazine or Gentleman’s Monthly IntelligencerGoogle Scholar
London Medical GazetteGoogle Scholar
The London MercuryGoogle Scholar
The Original London Post or Heathcote’s IntelligenceGoogle Scholar
Macaroni and Theatrical MagazineGoogle Scholar
The Meteor; or, General CensorGoogle Scholar
The Middlesex Journal and London Evening PostGoogle Scholar
The Mirror of LiteratureGoogle Scholar
The Monthly MagazineGoogle Scholar
The Monthly ReviewGoogle Scholar
Morning PostGoogle Scholar
Old Post-MasterGoogle Scholar
The Original London Post or Heathcote’s IntelligenceGoogle Scholar
The Oxford Magazine: Or, Universal MuseumGoogle Scholar
The Penny Magazine of the Society for the Diffusion of Useful KnowledgeGoogle Scholar
Philosophical MagazineGoogle Scholar
Philosophical TransactionsGoogle Scholar
The Post BoyGoogle Scholar
Punch, or the London CharvariGoogle Scholar
The Quarterly Musical RegisterGoogle Scholar
Quarterly ReviewGoogle Scholar
The Satirist: Or, Monthly MeteorGoogle Scholar
The Saturday MagazineGoogle Scholar
The Senator: Or, Parliamentary ChronicleGoogle Scholar
The SpectatorGoogle Scholar
The StandardGoogle Scholar
Transactions of the Geological Society of LondonGoogle Scholar
True BritonGoogle Scholar
Universal MagazineGoogle Scholar

Secondary Sources

Abrams, M. H. 1957. ‘The Correspondent Breeze: A Romantic Metaphor’. The Kenyon Review 19, no. 1: 113–30.Google Scholar
Abrams, M. H. 1971. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford: Oxford University Press.Google Scholar
Addison, Joseph. 1723. The Free-Holder. London: D. Midwinter.Google Scholar
Addison, Joseph. 1712. ‘On the Pleasures of the Imagination’. The Spectator 411 (21 June). In The Spectator in Four Volumes, edited by Smith, Gregory, vol. 3, 276. London: Dent, Everyman’s Library, 1945.Google Scholar
Agnew, Vanessa. 2008. Enlightenment Orpheus: The Power of Music in Other Worlds. Oxford: Oxford University Press.Google Scholar
Alison, Somerville Scott. 1861. The Physical Examination of the Chest in Pulmonary Consumption and Its Intercurrent Diseases. London: John Churchill.Google Scholar
Allan, David. 2013. ‘Identity and Innovation: Historiography in the Scottish Enlightenment’. In A Companion to Enlightenment Historiography, edited by Bourgault, Sophie and Sparling, Robert, 307–41. Leiden: Brill.Google Scholar
Altick, Richard D. 1978. The Shows of London. Cambridge, ma: Belknap Press.Google Scholar
Anderson, Benedict. 1991. Imagined Communities: Reflections on the Spread of Nationalism. London: Verso.Google Scholar
Arberry, A. J. 1960. Oriental Essays. London: Allen and Unwin.Google Scholar
Armstrong, Isobel. 2014. ‘Anna Letitia Barbauld: A Unitarian Poetics?’ In Anna Letitia Barbauld: New Perspectives, edited by McCarthy, William and Murphy, Olivia, 5981. Lewisburg, pa: Bucknell University Press.Google Scholar
‘Art. lxi. The Enraged Musician’. 1790. Analytical Review, or History of Literature 5: 240.Google Scholar
Assael, Brenda. 2003. ‘Music in the Air: Noise, Performers and the Contest over the Streets of the Mid-Nineteenth-Century Metropolis’. In The Streets of London: From the Great Fire to the Great Stink, edited by Hitchcock, Tim and Shore, Heather, 183–97. London: Rivers Oram Press.Google Scholar
Astarto; A Serious Opera: As Performed at the King’s Theatre in the Hay-Market. 1776. London.Google Scholar
Attali, Jacques. 1987. Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.Google Scholar
Attridge, Derek. 1974. Well-Weighed Syllables: Elizabethan Verse in Classical Metres. Cambridge: Cambridge University Press.Google Scholar
‘Auscultation Extraordinary’. 1829. Lancet (10 October): 96.Google Scholar
Austin, William. 1804. Letters from London: Written during the Years 1802 & 1803. Boston.Google Scholar
Babbage, Charles. 1864. Passages from the Life of a Philosopher. London: Longman, Green & Co.Google Scholar
Bakhle, Janaki. 2005. Two Men and Music: Nationalism and the Making of an Indian Classical Tradition. Oxford: Oxford University Press.Google Scholar
Barbieri, Patrizio. 2008. Enharmonic: Instruments and Music 1470–1900. Rome: Il Levante Libreria Editrice.Google Scholar
Bari, Shahidha K. 2012. Keats and Philosophy: The Life of Sensations. London: Routledge.Google Scholar
Barker, Hannah. 2000. Newspapers and English Society 1695–1855. London: Longman.Google Scholar
Barlow, Jeremy. 2005. The Enraged Musician: Hogarth’s Musical Imagery. Farnham: Ashgate.Google Scholar
Barthes, Roland. 1970. S/Z. Paris: Éditions du Seuil.Google Scholar
Bautz, Annika. 2017“The Universal Favorite”: Daniel Terry’s Guy Mannering; or, The Gypsy’s Prophecy (1816)’. In ‘Walter Scott: New Interpretations’, special issue of The Yearbook of English Studies 47: 3657.Google Scholar
Bayly, C. A. 2003. The Birth of the Modern World, 1780–1914. London: Wiley-Blackwell.Google Scholar
Bayly, C. A. 2007. ‘Rammohan Roy and the Advent of Constitutional Liberalism in India, 1800–1830’. Modern Intellectual History 4, no. 1: 2541.CrossRefGoogle Scholar
Bean, James. 1808. Zeal without Innovation. London.Google Scholar
Beattie, James. 1777. Essays on the Nature and Immutability of Truth, in Opposition to Sophistry and Scepticism; on Poetry and Music as They Affect the Mind; on Laughter, and Ludicrous Composition; on the Utility of Classical Learning. Edinburgh.Google Scholar
Beer, Barbara. 1992. ‘The National Drama’. Theatre Research International 17, no. 2: 96108.Google Scholar
Beer, Gillian. 1996. Open Fields: Science in Cultural Encounter. New York and Oxford: Oxford University Press.Google Scholar
Bellman, Jonathan. 1998. The Exotic in Western Music. Boston: Northeastern University Press.Google Scholar
Bellman, Jonathan. 1993. The Style Hongrois in the Music of Western Europe. Boston: Northeastern University Press.Google Scholar
Belsham, William. 1789. ‘Remarks on English Versification’. In Essays, Philosophical. Historical, and Literary. London.Google Scholar
Benjamin, Marina. 1997. ‘Elbow Room: Women Writers on Science, 1790–1840’. In Science and Sensibility: Gender and Scientific Enquiry, 1780–1945, edited by Benjamin, Marina, 2759. Oxford: Blackwell.Google Scholar
Benjamin, Walter. 1969. Illuminations, edited by Arendt, Hannah, translated by Harry Zohn. New York: Schocken Books.Google Scholar
Berg, M., and Eger, E., eds. 2003. Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods. Basingstoke and New York: Palgrave Macmillan.Google Scholar
Bhabha, Homi. 2004. The Location of Culture [1994]. London: Routledge. Rev. ed., 2012.Google Scholar
Bhattacharya, Baidik. 2021. ‘The “Vernacular” Babel: Linguistic Survey of India and Colonial Philology’. Modern Philology 118, no. 4: 579602.Google Scholar
Bijsterveld, Karin. 2008. Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. London: MIT Press.Google Scholar
Bindman, David. 1997. Hogarth and His Times. London: British Museum Press.Google Scholar
Bindman, David, ed. 2002. Hogarth: Representing Nature’s Machine. Manchester: Manchester University Press.Google Scholar
Birdsall, Carolyn. 2012. Nazi Soundscapes. Amsterdam: Amsterdam University Press.Google Scholar
Black, Jeremy. 2011. Debating Foreign Policy in Eighteenth-Century Britain. Farnham: Ashgate.Google Scholar
Black, Jeremy. 1987. The English Press in the Eighteenth Century. London: Routledge.Google Scholar
Black, Ronald, ed. 2007. To the Hebrides: Samuel Johnson’s Journey to the Western Islands of Scotland and James Boswell’s Journal of a Tour to the Hebrides. Edinburgh: Birlinn.Google Scholar
Blackwell, Mark, ed. 2007. The Secret Life of Things: Animals, Objects, and It-Narratives in Eighteenth-Century England. Lewisburg, pa: Bucknell University Press.Google Scholar
Blair, Kirstie. 2006. Victorian Poetry and the Culture of the Heart. Oxford: Clarendon Press.Google Scholar
Blaszkiewicz, Jacek. 2021. ‘Will Sound Studies Ever “Emerge”?’ Journal of the History of Ideas blog, (10 February), https://jhiblog.org/2021/02/10/will-sound-studies-ever-emerge/.Google Scholar
Bohlman, Philip V. 2013. ‘Johann Gottfried Herder and the Global Moment of World-Music History’. In The Cambridge History of World Music, edited by Bohlman, Philip V, 255–76. Cambridge: Cambridge University Press.Google Scholar
Bolton, H. Philip. 1992. Scott Dramatized. London: Mansell.Google Scholar
Bonds, Mark Evan. 2014. Absolute Music: The History of an Idea. Oxford: Oxford University Press.Google Scholar
Bosanquet, R. H. M. 1876. An Elementary Treatise on Musical Intervals and Temperament. London: Macmillan.Google Scholar
Boswell, James. 1785. The Journal of a Tour to the Hebrides, with Samuel Johnson LL.D. London: Charles Dilly.Google Scholar
Boswell, James. 1852. The Journal of a Tour to the Hebrides, with Samuel Johnson … A New Edition, with Introduction and Notes, by Robert Carruthers. London: H. Ingraham & N. Cooke.Google Scholar
Boswell, James. 1785. The Life of Samuel Johnson, LL.D.: And the Journal of His Tour to the Hebrides. London: William Smith.Google Scholar
Bourgault, Sophie, and Sparling, Robert, eds. 2013. A Companion to Enlightenment Historiography. Leiden: Brill.Google Scholar
Braddon, Mary Elizabeth. 1894. All Along the River. London: Simpkin, Marshall, Hamilton, Kent.Google Scholar
Braddon, Mary Elizabeth. 1873. Lucius Davoren; or, Publicans and Sinners. London: John Maxwell.Google Scholar
Braddon, Mary Elizabeth. 1879. Vixen, 3 vols. London: John and Robert Maxwell.Google Scholar
Bradford, Richard. 2002. Augustan Measures: Restoration and Eighteenth-Century Writings on Prosody and Metre. Farnham: Ashgate.Google Scholar
