Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-4hhp2 Total loading time: 0 Render date: 2024-05-20T08:07:20.357Z Has data issue: false hasContentIssue false

Bust of Polyphemus

Published online by Cambridge University Press:  26 January 2021

Get access

Summary

Critical Introduction

This sculpted head of the giant Cyclops Polyphemus came from a larger sculptural group depicting a scene from The Odyssey. We cannot tell if it is a Greek or Roman work, since Roman artists often very closely copied Greek models. It is similar to a figure from the Roman Emperor Tiberius's imperial villa at Sperlonga, on the west coast of the Italian peninsula. The head is quite different from earlier images of Cyclopes, which made the monsters more bestial or comical. In this powerful image, it is clear that the monster is based on an entirely human prototype. Even the signature feature of the Cyclops, the single eye in the middle of the face, emerges from the suggestion of a normative pair of eyes. The crow's feet to the left of the eye seem to mimic the lid of another eye, tightly closed. The space to the right of the eye also bulges a bit, like there is an eyeball beneath the flesh.

In Hellenistic style, the face is carved in a highly naturalistic manner. The tousled hair, tangled beard, wrinkled forehead, and bulbous nose are all convincing, and the softly textured skin sagging off the cheekbones conveys not only flesh and the bone structure beneath, but also the Cyclops's age and his long exposure to the elements on the island where Odysseus and his men find him. The naturalism of the sculpture, which has a solid, convincing presence, makes this mythical monster feel plausible, even possible.

Viewing Questions

What emotions are conveyed in this image? What would it feel like to stand in front of it, in the gaze of the single, great eye? Does this image strike you as a monster? Why or why not?

Type
Chapter
Information
Primary Sources on Monsters
Demonstrare Volume 2
, pp. 42
Publisher: Amsterdam University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×