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2 - Narrative concepts

Published online by Cambridge University Press:  05 June 2012

Rosemary Huisman
Affiliation:
University of Sydney
Julian Murphet
Affiliation:
University of Sydney
Anne Dunn
Affiliation:
University of Sydney
Helen Fulton
Affiliation:
Swansea University
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Summary

Narrative is realised in many different media. In this book we look at narratives in film, in television, in radio and in various media of popular print culture. These could be called ‘mass media’ in that all are assumed to be shown or broadcast to a scattered and diverse audience.

I want to begin here, however, with a narrative in a very different medium: a handwritten letter from one person to another person. This is a much simpler textual situation than that of many of the media texts we will later consider, yet, in an introductory way, we can identify certain features of this letter and its relation to its social context as exemplifying more general ‘concepts of narrative’. In the comments following the letter, the concepts, when first mentioned, are in bold. In the latter part of this chapter and in the next, chapter 3, many of these concepts are more generally described (see also the glossary, at the end of the book).

Introducing some concepts of narrative

In 1830 Isabella Parry ‘went to live at Port Stephens on the edge of the settled areas north of Sydney’, capital of what was then the British colony of New South Wales. Isabella's husband Edward had been knighted for his involvement in Arctic exploration; now he was appointed Commissioner of the Australian Agricultural Company. Isabella's letters home have been preserved. On 19 December 1831 she wrote to her mother in England:

We have lately experienced another disadvantage of a newly cultivated country, and have witnessed what I have only heard of before, and read in Cooper's novels – I mean the burning of the woods, and it is, indeed, a fearful and extraordinary sight. […]

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Publisher: Cambridge University Press
Print publication year: 2005

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