Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-qxdb6 Total loading time: 0 Render date: 2024-04-27T15:41:33.289Z Has data issue: false hasContentIssue false

6 - Romance and the Medieval Mediterranean

Published online by Cambridge University Press:  11 May 2023

Roberta L. Krueger
Affiliation:
Hamilton College, New York
Get access

Summary

This chapter provides a brief overview of the development of crusading practices in Europe from the eleventh century until their formal end in the seventeenth. It highlights crusading’s broad impact on society, its inconsistent racial and religious discrimination, and the appeal of its story of loss and recovery across social levels. The chapter then discusses two popular Middle English romances, Richard Coeur de Lion (c. 1300) and Guy of Warwick (c. 1330), to illustrate the ways crusading affected and was affected by literary narratives. The two poems represent different kinds of crusading practices – the large army sponsored by ecclesiastical authorities and the individual undertaking a personal vow without church involvement – while offering critical commentary on crusading itself. These crusading romances and others like them situate the British Isles as part of a larger premodern world engaged in religious conflict and exchange. By recognizing the long relationship between the romance and holy warfare – one that lasted well into the early modern period – we can better understand the interests of medieval and Renaissance audiences as well as the foundational role of religious intolerance in modernity.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Suggestions for Further Reading

Bakhtin, Mikhail M.Time and Chronotope in the Novel,” in The Dialogic Imagination. Four Essays, ed. Holquist, Michael, trans. Caryl Emerson and Michael Holquist (Austin, Tex.: University of Texas Press, 1981).Google Scholar
Blurton, Heather. “Jeo ai esté a Nubie”: Boeve de Haumtone in the Medieval Mediterranean,” Neophilologus 103 (2019): 465–77.Google Scholar
Catlos, Brian A. and Kinoshita, Sharon (eds.), Can We Talk Mediterranean? Conversations on an Emerging Field in Medieval and Early Modern Studies. New York: Palgrave Macmillan, 2017.Google Scholar
Crooke, William. “Der guote Gêrhart: The Power of Mobility in the Medieval Mediterranean.postmedieval 4 (2013): 163–76.Google Scholar
Kinoshita, Sharon. “Chrétien de Troyes’s Cligés in the Medieval Mediterranean.Arthuriana 18.3 (2008): 4861.Google Scholar
Kinoshita, SharonMedieval Mediterranean Literature.PMLA 124:2 (2009): 600–8.Google Scholar
Lot-Borodine, Myrrha. Le Roman idyllique au Moyen Âge. Paris: Auguste Picard, 1913.Google Scholar
Manion, Lee. Narrating the Crusades: Loss and Recovery in Medieval and Early Modern English Literature. Cambridge Studies in Medieval Literature. Cambridge: Cambridge University Press, 2014.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×