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7 - Music of the soul?

Published online by Cambridge University Press:  04 May 2010

Marina Frolova-Walker
Affiliation:
Lecturer in Music, University of Cambridge and a Fellow of Clare College, Cambridge
Simon Franklin
Affiliation:
University of Cambridge
Emma Widdis
Affiliation:
University of Cambridge
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Summary

Towards the end of 2000, a great controversy developed over the new Russian national anthem – notover the words, which were not yet settled, but over the music. Not only was Russia stirred up, but the news media all over the world picked up on the story and a rash of new websites appearedin many different host countries, all devoted to the Russian national anthem issue. What was the cause of this storm over a meretune? There were many accounts in Russia. According to one popular narrative, it all began with the unexpectedly poor showing of the Russian football team in the 1998 World Cup. Many remarked on the sight of the sullen-faced players as they stood in line while their anthem was played before the match. The players later complained that the post-Soviet anthem introduced under President Eltsin, an unfamiliar melody with no wordsattached, could never inspire them to the great patriotic effortneeded for success in such an enterprise. Beside all the other competing nations, they were unduly handicapped.

Their complaint did not pass unheard in the Kremlin, and President Putin realized that bold and decisive action was called for: the Eltsin national anthem must be ditched, and the old familiar melody of the Soviet anthem restored. Nothing less would suffice. Exactly how much, if any, of the old Soviet lyric was to be retained could be settled later, but the main thing was to bring back the old tune, a tune that would recall the proud and mighty Russia that existed before the chaos and humiliations of the 1990s destroyed the nation's confidence.

Type
Chapter
Information
National Identity in Russian Culture
An Introduction
, pp. 116 - 131
Publisher: Cambridge University Press
Print publication year: 2004

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  • Music of the soul?
    • By Marina Frolova-Walker, Lecturer in Music, University of Cambridge and a Fellow of Clare College, Cambridge
  • Edited by Simon Franklin, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: National Identity in Russian Culture
  • Online publication: 04 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511720116.013
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  • Music of the soul?
    • By Marina Frolova-Walker, Lecturer in Music, University of Cambridge and a Fellow of Clare College, Cambridge
  • Edited by Simon Franklin, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: National Identity in Russian Culture
  • Online publication: 04 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511720116.013
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Music of the soul?
    • By Marina Frolova-Walker, Lecturer in Music, University of Cambridge and a Fellow of Clare College, Cambridge
  • Edited by Simon Franklin, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: National Identity in Russian Culture
  • Online publication: 04 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511720116.013
Available formats
×