Chapter 2 argues that Andrew Wise’s editions of Richard II, Richard III, 1 Henry IV, and 2 Henry IV established Shakespeare’s early print reputation as a dramatist of English monarchical history. The chapter begins by driving a wedge between stage and print patterns during the late sixteenth century, demonstrating that Shakespeare’s English histories were unrepresentative of the historical subjects that were popular on the London stages. It proposes that Wise’s selection and presentation strategies were contingent on three main factors: the book trade’s interest in English monarchical history and its application to Elizabethan politics; the connection of Wise to Shakespeare’s company and George Carey’s patronized writers, which can be seen as a flexible model of textual patronage that eschews a direct link between patron and stationer; and the growing marketability of Shakespeare’s name. The result is an assessment of Shakespeare’s histories and ideas of genre that reveals the intersection of multiple agendas: it draws attention to the book trade as a collaborative system of exchange that frustrates efforts at singularizing agency and notions of genre.