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15 - Radio news and interviews

Published online by Cambridge University Press:  05 June 2012

Rosemary Huisman
Affiliation:
University of Sydney
Julian Murphet
Affiliation:
University of Sydney
Anne Dunn
Affiliation:
University of Sydney
Helen Fulton
Affiliation:
Swansea University
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Summary

No matter what the radio station, ‘the news’ is a distinctive form of radio sound. It is obviously not music, and it differs from other radio ‘talk’ in a number of identifiable ways. News is usually at the ‘top of the clock’; that is, the main bulletins occur on the hour. The fact that news usually starts at the top of the hour is an important part of the way radio structures time throughout the radio day. News on the hour is usually announced with an audio ‘call to attention’. This could be as simple as a voice cue from an announcer or the ‘pips’ of a time signal, or it could be as elaborate as the appropriately named ‘Majestic Fanfare’ that heralds the radio bulletins on the Australian Broadcasting Corporation (ABC), the most widely recognised news theme in Australia. Whatever it might be, nearly all radio stations have some kind of aural cue to the listener that the news is about to begin.

Most radio is live to air; part of establishing the credibility and authenticity of news is that it comes to listeners in the here and now, even though the voice reports of the journalists might have been pre-recorded. In its distinguishing structure and sound, news can be called a genre of radio programming. And just as media theorists and news practitioners distinguish between tabloid and broadsheet newspapers, so we can distinguish subgenres and discourses of radio news.

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Narrative and Media , pp. 203 - 217
Publisher: Cambridge University Press
Print publication year: 2005

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