Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-5lx2p Total loading time: 0 Render date: 2024-07-27T22:25:38.009Z Has data issue: false hasContentIssue false

Conclusion: “Subjective Historicism”

Published online by Cambridge University Press:  19 March 2010

Stacey Olster
Affiliation:
State University of New York, Stony Brook
Get access

Summary

Your two eyes are an accurate stereoscopic camera, sure enough, but the process by which the upside down image on the retina takes effect on the brain entails a certain amount of unconscious selection. What you see depends to a great extent on subjective distortion and elimination which determines the varied impacts on the nervous system of speed of line, emotions of color, touch values of form. Seeing is a process of imagination.

–John Dos Passos, “Satire as a Way of Seeing” (1937)

Seeing, to John Dos Passos, was also an imaginative process whose subjective components could be successfully tempered. Writing over twenty years later about the problems of finding “elbow room” within an increasingly bureaucratized society, he asserted the need for looking at American institutions with “fresh understanding, untrammeled by prejudice or partisan preconceptions, ” and advanced objective observation as the preferred means of discovery. “Observing objectively demands a sort of virginity of the perceptions, ” he explained. “A man has to clear all preconceived notions out of his head in a happy self-forgetfulness where there is no gap between observation and description.” In so falling into “the uneducated man's naive and ignorant frame of mind” and meeting each new phenomenon “with a clean slate as if you had never heard of it before, ” it was possible to “see things as they are, instead of as we were told they ought to be” (Occasions 72–3, 75).

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1989

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×