Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-4rdrl Total loading time: 0 Render date: 2024-06-16T19:57:11.598Z Has data issue: false hasContentIssue false

7 - Seneca: Poet or Philosopher?

Published online by Cambridge University Press:  21 October 2020

Get access

Summary

The Senecan Revival

The 2003 year-end issue of the German weekly Die Zeit featured a quiz on the word-of-the-year: Sparen (“saving”). With only three exceptions, the sixteen passages to be identified came from such familiar German-language writers as Goethe, Theodor Fontane, and Karl Kraus. The exceptions were Shakespeare, Henry Ford, and—Seneca, who was represented by a pastiche of quotations from Ad Helviam matrem de consolatione (x–xi). It is unlikely that the compiler expected many of his readers to identify the passage, but the very fact that Seneca, alone among writers from classical antiquity, should have appeared in such a context suggests at the very least that his name is not unknown to contemporary German readers, a fact that could not readily be taken for granted in most other countries of the Western world.

Seneca's reputation had already recovered to a certain extent from the widespread condemnation of the nineteenth and early twentieth century that T. S. Eliot lamented in 1927: “in modern times, few Latin authors have been more consistently damned.” As Nietzsche joked in 1882, in a poem entitled “Seneca et hoc genus omne” (“Seneca and All His Kind”):

Das schreibt und schreibt sein unausstehlich

weises Larifari,

Als gält es primum scribere,

Deinde philosophari.

[Seneca and his ilk: they write their insuff erably wise nonsense as though what mattered were first to write and only then to think.]

As late as 1936 H. J. Rose, in his widely consulted Handbook of Latin Literature, confessed that he found it hard to judge Seneca's works fairly “owing to the loathing which his personality excites”—a loathing stemming primarily from what has often been regarded as his hypocrisy regarding money matters and the contradiction between his precepts and his example.

Since the 1965 commemorations of the nineteenth centenary of his death, however, the situation has changed appreciably. Seneca has attracted a significant amount of respectful scholarly attention, beginning with the four volumes of contributions generated by that occasion. The revitalization of Sénequismo has been especially lively in his native Spain, where in 1965 George Uscatescu hailed the Roman poet as “our contemporary” and, more recently, María Zambrano stressed the still vital quality of his thought.

Type
Chapter
Information
Roman Poets in Modern Guise
The Reception of Roman Poetry since World War I
, pp. 174 - 205
Publisher: Boydell & Brewer
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×