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Chapter 37 - Villains in Prison, Villains on Stage

Is Shakespeare Really Salvific?

from Part IV - Virtuous Performances

Published online by Cambridge University Press:  19 January 2023

Julia Reinhard Lupton
Affiliation:
University of California, Irvine
Donovan Sherman
Affiliation:
Seton Hall University, New Jersey
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Summary

Crucially, the Prison Shakespeare field of research has become an exciting hub for discussion about a presumed intrinsic virtuosity of Shakespeare plays against the background of what might best be termed as “new character criticism” in Shakespeare studies as well as a battlefield between the supporters and the opponents of prisons as effective in achieving their stated objective of keeping society safe. This discussion has profoundly influenced and continues to influence the different trends of thought about the quality of the “transformation” Shakespeare carries out in prison. Can Shakespeare’s theatre be regarded as a salvific one when most of the characters in his plays are villains? The chapter focuses on Italian director and actor Armando Punzo’s pioneeristic practice of theatre in prison and his interpretation of “transformation” in an extra-moral sense.

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Shakespeare and Virtue
A Handbook
, pp. 369 - 377
Publisher: Cambridge University Press
Print publication year: 2023

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