Brahmananda, P. R. 2010. Money, Income, Prices in 19th Century India: A Historical, Quantitative and Theoretical Study. Mumbai: Himalaya Publishing House.Google Scholar
Brashears, Noah. 1826. Poems on Miscellaneous Subjects. Washington City: Myer.Google Scholar
Brewster, David. 1831. Letters on Natural Magic Addressed to Sir Walter Scott. London: John MurrayGoogle Scholar
Brewster, David. 1834. ‘Review of On the Connexion of the Physical Sciences’. Edinburgh Review 59: 154–71.Google Scholar
Brewster, David. 1831. ‘A Treatise on Sound, by J. F. W. Herschel’. Quarterly Review, (February), 475–510.Google Scholar
Brewster, David, ed. 1832. Edinburgh Encyclopaedia. Philadelphia: Joseph and Edward Parker.Google Scholar
Brightland, John. 1712. A Grammar of the English Tongue, with Notes, 2nd ed. London.Google Scholar
Britton, Jeanne M. 2018. ‘“To Know What You Think”: Riddles and Minds in Jane Austen’s Emma’. Poetics Today 39, no. 4: 651–78.Google Scholar
Brock, Claire. 2006. ‘The Public Worth of Mary Somerville’. British Society for the History of Science 39, no. 2: 255–72.Google Scholar
Bryce, James. 1855. An Appeal in Behalf of Native Education in India, in Connexion with the School and Mission of the General Assembly in India. Edinburgh: Paton and Ritchie.Google Scholar
Bryce, James. 1818. The Preaching of the Gospel, the Efficient Means of Diffusing among Mankind a Knowledge of the True God. A Sermon Preached at Opening the Church of St. Andrew, in Calcutta, March 1818. London: Thomas and George Underwood.Google Scholar
Bryce, James. 1839. A Sketch of Native Education in India: Under the Superintendence of the Church of Scotland. With Remarks on the Character and Condition of the Hindus, as These Bear upon the Question of Conversion to Christianity. London: Allen and Co.Google Scholar
Bryce, James. 1810. A Sketch of the State of British India, with a View of Pointing Out the Best Means of Civilizing Its Inhabitants, and Diffusing the Knowledge of Christianity throughout the Eastern World. Edinburgh: George Ramsay.Google Scholar
Buch, Esteban. 2020. ‘The Sound of the Sublime: Notes on Burke as Time Goes By’. SubStance 49, no. 2: 4459, 10.1353/sub.2020.0009. hal 02952083.Google Scholar
Buckley, Arabella. 1880. The Fairy-Land of Science. London: E. Stanford.Google Scholar
Burke, Peter. 2009. Popular Culture in Early-Modern Europe. 3rd ed. Farnham, Surrey: Ashgate.Google Scholar
Burney, Charles. 1785. Account of the Musical Performances in Westminster Abbey and the Pantheon in Commemoration of Handel. London: Payne and Robinson.Google Scholar
Burney, Charles. 1979. An Eighteenth-Century Musical Tour in Central Europe and the Netherlands: Being Dr. Charles Burney’s account of His Musical Experiences, edited by Scholes, Percy A.. Westport, ct: Greenwood Press.Google Scholar
Burney, Charles. 1776. General History of Music, vol. 1. London.Google Scholar
Burney, Charles. 1782. General History of Music, vol. 2. London: The Author.Google Scholar
Burney, Charles. 1991. The Letters of Dr. Charles Burney 1751–1784, edited by Ribeiro, Alvaro. Oxford: Clarendon Press.Google Scholar
Burney, Charles. 1773. The Present State of Music in Germany, the Netherlands, and United Provinces, vol. 2. London: Becket, Robson and Robinson.Google Scholar
Burnim, Kalman A., and Highfill, Philip H.. 1998. John Bell, Patron of British Theatrical Portraiture. Carbondale and Edwardsville: Southern Illinois University Press.Google Scholar
Busch, Werner. 2011. ‘Hogarth’s “Enraged Musician”’. In Musik im sozialen Raum, edited by Hoffmann, Freia, Gärtner, Markus, and Weidenfeld, Axel, 5874. Munich: Allitera.Google Scholar
Busch, Werner. 1977. Nachahmung als bürgerliches Kunstprinzip. Ikonographische Zitate bei Hogarth u. in seiner Nachfolge. Hildesheim: Olms.Google Scholar
Bysshe, Edward. 1702. The Art of English Poetry. London.Google Scholar
Campbell-Smith, Duncan. 2011. Masters of the Post. London: Penguin.Google Scholar
Cannon, Garland Hampton, ed. 1970. The Letters of Sir William Jones, vol. 2. Oxford: Clarendon Press.Google Scholar
Carey, Daniel. 2005. Locke, Shaftesbury, and Hutcheson: Contesting Diversity in the Enlightenment and Beyond. Cambridge: Cambridge University Press.Google Scholar
Chakrabarty, Dipesh. 2011. ‘The Muddle of Modernity’. American Historical Review 116, no. 3: 663–75.Google Scholar
Chakrabarty, Dipesh. 2009. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton, nj: Princeton University Press.Google Scholar
Chambers, Ephraim. 1728. Cyclopaedia, 2 vols. London.Google Scholar
Champion, Matthew S. 2019. ‘A Fuller History of Temporalities’. Past & Present 243, no. 1: 255–66.Google Scholar
Chandler, James. 2008. ‘The “Power of Sound” and the Great Scheme of Things: Wordsworth Listens to Wordsworth’. In ‘Soundings of Things Done’: The Poetry and Poetics of Sound in the Romantic Ear and Era, edited by Wolfson, Susan J., Romantic Circles, https://romantic-circles.org/praxis/soundings/index.html.Google Scholar
Chattopadhyay, Swati. 2005. Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny. Abingdon: Routledge.Google Scholar
Claydon, Tony. 2013. ‘Daily News and the Construction of Time in Late Stuart England, 1695–1714’. The Journal of British Studies 52, no. 1: 5578.Google Scholar
Cohn, Bernard. 1996. Colonialism and Its Forms of Knowledge. Princeton, nj: Princeton University Press.Google Scholar
Coleridge, Samuel Taylor. 2002. Coleridge’s Notebooks: A Selection [1804], edited by Perry, Seamus. Oxford: Oxford University Press.Google Scholar
Colley, Linda. 1992. Britons: Forging the Nation, 1707–1837. New Haven, ct: Yale University Press.Google Scholar
Collins, Wilkie. 1984. A Rogue’s Life. Gloucester: Alan Sutton.Google Scholar
Collins, Wilkie. 2003. The Woman in White, edited by Sweet, Matthew. London: Penguin.Google Scholar
Colman, George, the Elder. 1789. Ut Pictura Poesis, or, The Enraged Musician, a Musical Entertainment Founded on Hogarth, Performed at the Theatre Royal in the Haymarket, Written by George Colman Esqr. [and] Composed by Dr. Arnold. London.Google Scholar
Colman, George, the Elder, ed. 1776. Epicoene or, the Silent Woman. A Comedy, Written by Ben Jonson. As It Is Acted at the Theatre Royal in Drury-Lane. With Alterations, by George Colman. London.Google Scholar
Conner, Patrick. 1984. Michael Angelo Rooker, 1746–1801. London: Batsford.Google Scholar
Connor, Steven. 1997. ‘The Modern Auditory i’. In Rewriting the Self, edited by Porter, Roy, 203–23. London and New York: Routledge.Google Scholar
Constable, Philip. 2007. ‘Scottish Missionaries, “Protestant Hinduism” and the Scottish Sense of Empire in Nineteenth- and Early Twentieth-Century India’. The Scottish Historical Review 86, no. 222, part 2: 278313.Google Scholar
Conti, Luca. 2008. Ultracromatiche sensazioni: il microtonalismo in Europa (1840–1940). Rome: Libreria musicale italiana.Google Scholar
Cook, Nicholas. 2007. ‘Encountering the Other, Redefining the Self: Hindostannie Airs, Haydn’s Folksong Settings, and the “Common Practice” Style’. In Music and Orientalism in the British Empire, 1780s–1940s, edited by Zon, Bennet and Clayton, Martin, 1337. Aldershot: Ashgate.Google Scholar
Corbin, Alain. 1986. The Foul and the Fragrant: Odor and the French Social Imagination. London: Harvard University Press.Google Scholar
Cowper, William. 1785. The Task: A Poem, in Six Books. London: Thomas Dobson.Google Scholar
Cox Jensen, Oskar. 2021. The Ballad-Singer in Georgian and Victorian London. Cambridge: Cambridge University Press.Google Scholar
Cox Jensen, Oskar. 2019. ‘Of Ships and Spectacles: Maritime Identity and the Politics of Authenticity in Regency London’. In ‘City, Space, and Spectacle in Nineteenth-Century Theatre and Performance’, special issue of Nineteenth Century Theatre and Film 46, no. 2: 136–60.Google Scholar
Cox Jensen, Oskar, Kennerley, David, and Newman, Ian, eds. 2018. Charles Dibdin and Late Georgian Culture. Oxford: Oxford University Press.Google Scholar
Cox, Philip. 2000. Reading Adaptations: Novels and Verse Narratives on Stage, 1790–1840. Manchester: Manchester University Press.Google Scholar
Crabbe, George. 1812. Poems, 2 vols. London: J. Hatchard.Google Scholar
Crawford, Robert. 1992. Devolving English Literature. Oxford: Oxford University Press.Google Scholar
Cumberland, Richard. 1775. The Choleric Man. A Comedy. London.Google Scholar
Dalton, John. 1750. Comus: A Masque (Now Adapted to Stage). London.Google Scholar
Dasgupta, Keya. 1995. ‘A City Away from Home: The Mapping of Calcutta’. In Texts of Power: Emerging Disciplines in Colonial Bengal, edited by Chatterjee, Partha, 145–66. Minneapolis: University of Minnesota Press.Google Scholar
Davey, William. 1854. The Illustrated Practical Mesmerist. Edinburgh: William Davey.Google Scholar
Davies, James Q. 2016. ‘Instruments of Empire’. In Sound Knowledge: Music and Science in London, 1789–1851, edited by Davies, James Q. and Lockhart, Ellen, 145–74. Chicago: University of Chicago Press.Google Scholar
Davies, James Q., and Lockhart, Ellen. 2016. ‘Introduction: Fantasies of Total Description’. In Sound Knowledge: Music and Science in London, 1789–1851, edited by Davies, James Q. and Lockhart, Ellen, 126. Chicago: University of Chicago Press.Google Scholar
Davies, James Q., and Lockhart, Ellen, eds. 2016. Sound Knowledge: Music and Science in London, 1789–1851. Chicago: University of Chicago Press.Google Scholar
Davis, Leith. 2004. ‘At “Sang About”: Scottish Song and the Challenge to British Culture’. In Scotland and the Borders of Romanticism, edited by Davis, Leith, Duncan, Ian, and Sorensen, Janet, 188203. Cambridge: Cambridge University Press.Google Scholar
