Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-fnpn6 Total loading time: 0 Render date: 2024-07-28T20:19:55.813Z Has data issue: false hasContentIssue false

5 - The Prosthesis and Burial, Or Caring for the Dead

Published online by Cambridge University Press:  06 June 2023

Ron Ben-Tovim
Affiliation:
Ben-Gurion University of the Negev, Israel
Get access

Summary

Those whom they caught in the daytime were slain in the night, and then their bodies were carried out and thrown away, that there might be room for other prisoners and the terror that was upon the people was so great, that no one had courage enough either to weep openly for the dead man that was related to him, or to bury him; but those that were shut up in their own houses could only shed tears in secret, and durst not even groan without great caution, lest any of their enemies should hear them for if they did, those that mourned for others soon underwent the same death with those whom they mourned for. Only in the nighttime they would take up a little dust, and throw it upon their bodies; and even some that were the most ready to expose themselves to danger would do it in the daytime and there were twelve thousand of the better sort who perished in this manner.

— Josephus Flavius

In his discussion of the centrality of memory or memorising in the art of rhetoric in De Oratore, Cicero details the myth of the invention of the art of memory, or mnemonics. In the tale, the Greek poet Simonides, from the island of Keos, is performing at the home of local nobleman Scopas. Following his performance, Simonides is suddenly beckoned outside; once he is out of the house, the entire structure collapses, killing everyone inside, including Scopas, his family and all of his guests. The ensuing aftermath brought a quite unique problem, to which Simonides’ art of memory provided the solution:

When their friends wanted to bury them but were altogether unable to know them apart as they had been completely crushed, the story goes that Simo-nides was enabled by his recollection of the place in which each of them had been reclining at table to identify them for separate interment.

The myth of Simonides, which, I must admit, has fascinated me and continues to fascinate me, and of which I have written in the past in a somewhat different context, posits a few characteristics of the work of memory and how it intercedes in the work of the poet or artist. One of those characteristics is the poet’s relationship to history.

Type
Chapter
Information
Poetic Prosthetics
Trauma and Language in Contemporary Veteran Writing
, pp. 164 - 198
Publisher: Edinburgh University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×