NOTE I.

The Oedipus Tyrannus at Harvard.

In the Introduction, I have referred to the memorable performance of the Oedipus Tyrannus by members of Harvard University in May, 1881. The thorough scholarship, the archaeological knowledge and the artistic skill which presided over that performance invest the record of it with a permanent value for every student of the play. Where the modern imagination most needs assistance, this record comes to its aid. Details of stage-management and of scenic effect, which a mere reading of the text could suggest to few, become clear and vivid. Mr H. Norman's ‘Account of the Harvard Greek Play’–illustrated by excellent photographs–is, in fact, a book which must always have a place of its own in the literature of the Oedipus Tyrannus. I select those passages which relate to the principal moments of the action; and, for more convenient reference, I arrange them in successive sections.

§ 1. Opening Scene. ‘Account,’ p. 65. ‘The scene behind the long and narrow stage is the palace of Oedipus, king of Thebes,–a stately building with its frieze and columns. There is a large central door with two broad steps, and two smaller side doors; all three are closed. In the centre of the stage in front is a large altar; beside each of the smaller doors of the palace is another altar. A flight of steps leads from the stage at each side.