Davis, Leith, and McLane, Maureen N.. 2008. ‘Orality and Public Poetry’. In The Edinburgh History of Scottish Literature, vol. 2, edited by Brown, Ian, Clancy, Thomas Owen, Manning, Susan, and Pittock, Murray, 125–32. Edinburgh: Edinburgh University Press.Google Scholar
Davy, Humphry. 1800. Researches, Chemical and Philosophical; Chiefly Concerning Nitrous Oxide: Or Dephlogisticated Nitrous Air, and Its Respiration. London: J. Johnson.Google Scholar
Daybell, James. 2012. The Material Letter in Early Modern England. Basingstoke: Palgrave Macmillan.Google Scholar
Deans, Alex, and Leask, Nigel. 2016. ‘Curious Travellers: Thomas Pennant and the Welsh and Scottish Tour (1760–1820)’. Studies in Scottish Literature 42, no. 2: 164–72.Google Scholar
Demofoonte; A Serious Opera: As Performed at the King’s Theatre in the Hay-Market. 1778. London.Google Scholar
Derham, William. 1708. ‘Experimenta & Observationes de Soni Motu’. Philosophical Transactions 313: 235. Translated as ‘Experiments and Observations on Sound’, Memoirs of the Royal Society, vol. 5 (London, 1740), 75–93.Google Scholar
Deval, Krishnaji Ballal. 1910. The Hindu Musical Scale and the Twenty-Two Shrutees. Poona: Arya Bhushan Press.Google Scholar
Deval, Krishnaji Ballal. 1908. Music East and West. Poona: Arya Bhushan Press.Google Scholar
Dibdin, Charles. 1788. The Musical Tour of Mr. Dibdin. Sheffield.Google Scholar
Dickson, Melissa. 2016. ‘Charles Wheatstone’s Enchanted Lyre and the Spectacle of Sound’. In Sound Knowledge: Music and Science in London, 1789–1851, edited by Davies, James Q. and Lockhart, Ellen, 125–44. Chicago: University of Chicago Press.Google Scholar
Dilke, Charles. 1868. Greater Britain: A Record of Travel in English Speaking Countries during 1866 and 1867. London: Macmillan.Google Scholar
Dolan, Emily I. 2013. The Orchestral Revolution: Haydn and the Technologies of Timbre. Cambridge: Cambridge University Press.Google Scholar
Donohue, Joseph. 1973. ‘Burletta and the Early Nineteenth-Century English Theatre’. Nineteenth-Century Theatre Research 1, no. 1: 2951.Google Scholar
Doyle, Arthur Conan. 1894. ‘A False Start’. In Round the Red Lamp, 2nd ed., 6588. London: Methuen.Google Scholar
Doyle, Arthur Conan. 1894. ‘A Question of Diplomacy’. In Round the Red Lamp, 2nd ed., 174–99. London: Methuen.Google Scholar
Drury, Joseph. 2017. ‘Literature and Science in Enlightenment Britain: New Directions’. Literature Compass 14, no. 6.Google Scholar
Dryden, John. 1691. Albion and Albanius: An Opera. London.Google Scholar
Dryden, John. 1668. Of Dramatick Poesie, An Essay. London.Google Scholar
Dryden, John. trans. 1697. The Works of Virgil. London.Google Scholar
Duncan, Ian. 2004. ‘The Pathos of Abstraction: Adam Smith, Ossian, and Samuel Johnson’. In Scotland and the Borders of Romanticism, edited by Davis, Leith, Duncan, Ian, and Sorensen, Janet, 3856. Cambridge: Cambridge University Press.Google Scholar
Duncan, Ian. 2007. Scott’s Shadow: The Novel in Romantic Edinburgh. Princeton, nj: Princeton University Press.Google Scholar
Dunlap, Thomas R. 1999. Nature and the English Diaspora. Cambridge: Cambridge University Press.Google Scholar
Easthope, Anthony. 1983. Poetry as Discourse. London: Methuen.Google Scholar
Edgeworth, Maria. 1873. ‘Letter to Mary Somerville, 31 May 1832’. In Personal Recollections, from Early Life to Old Age, of Mary Somerville, edited by Somerville, Martha, 203–6. London: John Murray.Google Scholar
Edgeworth, Maria, and Edgeworth, Richard Lovell. 1789. Practical Education. London: J. Johnson.Google Scholar
Eisenberg, Andrew J. 2015. ‘Space’. In Keywords in Sound, edited by Novak, David and Sakakeeny, Matt, 193207. Durham, nc: Duke University Press.Google Scholar
Erlmann, Veit. 2014. Reason and Resonance: A History of Modern Aurality. New York: Zone Books.Google Scholar
Erwin, Timothy. 2015. Textual Vision: Augustan Design and the Invention of Eighteenth-Century British Culture. Lewisburg, pa: Bucknell University Press.Google Scholar
Euler, Leonhard. 1739. Tentamen novae theoriae musicae ex certissimis harmonicae principiis dilucide expositae. St Petersburg: Imperial Academy of Sciences.Google Scholar
‘Evil of Sunday Newspapers’. 1816. The Christian Observer 15: 200.Google Scholar
Fairclough, Mary. 2013. The Romantic Crowd: Sympathy, Controversy, and Print Culture. Cambridge: Cambridge University Press.Google Scholar
Fanu, Sheridan Le. 1981. Uncle Silas, edited by McCormack, W. J.. Oxford: Oxford University Press.Google Scholar
Fanu, Sheridan Le. 1876. Willing to Die. London: Chapman and Hall.Google Scholar
Farey, John. 1812. ‘Further Remarks on the Rev. Mr. Liston’s “Essay on Perfect Intonation”: and His Scale with 59 Notes in the Octave, and on Other Scales (Perfect and Tempered) for 12, 14, 16, 17, 18, 21, 22, and 24 Notes in the Octave Respectively, &c.’ The Philosophical Magazine 39, no. 170: 414–23.Google Scholar
Farey, John. 1814. ‘Mr. Liston’s Essay on Perfect Intonation’. The Gentleman’s Magazine 84: 135–37.Google Scholar
Farrell, Gerry. 2000. Indian Music and the West. Oxford: Oxford University Press.Google Scholar
Faujas de Saint-Fond, Barthélemy. 1797. Voyage en Angleterre, en Écosse et aux Îles Hébrides … , vol. 2. Paris: H. J. Jansen.Google Scholar
Favret, Mary A. 2009. War at a Distance: Romanticism and the Making of Modern Wartime. Princeton, nj: Princeton University Press.Google Scholar
Ferguson, Frances. 2007. ‘Jane Austen, Emma, and the Impact of Form’. In Reading for Form, edited by Wolfson, Susan J. and Brown, Marshall, 231–55. Seattle: University of Washington Press.Google Scholar
Fergusson, Robert. 1800. ‘Elegy on the Death of Scots Music’. In The Poetical Works of Robert Fergusson: With the Life of the Author by David Irving, 106–8. Glasgow: Chapman and Lang.Google Scholar
Fielding, Henry, and Saintsbury, George. 1902. A Journey from This World to the Next and a Voyage to Lisbon. London: J. M. Dent.Google Scholar
‘Fingal’s Cave’. 1874. In The World of Wonders: A Record of Things Wonderful in Nature, Science, and Art, 141–42. London: Cassell, Petter & Galpin,Google Scholar
Fingal’s Cave, Staffa’. 1853[?]. In Treasury of Nature, Science, and Art, for the Young, edited by Anderson, William, 114–17. Edinburgh: Paton and Ritchie.Google Scholar
Fogg, Peter. 1796. Elementa Anglicana; or, The Principles of English Grammar. Stockport.Google Scholar
Forbes, John. 1845. Illustrations of Modern Mesmerism from Personal Investigations. London: John Churchill.Google Scholar
Forbes, John. 1827. ‘Translator’s Preface’. In R. T. H. Laënnec, A Treatise on the Diseases of the Chest and on Mediate Auscultation, translated by Forbes, John, 2nd ed., viixii. London: G. and T. Underwood.Google Scholar
Fort, Bernadette, and Rosenthal, Angela. 2001. The Other Hogarth. Aesthetics of Difference. Princeton, nj: Princeton University Press.Google Scholar
Foucault, Michel. 2003. The Birth of the Clinic: An Archaeology of Medical Perception. Translated by A. M. Sheridan. London: Routledge.Google Scholar
Fox, Adam, and Woolf, Daniel. eds. 2002. The Spoken Word. Oral Culture in Britain, 1500–1850. Manchester: Manchester University Press.Google Scholar
Fulford, Thomas. 2006. ‘Fallen Ladies and Cruel Mothers: Ballad Singers and Ballad Heroines in the Eighteenth Century’. The Eighteenth Century 47, no. 2: 309–29.Google Scholar
Furst, Lilian R. 1998. Between Doctors and Patients: The Changing Balance of Power. Charlottesville: University Press of Virginia.Google Scholar
Fussell, Paul. 1954. Theory of Prosody in Eighteenth-Century England. New London, ct: Connecticut College.Google Scholar
Garrioch, David. 2003. ‘Sounds of the City: The Soundscape of Early Modern European Towns’. Urban History 30, no. 1: 525.Google Scholar
Garside, Peter. 1994. ‘Picturesque Figures and Landscape: Meg Merrilies and the Gypsies’. In Politics of the Picturesque: Literature, Landscape and Aesthetics since 1770, edited by Copley, Stephen and Garside, Peter, 145–74. Cambridge: Cambridge University Press.Google Scholar
Gaskell, Elizabeth. ‘Mr Harrison’s Confessions’. In Cousin Phillis and Other Tales, 109–95. Oxford: Oxford University Press.Google Scholar
Gaskill, Howard, ed. 2004. The Reception of Ossian in Europe. London: Thoemmes.Google Scholar
Gatrell, Vic. 2006. City of Laughter: Sex and Satire in Eighteenth-Century London. London: Walker Books.Google Scholar
Gautier, Ana María Ochoa. 2014. Aurality: Listening and Knowledge in Nineteenth-Century Colombia. Durham, nc: Duke University Press.Google Scholar
Gelbart, Matthew. 2012. ‘Allan Ramsay, the Idea of “Scottish Music” and the Beginnings of “National Music” in Europe’. Eighteenth-Century Music 9, no. 1: 81108.Google Scholar
Gelbart, Matthew. 2007. The Invention of ‘Folk Music’ and ‘Art Music’. Cambridge: Cambridge University Press.Google Scholar
Gelbart, Matthew. 2009. ‘“The Language of Nature”: Music as Historical Crucible for the Methodology of Folkloristics’. Ethnomusicology 53, no. 3: 363–95.Google Scholar
Gelbart, Matthew. 2013. ‘Once More to Mendelssohn’s Scotland: The Laws of Music, the Double Tonic, and the Sublimation of Modality’. 19th-Century Music 37, no. 1: 336.Google Scholar
Gilchrist, John Borthwick. 1820. The Stranger’s Infallible East-Indian Guide, 3rd ed. London: Black, Kingsbury, Parbury, and Allen.Google Scholar
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge, ma: Harvard University Press.Google Scholar
Gilroy, Paul. 2020. ‘“Lost in Music”: Wild Notes and Organised Sound’. In Sound and Literature, edited by Snaith, Anna, 170–89. Cambridge: Cambridge University Press.Google Scholar
