Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-mwx4w Total loading time: 0 Render date: 2024-06-23T09:47:56.256Z Has data issue: false hasContentIssue false

6 - The Kiss-Poem in the British Isles

Published online by Cambridge University Press:  11 August 2017

Alex Wong
Affiliation:
University of Cambridge
Get access

Summary

BASIUM INTO SONNET: SIR PHILIP SIDNEY AND GILES FLETCHER THE ELDER

When we give Astrophil and Stella its eminent station within the landscape of English poetry, we too often miss out the continental scenery which ought to form an important part of the composition. In general accounts of English literature, Sidney's poem falls easily into place as a major precedent and inspiration for English Petrarchan lyric and the English sonnet sequence, which burgeoned thereafter. More careful attention to Sidney's kisses will help to nourish our sense of his own precedents, which came to him from outside the English tradition, but from sources which to him were obvious, familiar and immediate. In Astrophil and Stella the marks of Secundan influence are considerable.

We know for certain that Sidney intimately knew at least one of the many poems of kissing written in Italian, for his Certain Sonnets 6, though it contains no kisses itself, is composed (so the superscription tells us) ‘To the tune of Basciami vita mia’, an Italian kissing-song. It can be no less certain that Sidney was familiar with the Latin Basia of Secundus. Of the three greatest authors of basia after Secundus, poets of his own generation, it is certain he knew Dousa, and it is highly probable that he was acquainted with the works of the other two, Lernutius and Bonnefons, at some point in his life—perhaps before or during the writing of Astrophil in the 1580s.

The connection of Elizabeth's England to the Low Countries, where Secundanism was at that time most vital, was important and indeed fateful for Sidney. His association with Dousa probably dates back as far as the early days of the Dutch Revolt. The two may have met in the Netherlands, and are likely to have been in contact when Dousa visited England as an emissary to Elizabeth's court, first in the winter of 1572–3, and then at least twice in the 1580s—the period when Astrophil must have been underway. It is worth mentioning also that Dousa's Basia were dedicated to Daniel Rogers, a German-born Englishman who had some Dutch blood from his mother's side of the family.

Type
Chapter
Information
The Poetry of Kissing in Early Modern Europe
From the Catullan Revival to Secundus, Shakespeare and the English Cavaliers
, pp. 201 - 254
Publisher: Boydell & Brewer
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×