Editors and critics have struggled to place The Merry Wives of Windsor within the framework of Shakespeare’s chronicle history plays, and it is often said that the Falstaff of Merry Wives is a different character from that of the histories. Merry Wives can be seen as part of a multiverse, of incompatible timelines in which characters are both entirely familiar and somehow altered. In the multiverse of Merry Wives, both public and private histories are apparently erased. While the history plays are burdened by almost pathological remembrance and rumination, the world of Merry Wives shows the advantages of amnesia.