Goehr, Lydia. 1992. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon Press.Google Scholar
Gottlieb, Evan. 2007. Feeling British: Sympathy and National Identity in Scottish and English Writing, 1707–1832. Lewisburg, pa: Bucknell University Press.Google Scholar
Grant, Roger M. 2014. Beating Time and Measuring Music in the Early Modern Era. Oxford: Oxford University Press.Google Scholar
Grant, Roger M. 2020. Peculiar Attunements: How Affect Theory Turned Musical. New York: Fordham University Press.Google Scholar
Grenier, Katherine H. 2005. Tourism and Identity in Scotland, 1770–1914. Aldershot: Ashgate.Google Scholar
Groth, Helen. 2020. ‘Literary Soundscapes’. In Sound and Literature, edited by Snaith, Anna, 135–53. Cambridge: Cambridge University Press.Google Scholar
Gurton-Wachter, Lily. 2016. Watchwords: Romanticism and the Poetics of Attention. Stanford, ca: Stanford University Press.Google Scholar
Hambridge, Katherine, and Hicks, Jonathan, eds. 2018. The Melodramatic Moment: Music and Theatrical Culture, 1790–1820. Chicago: University of Chicago Press.Google Scholar
Hammond, Paul. 1995. The Poems of John Dryden, vol. 1, 1649–1681. Milton Park, Abingdon: Routledge.Google Scholar
Hardison, O. B. 1989. Prosody and Purpose in the English Renaissance. Baltimore: Johns Hopkins University Press.Google Scholar
Hardy, Robert. 2002. ‘Gilbert White and the Natural History of Vergilian Echoes’. Classical World 95, no. 2: 163–69.Google Scholar
Hartley, David. 1834. Observations on Man, His Frame, His Duty, and His Expectations, 6th ed. London: Thomas Tegg & Son.Google Scholar
Hawkes, William, Loeschman, David, and Liston, Henry. 1811. ‘On the Recent Improvements Made in Musical Keyed Instruments, with Copies of the Specifications of Three Patents Lately Granted for These Purposes, to Mr. Hawkes, Mr. Loeschman, and Mr. Liston’. The Philosophical Magazine 37, no. 157: 325–32.Google Scholar
Hazlitt, William. 1930–34. ‘The Letter Bell’. In The Complete Works of William Hazlitt, edited by Howe, P. P., 21 vols., vol. 17, 376–82. London: J. M. Dent.Google Scholar
Head, Matthew. 2003. ‘Musicology on Safari: Orientalism and the Spectre of Postcolonial Theory’. Music Analysis 22: 211–30.Google Scholar
Head, Matthew. 2000. Orientalism, Masquerade and Mozart’s Turkish Music. Milton Park, Abingdon: Ashgate.Google Scholar
Heber, Reginald. 1828. Narrative of a Journey through the Upper Provinces of India, 3 vols. London: John Murray.Google Scholar
Hensel, Sebastian. 1882. The Mendelssohn Family: From Letters and Journals, 2nd ed. Translated by Carl Klingemann and an American collaborator. New York: Harper and Brothers.Google Scholar
Herder, Johann Gottfried. 2017. Song Loves the Masses: Herder on Music and Nationalism. Translated by Philip Bohlman. Berkeley: University of California Press.Google Scholar
Heringman, Noah. 2003. ‘Introduction: The Commerce of Literature and Natural History’. In Romantic Science: The Literary Forms of Natural History, 119. Albany: State University of New York Press.Google Scholar
Herschel, J. F. W. 1830. ‘A Treatise on Sound’. In Encyclopaedia Metropolitana, or, Universal Dictionary of Knowledge, edited by Smedley, Edward, 475510. London: Rest Fenner.Google Scholar
Hibberd, Sarah. 2018. ‘Scenography, Spéculomanie, and Spectacle: Pixerécourt’s La citerne (1809)’. In The Melodramatic Moment: Music and Theatrical Culture, 1790–1820, edited by Hambridge, Katherine and Hicks, Jonathan, 7993. Chicago: University of Chicago Press.Google Scholar
‘History of the Theatre’. 1789. Historical Magazine 1: 292.Google Scholar
Hogan, Charles Beecher, ed. 1960–68. The London Stage, 1660–1800: A Calendar of Plays, Entertainments & Afterpieces. Carbondale: Southern Illinois University Press.Google Scholar
Holden, John. 1770. An Essay towards a Rational System of Music. Glasgow: Robert Urie.Google Scholar
Hollander, John. 1981. The Figure of Echo: A Mode of Allusion in Milton and After. Berkeley and Los Angeles: University of California Press.Google Scholar
Hone, William. 1837. The Every-Day Book and Table-Book. London: Thomas Teg.Google Scholar
Hudson, Nicholas. 2002. ‘Constructing Oral Tradition: The Origins of the Concept in Enlightenment Intellectual Culture’. In The Spoken Word. Oral Culture in Britain, 1500–1850, edited by Fox, Adam and Woolf, Daniel, 240–55. Manchester: Manchester University Press.Google Scholar
Hume, David. 1987. Essay of the Standard of Taste. In Essays: Moral, Political, and Literary, edited by Miller, Eugene F., 226–49. Indianapolis, IN: Liberty Classics.Google Scholar
Hume, David. 1987. Of Simplicity and Refinement in Writing. In Essays: Moral, Political, and Literary, edited by Miller, Eugene F., 191–96. Indianapolis, in: Liberty Classics.Google Scholar
Hume, David. 1987. The Skeptic. In Essays: Moral, Political, and Literary, edited by Miller, Eugene F., 159–80. Indianapolis, in: Liberty Classics.Google Scholar
‘Intelligence and Miscellaneous Articles: Euharmonic Organ’. 1821. The Philosophical Magazine 57, no. 275: 228–32.Google Scholar
‘Intelligence and Miscellaneous Articles: Euharmonic Organ at Calcutta’. 1819. The Philosophical Magazine 53, no. 253: 386–97.Google Scholar
Inwood, Stephen. 1990. ‘Policing London’s Morals: The Metropolitan Police and Popular Culture, 1829–1850’. The London Journal 15, no. 2: 129–46.Google Scholar
Ireland, John. 1793. Hogarth Illustrated, 3 vols. London.Google Scholar
Irvine, Thomas. 2020. Listening to China: Sound and the Sino-Western Encounter, 1770–1839. Chicago: University of Chicago Press.Google Scholar
Jackson, Myles W. 2016. ‘Charles Wheatstone: Musical Instrument Making, Natural Philosophy, and Acoustics in Early Nineteenth-Century London’. In Sound Knowledge: Music and Science in London, 1789–1851, edited by Davies, James Q. and Lockhart, Ellen, 101–24. Chicago: University of Chicago Press.Google Scholar
Jackson, Virginia. 2012. ‘Lyric’. In Princeton Encyclopedia of Poetry and Poetics, edited by Greene, Roland et al., 4th ed., 826–34. Princeton, nj: Princeton University Press.Google Scholar
Jackson, Virginia, and Prins, Yopie. 2014. The Lyric Theory Reader. Baltimore: Johns Hopkins University Press.Google Scholar
Jairazbhoy, Nazir Ali. 2008. ‘What Happened to Indian Music Theory? Indo-Occidentalism?Ethnomusicology 52, no. 3: 349–77.Google Scholar
Jameson, R. D. 1923. ‘Notes on Dryden’s Lost Prosodia’. Modern Philology 20, no. 3: 241–53.Google Scholar
Jenner, Mark. 2010. ‘Tasting Lichfield, Touching China: Sir John Floyer’s Senses’. The Historical Journal 53, no. 3: 647–70.Google Scholar
Johnson, James. 1788. Scots Musical Museum, vol. 2. Edinburgh: James Johnson.Google Scholar
Johnson, Samuel. 1755. A Dictionary of the English Language. London.Google Scholar
Johnson, Samuel. 1775. A Journey to the Western Islands of Scotland. London: A. Strahan and T. Cadell. New ed. [1775], 1791.Google Scholar
Johnson, Samuel. 1969. The Works of Samuel Johnson, vol. 4, edited by Bate, W. J. and Strauss, A. B. New Haven, ct: Yale University Press.Google Scholar
Joncus, Berta. 2019. Kitty Clive, or The Fair Songster. Woodbridge: Boydell & Brewer.Google Scholar
Jones, Charles, and McLeod, Wilson. 2007. ‘Standards and Differences: Languages in Scotland, 1707–1918’. In The Edinburgh History of Scottish Literature, vol. 2, edited by Brown, Ian, Clancy, Thomas Owen, Manning, Susan, and Pittock, Murray, 2132. Edinburgh: Edinburgh University Press.Google Scholar
Jones, Ian. 2012. The Local Church and Generational Change in Birmingham, 1945–2000. Woodbridge: Boydell & Brewer.Google Scholar
Jones, William. 1788. ‘A Dissertation on the Orthography of Asiatick Words in Roman Letters’. Asiatick Researches 1: 156.Google Scholar
Jones, William. ‘On the Musical Modes of the Hindus’. In Hindu Music from Various Authors, edited by Tagore, Sourindro Mohun, 123–60. Calcutta: Babu Punchanun Mukerjea.Google Scholar
Jonson, Ben. 2014. Epicœne, or The Silent Woman, edited by Holdsworth, Roger. London: Methuen Drama, 2014.Google Scholar
Jorgensen, Owen. 1991. Tuning: Containing the Perfection of Eighteenth-Century Temperament, the Lost Art of Nineteenth-Century Temperament, and the Science of Equal Temperament. East Lansing: Michigan State University Press.Google Scholar
Kane, Brian. 2014. Sound Unseen: Acousmatic Sound in Theory and Practice. Oxford: Oxford University Press.Google Scholar
Kassler, Jamie Croy. 1979. The Science of Music in Britain, 1714–1830: A Catalogue of Writings, Lectures, and Inventions, vol. 2. New York: Garland.Google Scholar
Kassler, Michael. 2011. The Music Trade in Georgian England. Farnham: Ashgate.Google Scholar
Kay, J. P. 1828. ‘Use of the Stethoscope’. Lancet (23 February): 754–57.Google Scholar
Keats, John. 2002. Selected Letters, edited by Gilttings, Robert, rev. Mee, Jon. Oxford: Oxford University Press.Google Scholar
Kejariwal, O. P. 1988. The Asiatic Society of Bengal and the Discovery of India’s Past. Delhi: Oxford University Press.Google Scholar
Kennaway, James. 2012. Bad Vibrations: The History of the Idea of Music as a Cause of Disease. Farnham: Ashgate.Google Scholar
Kenrick, William. 1776. The Spleen: Or, The Offspring of Folly. London.Google Scholar
Kipling, Rudyard. 1910. ‘Marklake Witches’. In Rewards and Fairies. New York: Doubleday.Google Scholar
Kirnberger, Johann Philipp. 1771. Die Kunst des reinen Satzes in der Musik aus sicheren Grundsatzen hergeleitet und mit deutlichen Beyspielen erläutert. Berlin: C. F. Voss.Google Scholar
