Contents
Understanding Iago, an Italian Film Adaptation of Othello: Clientelism, Corruption, Politics
Circumventing Marginality: The Curious Case of India’s Othello Screen Adaptations
Othello’s Kin: Legacy, Belonging and The Fortunes of the Moor
‘[A] Maid Called Barbary’: Othello, Moorish Maidservants and the Black Presence in Early Modern England
‘The Moor’s Abused by Some Most Villainous Knave, Some Base Notorious Knave, Some Scurvy Fellow’: Legal Spaces, Racial Trauma and Shakespeare’s The Tragedy of Othello, the Moor of Venice
Ben Jonson’s Sejanus and Shakespeare’s Othello: Two Plays Performed by the King’s Men in 1603
Pitying Desdemona in Folio Othello: Race, Gender and the Willow Song
Warning the Stage: Shakespeare’s Mid-Scene Entrance Conventions
Grafted to the Moor: Anglo-Spanish Dynastic Marriage and Miscegenated Whiteness in The Winter’s Tale
Rhyme, History and Memory in A Mirror for Magistrates and Henry VI
‘Bad’ Love Lyrics and Poetic Hypocrisy from Gascoigne to Benson’s Shakespeare
New Analogical Evidence for Cymbeline’s Folkloric Composition in the Medieval Icelandic Ála flekks saga
‘But When Extremities Speak’: Harley Granville-Barker, Coriolanus, the World Wars and the State of Exception
Professional Shakespeare Productions in the British Isles, January-December 2020