Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-lrf7s Total loading time: 0 Render date: 2024-07-27T16:40:07.310Z Has data issue: false hasContentIssue false

In Memoriam: Speech on the Twenty-Fifth Anniversary of Gabriel Fauré’s Death, 1949 (complete text)

Published online by Cambridge University Press:  15 October 2020

Get access

Summary

Ladies and gentlemen,

Emmanuel and Philippe Fauré-Fremiet have done me the extraordinary honor of asking me to say a few words this morning on the twenty-fifth anniversary of the death of their father.

You are aware of, and understand, the emotion with which I thank them for this, I am sure.

Twenty-five years have passed; our sorrow remains the same, in proportion to the loss that was suffered.

All of us, all of his pupils, loved Gabriel Fauré. His death deprived us of a presence whose value is impossible to measure without having lived in the shadow of his brightness. Time is unable to console us, and it is with the same heart, the same tender respect, the same gratitude as in the farewell that we addressed to him at the moment when he had just left us, that we address him today.

Then we had only—we could have only—one thought: our Teacher, our friend, is no longer here, we will no longer see the noble, handsome face, the slightly distant gaze, the sweet smile that always welcomed us with the same generous and unfailing goodness. We will miss his advice, so discreet, so productive …

We felt alone, impoverished, and very sad. Our grief has not diminished, but something has changed, something very important for Fauré and for music, during the years that have passed—and joy is mixed with our sorrow, and somehow dominates it. For reasons that have changed the course of things, have brought a more exact sense of tradition, a truer evaluation of quality, of innovation, Gabriel Fauré's work is finally being judged at its true worth. This work which, strange as it may seem, we found ourselves having to defend not so many years ago, this work shines out today through the entire world, in a still modest but indisputable way.

It has taken its place among those that, throughout time, are like lighthouses. They light the ways of men, guide them, and bring them back to port. This development is more significant than is first believed, given the reasons that motivate it. And this place finally granted to Gabriel Fauré's music becomes slowly and surely greater, becomes stronger, and is built on exceptionally solid foundations.

Type
Chapter
Information
Nadia Boulanger
Thoughts on Music
, pp. 295 - 297
Publisher: Boydell & Brewer
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×