Kitson, Michael. 1966. ‘Hogarth’s “Apology for Painters”’. The Volume of the Walpole Society 41: 46111.Google Scholar
Knight, Charles. 1841–43. London, 5 vols. London: Charles Knight & Co.Google Scholar
Knox, Vicesimus. 1779. Essays Moral and Literary, 2nd ed. London.Google Scholar
Kollmann, A. F. C. 1812. ‘Remarks on the Artificial Temperaments of Organs, and Piano Fortes, Invented by Mr. Hawkes, Mr. Loeshman, and the Rev. Mr Liston’. The Quarterly Musical Register 1–2: 7479, 148–52.Google Scholar
Kun, Josh. 2000. ‘The Aural Border’. Theatre Journal 52: 121.Google Scholar
‘A Lady’, ed. 1840. Anecdotes, Personal Traits, and Characteristic Sketches of Victoria the First. London.Google Scholar
Laennec, R. T. H. 1827. A Treatise on the Diseases of the Chest and on Mediate Auscultation, 2nd ed. Translated by Forbes, John. London: G. and T. Underwood.Google Scholar
Lamb, Charles. 1833. Essays of Elia. London: Edward Moxon.Google Scholar
Lamb, Charles. 1811. ‘On the Genius and Character of Hogarth’. The Reflector 2, no. 3: 6177.Google Scholar
Langan, Celeste. 2017. ‘Scotch Drink & Irish Harps: Mediations of the National Air’. In The Figure of Music in Nineteenth-Century British Poetry, edited by Weliver, Phyllis, 2549. Milton Park, Abingdon: Routledge.Google Scholar
‘Last Dying Speeches’. 1829. The Gentleman’s Pocket Magazine; and Album of Literature and Fine Arts, 375–76. London.Google Scholar
Latour, Bruno. 1993. We Have Never Been Modern. Translated by Catherine Porter. Cambridge, ma: Harvard University Press.Google Scholar
Lawrence, John. 1796. A Philosophical and Practical Treatise on Horses. London.Google Scholar
Leapor, Mary. 1751. Poems upon Several Occasions, 2 vols. London: J. Roberts.Google Scholar
Leask, Nigel. 2016. ‘Fingalian Topographies: Ossian and the Highland Tour, 1760–1805’. Journal for Eighteenth-Century Studies 39, no. 2: 183–96.Google Scholar
Lefebvre, Henri. 2013. Rhythmanalysis. Translated by Stuart Eden. London: Bloomsbury.Google Scholar
L.E.L. [Landon, Letitia Elizabeth]. 1839. ‘The Death of Heber’. In Fisher’s Drawing Room Scrap Book, 58. London.Google Scholar
Leppert, Richard. 2012. ‘Reading the Sonoric Landscape’. In The Sound Studies Reader, edited by Sterne, Jonathan, 409–18. Abingdon: Routledge.Google Scholar
Lichtenberg, Georg Christoph. 1966. The World of Hogarth. Lichtenberg’s Commentaries on Hogarth’s Engravings. Boston: Houghton Mifflin.Google Scholar
Lightman, Bernard. 2007. Victorian Popularizers of Science: Designing Nature for New Audiences. Chicago: University of Chicago Press.Google Scholar
Liston, Henry. 1812. An Essay on Perfect Intonation. Edinburgh: James Ballantyne and Co.Google Scholar
Liston, Henry. 1832. ‘Music’. In Edinburgh Encyclopaedia, edited by Brewster, David, vol. 14, 36141. Philadelphia: Joseph and Edward Parker,Google Scholar
Locke, John. 1694. An Essay Concerning Human Understanding: In Four Books. 2nd ed. London: Thomas Ding and Samuel Manship.Google Scholar
Locke, Ralph. 2006. ‘Aida and Nine Readings of Empire’. Nineteenth-Century Music Review 3: 4572.Google Scholar
Locke, Ralph. 2009. Musical Exoticism. Cambridge: Cambridge University Press.Google Scholar
Locke, Ralph. 2016. Music and the Exotic from the Renaissance to Mozart. Cambridge: Cambridge University Press.Google Scholar
Lockhart, Ellen. 2020. ‘Lupus Tonalis’. Representations 150, no. 1: 120–41.Google Scholar
Lockhart, Ellen. 2016. ‘Transparent Music and Sound–Light Analogy ca. 1800’. In Sound Knowledge: Music and Science in London, 1789–1851, edited by Davies, James Q. and Lockhart, Ellen, 77100. Chicago: University of Chicago PressGoogle Scholar
Lockhart, J. G. 1838. Memoirs of the Life of Sir Walter Scott, vol. 1. Paris: Baudry’s European Library.Google Scholar
Lockwood, Tom. 2005. Ben Jonson in the Romantic Age. Oxford: Oxford University Press.Google Scholar
Loesser, Arthur. 1954. Men, Women and Pianos: A Social History. New York: Simon Schuster; reprint, New York: Dover, 1990.Google Scholar
‘London Noises’. 1828. The Mirror of Literature 11: 342.Google Scholar
Loughridge, Deirdre. 2016. ‘Celestial Mechanisms: Adam Walker’s Eidouranion, Celestina, and the Advancement of Knowledge’. In Sound Knowledge: Music and Science in London, 1789–1851, edited by Davies, James Q. and Lockhart, Ellen, 4776. Chicago: University of Chicago Press.Google Scholar
Love, Harold. 2001. ‘Roger L’Estrange’s Criticism of Dryden’s Elocution’. Notes & Queries 48, no. 4: 398400.Google Scholar
Mabey, Richard. 1986. Gilbert White: A Biography of the Author of the Natural History of Selborne. Charlottesville: University of Virginia Press.Google Scholar
Macaulay, T. B. 1958. ‘Minute on Education’. In Sources of Indian Tradition, vol. 2, edited by de Bary, W. Theodore, 4449. New York: Columbia University Press.Google Scholar
MacCulloch, J. 1814. ‘On Staffa’. Transactions of the Geological Society of London, 501–9.Google Scholar
Mackay, Charles, ed. c. 1840. The Book of English Songs. London.Google Scholar
Macmullan, Mary Anne. 1818. Britain; or, Fragments of Poetical Aberration. London.Google Scholar
‘Mademoiselle Julie: Or, Witchcraft for the Aristocracy’. 1846. Athenaeum 957 (28 February): 221–23.Google Scholar
Majeed, Javed. 2019. Colonialism and Knowledge in Grierson’s Linguistic Survey of India. Abingdon: Routledge.Google Scholar
Makdisi, Saree. 2014. Making England Western: Occidentalism, Race, and Imperial Culture. Chicago: University of Chicago Press.Google Scholar
Mann, Michael. 2004. ‘“Torchbearers upon the Path of Progress”: Britain’s Ideology of a “Moral and Material Progress” in India. An Introductory Essay’. In Colonialism as Civilizing Mission: Cultural Ideology in British India, edited by Mann, Michael and Fischer-Tiné, Harald, 126. London: Anthem.Google Scholar
Mare, Margaret L., and Quarrell, W. H., eds. 1938. Lichtenberg’s Visits to England. Oxford: Clarendon Press.Google Scholar
Martin, Meredith. 2012. The Rise and Fall of Meter: Poetry and English National Culture, 1860–1930. Princeton, nj: Princeton University Press.Google Scholar
Marx, Karl. 1959. Economic and Philosophical Manuscripts [1844]. Translated by Martin Milligan. Moscow: Progress Publishers.Google Scholar
Mason, Laura. 1996. Singing the French Revolution: Popular Culture and Politics, 1787–1799. Ithaca, ny: Cornell University Press.Google Scholar
Mathew, Nicholas. 2018. ‘Interesting Haydn: On Attention’s Materials’. Journal of the American Musicological Society 71, no. 3: 655701.Google Scholar
Mathew, Nicholas. 2013. Political Beethoven. Cambridge: Cambridge University Press.Google Scholar
Mayes, Catherine. 2014. ‘Eastern European National Music as Concept and Commodity at the Turn of the Nineteenth Century’. Music & Letters 95, no. 1: 7091.Google Scholar
Mayhew, Henry. 1851. London Labour and the London Poor, 4 vols. London.Google Scholar
Mbembe, Achille. 2005. ‘Variations on the Beautiful in the Congolese World of Sounds’. Politique Africaine 100, no. 4: 6991.Google Scholar
McAuley, Karen. 2013. Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era. Farnham, Surrey, and Burlington, vt: Ashgate.Google Scholar
McDonagh, Josephine. 2021. Literature in a Time of Migration: British Fiction and the Movement of People, 1815–1876. Oxford: Oxford University Press.Google Scholar
McDowell, Paula. 2017. The Invention of the Oral. Print Commerce and Fugitive Voices in Eighteenth-Century Britain. Chicago: University of Chicago Press.Google Scholar
McDowell, Paula. 2006. ‘“The Manufacture and Lingua-facture of Ballad-Making”: Broadside Ballads in Long Eighteenth-Century Ballad Discourse’. The Eighteenth Century 47, no. 2: 151–78.Google Scholar
McDowell, Paula. 1998. The Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace 1678–1730. Oxford: Oxford University Press.Google Scholar
McIlvenna, Una. 2015. ‘The Power of Music: The Significance of Contrafactum in Execution Ballads’. Past & Present 229: 4789.Google Scholar
McIlvenna, Una. 2016. ‘When the News was Sung: Ballads as New Media in Early Modern Europe’. Media History 2, nos. 3–4: 117.Google Scholar
McLane, Maureen N. 2008. Balladeering, Minstrelsy, and the Making of British Romantic Poetry. Cambridge: Cambridge University Press.Google Scholar
McLane, Maureen N., and Slatkin, Laura M.. 2011. ‘British Romantic Homer: Oral Tradition, “Primitive Poetry” and the Emergence of Comparative Poetics in Britain, 1760–1830’. ELH 78, no. 3: 687714.Google Scholar
Meisel, Martin. 1983. Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England. Princeton, nj: Princeton University Press.Google Scholar
Meneley, Tobias. 2004. ‘Travelling in Place: Gilbert White’s Cosmopolitan Parochialism’. Eighteenth-Century Life 28, no. 3: 4665.Google Scholar
Mignolo, Walter. 2011. ‘Aiesthesis decolonial’. Calle 14 4, no. 4: 1025.Google Scholar
Mignolo, Walter, and Vázquez, Rolando. 2013. ‘Decolonial AestheSis: Colonial Wounds/Decolonial Healings’. SocialText Online, https://socialtextjournal.org/periscope_topic/decolonial_aesthesis/.Google Scholar
Miles, Robert. 1995. Anne Radcliffe: The Great Enchantress. Manchester: Manchester University Press.Google Scholar
Mitchell, Jerome. 1977. The Walter Scott Operas: An Analysis of Operas Based on the Works of Sir Walter Scott. Tuscaloosa: University of Alabama Press.Google Scholar
Mitchell, Timothy. 2000. ‘The Stage of Modernity’. In Questions of Modernity, edited by Mitchell, Timothy, 134. Minneapolis: University of Minnesota Press,Google Scholar
Mitchell, Timothy, ed. 2000. Questions of Modernity. Minneapolis: University of Minnesota Press.Google Scholar
