Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-mwx4w Total loading time: 0 Render date: 2024-06-24T11:17:09.170Z Has data issue: false hasContentIssue false

CHAP. I - THE OPERA AND ITS ENVIRONS.—1839

Published online by Cambridge University Press:  29 August 2010

Get access

Summary

The railroad travelling of Germany has features which are all its own. In England you are whirled along with an irresistible rapidity which entirely precludes the possibility of thought, or conversation, or enjoyment. The journey is a disagreeable, bewildering dream, made up of several blasts of the shrill steam-whistle — a few tunnels — a few broken clamours, timid or troublesome, of passengers on their entrance and exit — perhaps a few broken limbs, — the best part of which is its close. In Belgium there is more to observe: rich farms, stately belfries embroidered with tracery and ornament, are to be seen as you are swept — more leisurely than at home — from one town to another. But there is an amount of confusion and uncertainty which keeps the mind anxious. So many lines meet and diverge, and so awkwardly is the transmission of baggage managed, that it is seven chances to one but, while you are upon your road to the Rubenses at Antwerp, your “mails” may be scouring along the rails to Ans (Liege). Hood's story of the bewildered lady, strong in her own foresight, who spent the day in travelling backwards and forwards betwixt Ghent and Ostend, owing to the want of her proper understanding, and her own prudence “in never getting out,”—is hardly a caricature. But betwixt Leipsic and Dresden no such whimsical casualties can happen.

Type
Chapter
Information
Music and Manners in France and Germany
A Series of Travelling Sketches of Art and Society
, pp. 131 - 161
Publisher: Cambridge University Press
Print publication year: 2009
First published in: 1841

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×