After having discussed the tactics of epic writing in the 1790s and early 1800s, I return to 1789 in my sixth chapter in order to examine the subversive implications of Olaudah Equiano’s anticipation of the Romantic epic revival. Although his Interesting Narrative (1789) is not an epic, it borrows several aspects of the epic form in order to associate Equiano at once with both colonizers and the colonized. Mixing epic with autobiography, conversion narrative, and travel writing, the formal liminality of Equiano’s account amplifies his presentation of himself as a hybrid figure in terms of race and religion, allowing him to promote to his readers not merely Christianity, but a broader conception of identity that challenges the conceptual basis of slavery and imperialism. Drawing on the literary resources of his colonizers’ culture, Equiano ultimately uses his position as ‘other’ to promote in his Narrative a cosmopolitan Christian identity that transcends the categories of nation and race while revealing the flaws in the discourse of both evangelism and empire.