Mittra, Peary Chand. 1877. A Biographical Sketch of David Hare. Calcutta: Newman.Google Scholar
Momus: Or, the Laughing Philosopher. 1777. Dublin.Google Scholar
Moody, Jane. 2000. Illegitimate Theatre in London 1770–1840. Cambridge: Cambridge University Press.Google Scholar
Moore, Dafydd. 2007. ‘The Ossianic Revival, James Beattie and Primitivism.’ In The Edinburgh History of Scottish Literature, vol. 2, edited by Brown, Ian, Clancy, Thomas Owen, Manning, Susan, and Pittock, Murray, 90104. Edinburgh: Edinburgh University Press.Google Scholar
Morrison, Stanley. 1932. The English Newspaper, 1622–1932. Cambridge: Cambridge University Press.Google Scholar
Morrison, Stanley. 1930. John Bell, 1745–1831: A Memoir. Cambridge: Cambridge University Press.Google Scholar
Morton, John. 1712. The Natural History of Northampton-Shire. London.Google Scholar
Mulholland, James. 2009. ‘James Macpherson’s Ossian Poems, Oral Traditions, and the Invention of Voice’. Oral Tradition 24, no. 2: 393414.Google Scholar
The Multigraph Collective. 2018. Interacting with Print: Elements of Reading in an Age of Print Saturation. Chicago: University of Chicago Press.Google Scholar
Murphy, Anne L. 2019. ‘Performing Public Credit at the Eighteenth-Century Bank of England’. Journal of British Studies 58: 5878.Google Scholar
Necker, Louis-Albert. 1821. Voyage en Écosse et aux Iles Hébrides …, vol. 2. Geneva: J. J. Pachoud.Google Scholar
Neeley, Kathryn A. 2001. Mary Somerville: Science, Illumination and the Female Mind. Cambridge: Cambridge University Press.Google Scholar
Neill, Stephen. 2009. A History of Christianity in India. Cambridge: Cambridge University Press.Google Scholar
Nelson, Claire. 2000. ‘Tea-Table Miscellanies: The Development of Scotland’s Song Culture, 1720–1800’. Early Music 28, no. 4: 597618.Google Scholar
Newman, Steve. 2007. Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New Criticism. Philadelphia: University of Pennsylvania Press.Google Scholar
The Newsman’s Present to His Worthy Customers. 1792. London.Google Scholar
Nichols, John, et al. 1785. Biographical Anecdotes of William Hogarth: With a Catalogue of His Works Chronologically Arranged; and Occasional Remarks. London: John Nichols.Google Scholar
Nicholson, Malcolm. 2004. ‘Having the Doctor’s Ear in Nineteenth Century Edinburgh’. In Hearing History: A Reader, edited by Smith, Mark M, 151–68. Athens: University of Georgia Press.Google Scholar
[Nodier, Charles]. 1820. Le vampire, mélodrame en trois actes, avec un prologue, musique de M. Alexandre Piccini, décors de M. Ciceri. Paris.Google Scholar
O’Gorman, Francis, and Turner, Katherine, eds. 2004. The Victorians and the Eighteenth Century: Reassessing the Tradition. Farnham: Ashgate.Google Scholar
O’Quinn, Daniel. 2004. ‘Ravishment Twice Weekly: De Quincey’s Opera Pleasures’. Romanticism on the Net 34–35, www.erudit.org/en/journals/ron/2004-n34-35-ron824/009436ar/.Google Scholar
‘The Organ Grinder’s Echo’. 1864. Punch 46: 27.Google Scholar
Osterhammel, Jürgen. 2014. The Transformation of the World: A Global History of the Nineteenth Century. Translated by Patrick Camiller. Princeton, nj: Princeton University Press.Google Scholar
Otte, T. G. 2011. The Foreign-Office Mind: The Making of British Foreign Policy, 1865–1914. Cambridge: Cambridge University Press.Google Scholar
Otter, Chris. 2008. The Victorian Eye: A Political History of Light and Vision in Britain, 1800–1910. Chicago: University of Chicago Press.Google Scholar
Oxberry, William. 1825–27. Oxberry’s Dramatical Biography, 6 vols. London: G. Virtue.Google Scholar
Pandither, [Pandithar], Abraham, Rao Sahib M.. 1918. To the Members of the Tanjore Sangeetha Vidya Mahajana Sangam and to the Delegate [sic] at the All-India Music Conference at Delhi: A Refutation to the Monogram on the Calculation of 22 Srutis of the Indian Musical Scale Arrived by Fifths by Mr. G. S. Khare of Kurundvad Bombay Presidency. Tanjore: Lawley Electric Printing Press.Google Scholar
Parker, George. 1781. A View of Society and Manners in High and Low Life. London.Google Scholar
Pasquali, Nicolo. 1760. The Art of Fingering the Harpsichord. Edinburgh: Robert Bremner.Google Scholar
Pater, Walter H. 1877. ‘The School of Giorgione’. The Fortnightly Review, October, 526–38.Google Scholar
Paterson, J. D. ‘On the Grámas or Musical Scales of the Hindus’. In Hindu Music from Various Authors, edited by Tagore, Sourindro Mohun, 173–90. Calcutta: Babu Punchanun Mukerjea.Google Scholar
Patterson, Elizabeth. 2004. Mary Somerville and the Cultivation of Science, 1815–1840. Boston: Thoemmes Press.Google Scholar
Paulson, Ronald. 1992. Hogarth, vol. 1: The Modern Moral Subject 1697–1732. Cambridge: Lutterworth Press.Google Scholar
Paulson, Ronald. 1992. Hogarth, vol. 2: High Art and Low 1732–1750. Cambridge: Lutterworth Press.Google Scholar
Paulson, Ronald. 1971. Hogarth: His Life, Art, and Times. New Haven, ct: Yale University Press.Google Scholar
Paulson, Ronald. 1979. Popular and Polite Art in the Age of Hogarth and Fielding. Notre Dame, il: University of Notre Dame Press.Google Scholar
Payne, George. 1905. Mrs Gaskell and Knutsford, 2nd ed. Manchester: Clarkson and Griffiths.Google Scholar
Pennant, Thomas. 1774. A Tour in Scotland, and Voyage to the Hebrides, mdcclxxii. Chester: John Monk.Google Scholar
Perry, R. 2008. ‘“The Finest Ballads”: Women’s Oral Traditions in Eighteenth-Century Scotland’. Eighteenth-Century Life 32, no. 2: 8197.Google Scholar
Pesic, Peter. 2014. Music and the Making of Modern Science. Cambridge, ma: MIT Press.Google Scholar
Pesic, Peter. 2013. ‘Thomas Young’s Musical Optics: Translating Sound into Light’. In ‘Music, Sound and the Laboratory from 1750–1980’, edited by Hui, Alexandra, Kursell, Julia, and Jackson, Myles W., special issue of Osiris, 28: 1539.Google Scholar
Peterfreund, Stuart. 1996. ‘Clare, White, and the Modalities of Mediation’. The Wordsworth Circle 27, no. 3: 145–51.Google Scholar
‘The Philharmonic Concerts’. 1832. The Harmonicon 10, no. 6 (June): 141–42.Google Scholar
‘The Philharmonic Concerts’. 1832. The Spectator (5 May): 15.Google Scholar
Phillips, Natalie M. 2016. Distraction: Problems of Attention in Eighteenth-Century Literature. Baltimore: Johns Hopkins University Press.Google Scholar
Phillipson, Nicholas. 2010. Adam Smith: An Enlightened Life. London: Penguin.Google Scholar
Philo-Musicus, . 1817. ‘A Further Account of the Exhibition and Harmonic Effects of the Rev. Mr. Liston’s Large Euharmonic Organ with Compound Stops’. Philosophical Magazine 49, no. 228: 266–69.Google Scholar
Philo-Musicus, . 1817. ‘On the Exhibition and Harmonic Effects, of the Rev. Mr. Liston’s Euharmonic Organ. Philosophical Magazine 49, no. 227: 213–15.Google Scholar
Philo-Musicus, . 1817. ‘On Mr. Liston’s Enharmonic Organ’. The Monthly Magazine 43, no. 297: 295–96.Google Scholar
Philo-Musicus, . 1850. ‘Phonic Horns’. Journal of the British Archaeological Association 5: 131.Google Scholar
Philo-Musicus, . 1841. ‘The Physiology of the London Medical Student. iii – Of His Gradual Development’. Punch, or the London Charvari 1: 165.Google Scholar
Picker, John M. 2003. Victorian Soundscapes. Oxford: Oxford University Press.Google Scholar
Pickering, Hugh, and Rice, Tom. 2017. ‘Noise as “Sound Out of Place”: Investigating the Links between Mary Douglas’ Work on Dirt and Sound Studies Research’. Journal of Sonic Studies 14, www.researchcatalogue.net/view/374514/374515Google Scholar
Pindar, Peter. 1787. The Lousiad: An Heroi-Comic Poem.Google Scholar
Pinkerton, John. 1781. Scottish Tragic Ballads. London: J. Nichols.Google Scholar
Planché, James Robinson. 1901. Recollections and Reflections, rev. ed. London: Sampson Low, Marston & Company.Google Scholar
Planché, James Robinson. 1820. The Vampire; or, the Bride of the Isles, a Romantic Melo-Dram in Two Acts, Preceded by an Introductory Vision. London: John Lowndes.Google Scholar
Plot, Robert. 1677. The Natural History of Oxford-Shire. Oxford.Google Scholar
Pocock, J. G. A. 2005. ‘The Neo-Britains and the Three Empires’. In The Discovery of the Islands: Essays in British History, 181–98. Cambridge: Cambridge University Press.Google Scholar
Pope, Alexander. 1961. Essay on Criticism. In The Poems of Alexander Pope, vol. 1, edited by Audra, E. and Williams, Aubrey, 195325. London: Methuen.Google Scholar
Porter, James. 2019. Beyond Fingal’s Cave: Ossian in the Musical Imagination. Rochester, ny: Boydell and Brewer.Google Scholar
Povinelli, Elizabeth A. 2001. ‘Radical Worlds: The Anthropology of Incommensurability and Inconceivability’. Annual Review of Anthropology 30, no. 1: 319–34.Google Scholar
Poynder, John. 1820. Observations upon Sunday Newspapers. London.Google Scholar
Praisegod Barebones, . 1808. ‘The Crying Sin of Sunday Newspapers’. The Satirist: Or, Monthly Meteor 2: 381Google Scholar
Priestley, Joseph. 1775. Hartley’s Theory of the Human Mind: On the Principle of the Association of Ideas. London.Google Scholar
Prince, Mary, and Pringle, Thomas. 1831. The History of Mary Prince, a West Indian Slave. London: F. Westley and A. H. Davis.Google Scholar
Prins, Yopie. 2000. ‘Victorian Meters’. In The Cambridge Companion to Victorian Poetry, edited by Bristow, Joseph, 89113. Cambridge: Cambridge University Press,Google Scholar
Pritchard, Jonathan. 2007. ‘Swift’s Irish Rhymes’. Studies in Philology 104, no. 1: 123–58.Google Scholar
Pye, Patricia. 2017. Sound and Modernity in the Literature of London, 1880–1918. Basingstoke: Palgrave Macmillan.Google Scholar
Quincey, Thomas De. 2013. Confessions of an English Opium-Eater, edited by Morrison, Robert. Oxford: Oxford University Press.Google Scholar
