Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-jbqgn Total loading time: 0 Render date: 2024-06-22T14:52:17.395Z Has data issue: false hasContentIssue false

6 - Historical Change and the Roman Inter-artefactual Domain

Published online by Cambridge University Press:  24 November 2020

Get access

Summary

Culture may dictate the practical and/or symbolic significance of artefacts, and their iconographic interpretation; but the only factor which governs the visual appearance of artefacts is their relationship to other artefacts in the same style… Artefacts are shaped in the ‘inter-artefactual domain’.

Alfred Gell, Art and Agency

Even the most beautifully designed item dies if it is out of balance with its surroundings. Unity of design, unity of color, unity of function.

Haruki Murakami, The Elephant Vanishes

THE ROMAN OBJECT REVOLUTION IN NORTHWEST EUROPE

The Roman object revolution in northwest Europe began in the final decades of the first century BC with an influx of millions of imported and locally-made standardised objects. The origins of this profound and far-reaching series of changes must be understood in terms of the intersection of two phenomena: a sudden injection of significant quantities of Mediterranean objects and styles, and longer-term developments in later Iron Age European objectscapes. Prior to this important watershed in the late first century BC, several later Iron Age communities were already developing repertoires of progressively standardised objects, as well as becoming susceptible to using scarcer circulating Mediterranean objects and amphoraborne commodities (i.e. wine) in local practices of feasting and funerary display. Although the virtually-identical forms of standardisation seen in Roman-period objectscapes had yet to be achieved, both fibulae and local ceramics had begun to appear in styles that increasingly shared affinities with those in neighbouring regions. Through the movement of people and widely circulating serialised objects such as fibulae, it is possible to trace the beginnings of a loosely-connected pan-regional inter-artefactual domain in the later Iron Age, which among some communities, from southern Germany to northern France and the Channel coast of Britain, seems to have informed increasingly universal logics governing the make-up of funerary objectscapes (illustrated, for example, in Fig. 2.7). The mechanisms underlying these processes were likely an amalgam of waxing networks of clientship and kinship, as well as small-scale state formation, which led to modest rises in human mobility and the circulation of objects.

Caesar's campaigns in the region in the 50s BC did little to affect the rules governing the appearance of essentially Iron Age objects and objectscapes.

Type
Chapter
Information
Roman Object Revolution
Objectscapes and Intra-Cultural Connectivity in Northwest Europe
, pp. 207 - 216
Publisher: Amsterdam University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×