Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-tsvsl Total loading time: 0 Render date: 2024-07-28T04:40:42.965Z Has data issue: false hasContentIssue false

2 - Symbolic Bodies: The Storyteller, Memory and Suffering in Boz’s ‘The Hospital Patient’

Published online by Cambridge University Press:  18 November 2022

Peter Katz
Affiliation:
California Northstate University, Elk Grove
Get access

Summary

In the Introduction, I aligned the Associationists and the twenty-firstcentury turn to surface reading. But I also argued that we cannot separate Associationism's linguistics, science or ethical mandate from one another. Surface reading and the loose collection of scholars engaged in that exploration, on the other hand, often find empathy is no longer a sufficient motivator, and reading no longer a promise of social improvement. Best and Marcus write:

Where it had become common for literary scholars to equate their work with political activism, the disasters and triumphs of the last decade have shown that literary criticism alone is not sufficient to effect change. (Best and Marcus 2009: 2)

Regardless of where one stands on this particular question, the rejection of empathy or social change as the purpose of reading is a crucial departure from the Victorian schema. Surface reading eschews the authority of the scholarly interpreter, but it also often rejects the ethical project of the populist Victorian novelists. This is because its scholars have become sceptical of the paranoid reading that sees political ghosts beneath the surface.

The authors that I examine, however, would not see politics as a hermeneutic domain; rather, they would see it as feeling, as surface. The Associationist understanding of affect and literary authority had explicitly political implications for the Victorians. Because language is a physical process, characters’ bodies and emotions can effect changes in readers’ bodies. The point of literature according to these writers was to create embodied connection on a personal level, and thereby to cultivate the feelings required for social reform.

For this to be true, readers needed to connect to characters emotionally and physically so that they might hone their compassion for bodies in the lived world. To fulfil this project, these authors understood language as fundamentally embodied, and condemned hermeneutic reading because it reduced fictional bodies to mere representations or metaphors. Because scholarly reading understood language as a merely logical system, these authors suggest, it evacuates fictional bodies of their emotive power.

The scholars of the last chapter performed disembodiment and assumed it granted them a kind of academic disinteres.

Type
Chapter
Information
Reading Bodies in Victorian Fiction
Associationism, Empathy and Literary Authority
, pp. 54 - 84
Publisher: Edinburgh University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×