Raymond, Joad. 2005. The Invention of the Newspaper: English Newsbooks, 1641–1649. Oxford: Clarendon Press.Google Scholar
Raz, Carmel. 2018. ‘Anne Young’s Introduction to Music (1803): Pedagogical, Speculative, and Ludic Music Theory’. SMT-V: Videocast Journal of the Society for Music Theory 4, no. 3, goo.gl/tX1e95.Google Scholar
Raz, Carmel. 2018. ‘Anne Young’s Musical Games (1801): Music Theory, Gender, and Game Design’. SMT-V: Videocast Journal of the Society for Music Theory 4, no. 2, goo.gl/ZXR6Cv.Google Scholar
Raz, Carmel. 2018. ‘An Eighteenth-Century Theory of Musical Cognition? John Holden’s Essay toward a Rational System of Music (1770)’. Journal of Music Theory 62, no. 2.Google Scholar
Raz, Carmel. 2014. ‘“The Expressive Organ within Us”: Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves’. 19th-Century Music 38, no. 2: 115–44.Google Scholar
Raz, Carmel. 2019. ‘Talking to the Hand: The “Hysterical Epistemology” of the Migrating Sensorium’. Journal of the American Musicological Society 72, no. 2: 552–57.Google Scholar
Raz, Carmel. 2022. ‘To “Fill Up, Completely, the Whole Capacity of the Mind”: Listening with Attention in Late Eighteenth-Century Scotland’. Music Theory Spectrum 44, no. 1: 141–54.Google Scholar
Read, Alan. 2009. Theatre, Intimacy, and Engagement: The Last Human Venue. Basingstoke: Palgrave Macmillan.Google Scholar
Regan, Mark. 1997. ‘The Bells of London’s Royal Exchange’. The Ringing World 4521–22: 1268–69.Google Scholar
Reid, Thomas. 1769. An Inquiry into the Human Mind on the Principles of Common Sense [1764], 3rd rev. ed. London: T. Cadell.Google Scholar
Reiser, Stanley Joel. 1978. Medicine and the Reign of Technology. Cambridge: Cambridge University Press.Google Scholar
‘Reminiscences of a Stethoscope’. 1842. Punch, or the London Charivari 2: 76.Google Scholar
‘Review of New Musical Publications: An Essay on Perfect Intonation, by the Rev. Henry Liston, Ecclesmachan, Linlithgowshire; Inventor of the Enharmonic Organ’. 1815. The Monthly Magazine 40, no. 276: 446–48.Google Scholar
Rheimheimer, Hans P. 1988. Topo: The Story of a Scottish Colony Near Caracas 1825–1827. Edinburgh: Scottish Academic Press.Google Scholar
Rigney, Anne. 2012. The Afterlives of Walter Scott: Memory on the Move. Oxford and New York: Oxford University Press.Google Scholar
Ritson, Joseph. 1794. Scotish Songs. London: J. Johnson and J. Egerton.Google Scholar
Rosen, George. 1939. ‘A Note on the Reception of the Stethoscope in England’. Bulletin of the History of Medicine 7, no. 1 (January): 9394.Google Scholar
Rousseau, Jean-Jacques. 1768. Dictionnaire de musique. Paris: Duchesne.Google Scholar
Rousseau, Jean-Jacques. 1753. Lettre sur la musique française.Google Scholar
Sala, George Augustus. 1892. ‘The Cries of London’, www.soundsurvey.org.uk/index.php/history/street_cries/brit3/507/2982.Google Scholar
Salter, Henry Hyde. 1863. ‘Lecture v. – On the Stethoscope’. British Medical Journal, 7 (February): 105–8, 133–35.Google Scholar
Sam Syntax’s Description of the Cries of London. 1821. London.Google Scholar
Sanchez, Rebecca. 2020. ‘Deafness and Sound’. In Sound and Literature, edited by Snaith, Anna, 272–86. Cambridge: Cambridge University Press.Google Scholar
Sandeman, Hugh David, ed. 1869. Selections from Calcutta Gazettes of the Years 1816 to 1823 Inclusive, Showing the Political and Social Condition of the English in India, Fifty Years Ago, vol. 5. Calcutta: Calcutta Central Press Company.Google Scholar
Sanial, S. C. 1915. ‘Early History of St. Andrew’s Kirk, Calcutta’. Bengal Past & Present 10/2, no. 20: 195210.Google Scholar
Say, Samuel. 1745. Poems on Several Occasions: and Two Critical Essays. London.Google Scholar
Schafer, R. Murray. 1994. The Soundscape: Our Sonic Environment and the Tuning of the World [1977]. Rochester, vt: Destiny Books.Google Scholar
Scherzinger, Martin. 2020. ‘Temporalities’. In The Oxford Handbook of Critical Concepts in Music Theory, edited by Rehding, Alexander and Rings, Steven, 234–70. Oxford: Oxford University Press.Google Scholar
Schmidt, Leigh Eric. 2000. Hearing Things: Religion, Illusion, and the American Enlightenment. Cambridge, ma: Harvard University Press.Google Scholar
Scott, Walter. 1999. Guy Mannering, edited by Garside, Peter. Edinburgh: Edinburgh University Press.Google Scholar
Sebastiani, Silvia. 2011. ‘National Characters and Race: A Scottish Enlightenment Debate’. In Character, Self, and Sociability in the Scottish Enlightenment, edited by Ahnert, Thomas and Manning, Susan, 187205. Basingstoke and New York: Palgrave Macmillan.Google Scholar
Sebastiani, Silvia. 2003. ‘Race and National Characters in Eighteenth-Century Scotland: The Polygenetic Discourses of Kames and Pinkerton’. Cromohs 8, www.fupress.net/index.php/cromohs/article/view/15686/14577.Google Scholar
Secord, James A. 2007. ‘How Scientific Conversation Became Shop Talk’. In Science in the Marketplace: Nineteenth-Century Sites and Experiences, edited by Fyfe, Aileen and Lightman, Bernard, 2359. Chicago: University of Chicago Press.Google Scholar
Secord, James A. 2014. ‘Mathematics for the Million? Mary Somerville’s On the Connexion of the Physical Sciences’. In Visions of Science: Books and Readers at the Dawn of the Victorian Age, 107269. Oxford: Oxford University Press.Google Scholar
Secord, James A. 2014. Visions of Science: Books and Readers at the Dawn of the Victorian Age. Oxford: Oxford University Press.Google Scholar
Secord, James A., ed. 2004. Collected Works of Mary Somerville, 9 vols. Bristol: Thoemmes Press.Google Scholar
Semi, Maria. 2021. ‘Civilization in Eighteenth-Century Britain: A Subject for Taste’. In Beyond Autonomy in Eighteenth-Century British and German Aesthetics, edited by Axelsson, Karl, Flodin, Camilla, and Pirholt, Mattias, 94111. New York and London: Routledge.Google Scholar
Semi, Maria. 2012. Music as a Science of Mankind in Eighteenth Century Britain. Farnham: Ashgate.Google Scholar
Semi, Maria. 2022. ‘Writing about Polyphony, Talking about Civilization: Charles Burney’s Musical “Corns and Acorns”’. Music & Letters 103, no. 1: 6087.Google Scholar
Sheridan, Thomas. 1775. Lectures on the Art of Reading. London.Google Scholar
Shesgreen, Sean. 2002. Images of the Outcast: The Urban Poor in the Cries of London. Manchester: Manchester University Press.Google Scholar
Shield, William. 1800. An Introduction to Harmony. London.Google Scholar
Shteir, Anne B. 1997. ‘Elegant Recreations? Configuring Science Writing for Women’. In Victorian Science in Context, edited by Lightman, Bernard, 236–55. Chicago: University of Chicago Press.Google Scholar
Siegert, Bernhard. 2015. Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real. Translated by Geoffrey Winthrop-Young. New York: Fordham University Press.Google Scholar
Sigona, Nando. 2014. ‘The Politics of Refugee Voices: Representation, Narratives and Memories’. In The Oxford Handbook of Refugee and Forced Migration Studies, edited by Fiddian-Qasmiyeh, Elena, Loescher, Gil, Long, Katy, and Sigona, Nando, 369–82. Oxford: Oxford University Press.Google Scholar
Siisiäinen, Lauri. 2013. Foucault and the Politics of Hearing. Abingdon: Routledge.Google Scholar
Silliman, Benjamin. 1812. A Journal of Travels in England, Holland, and Scotland. London.Google Scholar
Simon, Robin. 2007. Hogarth, France and British Art: The Rise of the Arts in 18th-Century Britain, London: Hogarth Arts.Google Scholar
Siskin, Clifford. 1999. The Work of Writing: Literature and Social Change in Britain, 1700–1830. Baltimore: Johns Hopkins University Press.Google Scholar
‘Sixth Philharmonic Concert’. 1832. The Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts 238 (19 May): 326.Google Scholar
Small, Christopher. 1977. Music, Society and Education. London: Calder.Google Scholar
Smith, Adam. 1795. ‘Of the Nature of That Imitation Which Takes Place in What Are Called the Imitative Arts’. In Philosophical Essays. London: T. Cadell.Google Scholar
Smith, Bruce R. 2002. ‘How Sound is Sound History? A Response to Mark Smith’. Journal of the Historical Society 2, nos. 3–4: 307–15.Google Scholar
Smith, Courtney Weiss. 20202. ‘The Matter of Language: or, What Does “The Sound Must Seem an Eccho to the Sense” Mean?ELH 87, no. 1: 3964.Google Scholar
Smith, Mark M. 2015. ‘Echo’. In Keywords in Sound, edited by Novak, David and Sakakeeny, Matt, 5564. Durham, nc: Duke University Press.Google Scholar
Smith, Mark M. 2002. ‘Echoes in Print: Method and Causation in Aural History’. Journal of the Historical Society 2, nos. 3–4: 317–36.Google Scholar
Solomonescu, Yasmin. 2014. John Thelwall and the Materialist Imagination. Houndmills: Palgrave Macmillan.Google Scholar
Somebody, . 1814. Something Concerning Nobody. London: Robert Scholey.Google Scholar
Somerville, Mary.1835. On the Connexion of the Physical Sciences. London: John Murray.Google Scholar
Sramek, Joseph. 2015. ‘Rethinking Britishness: Religion and Debates about the “Nation” among Britons in Company India, 1813–1857’. Journal of British Studies 54, no. 4: 822–43.Google Scholar
Stafford, Fionna. 1988. The Sublime Savage: Jams Macpherson and the Poems of Ossian. Edinburgh: Edinburgh University Press.Google Scholar
Stanyon, Miranda. 2021. Resounding the Sublime Music in English and German Literature and Aesthetic Theory, 1670–1850. Philadelphia: University of Pennsylvania Press.Google Scholar
A Statement of the Proceedings of the Presbytery of Glasgow Relative to the Use of an Organ in St. Andrew’s Church in the Public Worship of God. 1821. Philadelphia: D. Hogan.Google Scholar
