The High Contracting Parties…

In a significant advance on previous international legislation protecting cultural property (CP) in armed conflict, the drafters of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict (the ‘Convention’) widened the responsibility for its protection.

Article 2 declares: ‘The protection of cultural property shall comprise the safeguarding of and respect for such property’.

While the concept of respect for CP, detailed in the Convention in Article 4, was broadly well established in law as a military concern during operations, armed forces no longer bore sole responsibility. Although earlier draft legislation included the concept, it was never formally adopted. The new legislation, which entered into force on 7 August 1956, incorporated lessons learned from two world wars and the Spanish Civil War of 1936–39: it recommended safeguarding measures to be prepared in advance of conflict, cooperatively developed between civil and defence authorities. Furthermore, it was no longer only the responsibility of the warring states: it was ‘important that this heritage should receive international protection’ (Preamble).

It is this protection – enabled by national and international measures of safeguarding – that is the focus of this volume.

In his Review of the Convention and its First Protocol (1954), Patrick Boylan (1993) examined its implementation, its effectiveness, and the potential for future development. At that time, 82 states parties had ratified or acceded to the Convention. He concluded that despite

He made recommendations to states parties, the first of which was to implement the practical elements of the Convention, taking a cross-sector, integrated approach to planning in peacetime.