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Chapter Five - Conclusion

Published online by Cambridge University Press:  16 May 2020

Kristen Seaman
Affiliation:
University of Oregon
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Summary

Rhetorical education – specifically, the advent of the progymnasmata, or preliminary rhetorical exercises – taught students how to be Greek, and it appears to have been the root of many Hellenistic innovations in both art and literature. The wealthy and elite backgrounds of some Greek artists enabled them to be well educated, and their intellectualism aided their adult pursuits in oratory, teaching, and scholarship, not to mention art. Kings and courtiers, too, received Greek rhetorical educations, which allowed them to appreciate the rhetorically informed art in the courts. The courts also played a role in Hellenistic artistic production by drawing Greek artists around the ancient Mediterranean. The result of all this seems to be a standardization of Greek art that is analogous to a linguistic koine.

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Publisher: Cambridge University Press
Print publication year: 2020

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  • Conclusion
  • Kristen Seaman, University of Oregon
  • Book: Rhetoric and Innovation in Hellenistic Art
  • Online publication: 16 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108859202.005
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  • Conclusion
  • Kristen Seaman, University of Oregon
  • Book: Rhetoric and Innovation in Hellenistic Art
  • Online publication: 16 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108859202.005
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusion
  • Kristen Seaman, University of Oregon
  • Book: Rhetoric and Innovation in Hellenistic Art
  • Online publication: 16 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108859202.005
Available formats
×