‘The State of Music in Calcutta’. 1823. Harmonicon 1, no. 8: 111.Google Scholar
Steege, Benjamin. 2012. Helmholtz and the Modern Listener. Cambridge: Cambridge University Press.Google Scholar
Steele, Robert. 1910. A Bibliography of Royal Proclamations of the Tudor and Stuart Sovereigns and of Others Published under Authority, 1485–1714. Oxford: Oxford University Press.Google Scholar
Steinberg, Michael P. 2004. Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music. Princeton, nj: Princeton University Press.Google Scholar
‘Stethoscope’. 1828. London Medical Gazette, 8 March, 408–9.Google Scholar
‘To the Stethoscope’. 1847. Blackwood’s Edinburgh Magazine 61: 361–67.Google Scholar
Sterne, Jonathan. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham, nc: Duke University Press.Google Scholar
Stewart, Dugald. 1966. ‘An Account of the Life and Writings of Adam Smith’. In Adam Smith, The Theory of Moral Sentiments, xlilxix. New York: Augustus M. Kelley.Google Scholar
Stewart, Susan. 1991. Crimes of Writing. Problems in the Containment of Representation. Oxford: Oxford University Press.Google Scholar
Swidzinski, Joshua. 2015. ‘Poetic Numbers: Measurement and the Formation of Literary Criticism in Enlightenment England’. PhD dissertation, Columbia University.Google Scholar
Tagore, Sourindro Mohun. 2013. Hindu Music from Various Authors. Cambridge: Cambridge University Press.Google Scholar
Tagore, Sourindro Mohun. 1884. The Musical Scales of the Hindus: With Remarks on the Applicability of Harmony to Hindu Music. Calcutta: Bengal Academy of Music.Google Scholar
Taylor, Benedict. 2016. ‘Seascape in the Mist: Lost in Mendelssohn’s Hebrides’. 19th-Century Music 39, no. 3: 187222.Google Scholar
Thacker, Christopher. 2016. The Wildness Pleases: The Origins of Romanticism [1983]. Abingdon: Routledge.Google Scholar
Thackeray, William Makepeace. 1848. Vanity Fair. London: The Punch Office.Google Scholar
Thackeray, William Makepeace. 1859. The Virginians: A Tale of the Last Century. London: Bradbury and Evans.Google Scholar
‘Things Gone Out of Use’. 1868. The Leisure Hour 837: 23.Google Scholar
Thomas, Ronald R. 1999. Detective Fiction and the Rise of Forensic Science. Cambridge: Cambridge University Press.Google Scholar
Thompson, Emily. 2003. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge, ma: MIT Press.Google Scholar
Thompson, Thomas Perronet. 1850. Theory and Practice of Just Intonation: With a View to the Abolition of Temperament […]. London: Effingham Wilson.Google Scholar
Thomson, George. 1795. A Select Collection of Original Scotish Airs for the Voice. To Each of Which Are Added Introductory & Concluding Symphonies & Accompanyments for the Violin & Piano Forte, by Pleyel, etc. Dublin: Hime.Google Scholar
‘Travels in England, Scotland, and the Hebrides … [review]’. 1799. The Critical Review (September): 1–14.Google Scholar
Tresch, John. 2012. The Romantic Machine: Utopian Science and Technology after Napoleon. Chicago: University of Chicago Press.Google Scholar
Trollope, Anthony. 1860. The Three Clerks. New York: Harper and Brothers.Google Scholar
Trower, Shelley. 2012. Senses of Vibration: A History of the Pleasure and Pain of Sound. New York: Continuum.Google Scholar
Trudge, Timothy. 1813. ‘A Poetical Journey from London to Brighton’. The Meteor; or, General Censor, 365.Google Scholar
Tullett, William. 2019. Smell in Eighteenth-Century England: A Social Sense. Oxford: Oxford University Press.Google Scholar
Uglow, Jenny. 1997. Hogarth. A Life and a World. New York: Farrar, Straus, and Giroux.Google Scholar
Upjohn, A. 1794[?]. Map of Calcutta and Its Environs from a Survey Taken in the Years 1792 and 1793. Calcutta: Upjohn.Google Scholar
Vaughan, Edgar. 1978–79. The Guayrians at Guelph in Upper Canada: Scottish Settlers for Canada from Venezuela. A Bureaucratic Problem in 1827. Guelph Historical Society, 18. Guelph: Guelph Historical Society.Google Scholar
Vernon, James. 2014. Distant Strangers: How Britain Became Modern. London: University of California Press.Google Scholar
Von Troil, Uno. 1780. Letters on Iceland … . Dublin: G. Perrin.Google Scholar
Walden, Daniel K. S. 2017. ‘Emancipate the Quartertone: The Call to Revolution in Nineteenth-Century Music Theory’. History of Humanities 2, no. 2: 327–44.Google Scholar
Walpole, Horace. 1857. The Letters of Horace Walpole, edited by Cunningham, P., 9 vols. London.Google Scholar
Walsham, Alex. 2011. ‘The Reformation of the Generations: Youth, Age, and Religious Change in England, c. 1500–1700’. Transactions of the Royal Historical Society 21: 93121.Google Scholar
Warton, Joseph, ed. 1753. The Works of Virgil, in English and Latin. London.Google Scholar
Wasserman, Earl. 1940. ‘The Return of the Enjambed Couplet’. ELH 7, no. 3: 239–52.Google Scholar
Waters, Hazel. 2007. Racism on the Victorian Stage: Representations of Slavery and the Black Character. Cambridge: Cambridge University Press.Google Scholar
Weber, Max. 1958. The Rational and Social Foundations of Music. Carbondale: Southern Illinois University Press.Google Scholar
Weiner, Stephanie. 2014. Clare’s Lyric: John Clare and Three Modern Poets. Oxford: Oxford University Press.Google Scholar
Weiskott, Eric. 2016. ‘Before Prosody: Early English Poetics in Practice and Theory’. MLQ 77, no. 4: 473–98.Google Scholar
Weiskott, Eric. 2020. Meter and Modernity in English Verse, 1350–1650. Philadelphia: University of Pennsylvania Press.Google Scholar
Western, Tom. 2020. ‘Listening in Displacement: Sound, Citizenship and Disruptive Representations of Migration’. Migration and Society 3, no. 1: 294309.Google Scholar
Whewell, William. 1834. ‘Review of On the Connexion of the Physical Sciences’. Quarterly Review 15 (March): 5468.Google Scholar
White, Gilbert. 1877. The Natural History and Antiquities of Selborne, edited by Bell, Thomas, 2 vols. London.Google Scholar
White, Gilbert. 1789. The Natural History of Selborne. London.Google Scholar
Whittington, Ryan D. 2019. ‘Music to Save an Audience: Two Melodramatic Vampires of 1820 and the Music That Betrays Them’. In All Around Monstrous: Monster Media in Their Historical Contexts, edited by Bernardi, Verena and Jacob, Frank, 245–70. Wilmington, de: Vernon Press.Google Scholar
Will, Richard. 2000. The Characteristic Symphony in the Age of Haydn and Beethoven. Cambridge: Cambridge University Press.Google Scholar
Willard, N. Augustus. 1875. ‘Treatise of the Music of Hindustan’. In Hindu Music from Various Authors, edited by Tagore, Sourindro Mohun, 1122. Calcutta: Babu Punchanun Mukerjea.Google Scholar
Williams, Richard David. 2016. ‘Music, Lyrics, and the Bengali Book: Hindustani Musicology in Calcutta, 1818–1905’. Music & Letters 97, no. 3: 465–95.Google Scholar
Winter, Alison. 2000. Mesmerized: Powers of Mind in Victorian Britain. Chicago: University of Chicago Press.Google Scholar
Wollstonecraft, Mary. 1787. Thoughts on the Education of Daughters, with Reflections on Female Conduct in the Important Duties of Life. London: J. Johnson.Google Scholar
Wollstonecraft, Mary. 1792. Vindication of the Rights of Woman. London: J. Johnson.Google Scholar
Wood, Gillen D’Arcy. 2010. Romanticism and Music Culture in Britain, 1770–1840: Virtue and Virtuosity. Cambridge: Cambridge University Press.Google Scholar
Woodfield, Ian. 2000. Music of the Raj: A Social and Economic History of Music in Late Eighteenth-Century Anglo-Indian Society. Oxford: Oxford University Press.Google Scholar
Woodward, G. M. 1796. Eccentric Excursions. London.Google Scholar
Woolf, Daniel. 2001. ‘News, History, and the Construction of the Present in Early Modern England’. In The Politics of Information in Early Modern Europe, edited by Dooley, Brendan and Baron, Sabrina A., 80118. London and New York: Routledge.Google Scholar
Woolf, Virginia. 1939. ‘White’s Selborne’. The New Statesman and Nation (30 September): 460–61.Google Scholar
Wordsworth, William. 1995. The Prelude: The Four Texts (1798, 1799, 1805, 1850), edited by Wordsworth, Jonathan. London: Penguin.Google Scholar
Worrall, David. 2006. Theatric Revolution: Drama, Censorship and Romantic Period Subcultures, 1773–1832. Oxford: Oxford University Press.Google Scholar
Zastoupil, Lynn. 2010. Rammohun Roy and the Making of Victorian Britain. Basingstoke: Palgrave Macmillan.Google Scholar
Zitin, Abigail. 2016. ‘Wantonness: Milton, Hogarth, and The Analysis of Beauty’. Differences 27, no. 1: 2547.Google Scholar
Zon, Bennet. 2007. Representing Non-Western Music in Nineteenth-Century Britain. Rochester, ny: University of Rochester Press.Google Scholar
Zon, Bennet, and Clayton, Martin, eds. 2007. Music and Orientalism in the British Empire, 1780s–1940s. Aldershot: Ashgate.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by James Grande, King's College London, Carmel Raz, Max-Planck-Institut für Empirische Ästhetik
  • Book: Sound and Sense in British Romanticism
  • Online publication: 24 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009277839.012
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by James Grande, King's College London, Carmel Raz, Max-Planck-Institut für Empirische Ästhetik
  • Book: Sound and Sense in British Romanticism
  • Online publication: 24 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009277839.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by James Grande, King's College London, Carmel Raz, Max-Planck-Institut für Empirische Ästhetik
  • Book: Sound and Sense in British Romanticism
  • Online publication: 24 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009277839.012
Available formats
×