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Book contents
- Frontmatter
- Contents
- Editorial
- The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion
- The Bright Star of the North: James I and his English Coronation
- ‘Ye know eek that in forme of speche is change’: Chaucer, Henryson, and the Welsh Troelus a Chresyd
- Playing the Crucifixion in Medieval Wales
- ‘My Boy shall Knowe Himself from Other Men’: Active Spectating, Annunciation, and the St John's College Narcissus
- ‘I Speke so Miche to Ȝow’: Authority, Didacticism, and Audience Address in Middle English Sermons and Morality Plays
- Early English Spectatorship and the ‘Cognitive Turn’
- The Theatre of the Mind in Late-Medieval England
- Poetics and Beyond: Noisy Bodies and Aural Variations in Medieval English Outdoor Performance
- Women and the Performance of Libel in Early-Modern
- Abraham Sacrifiant
- Miscellaneous Endmatter
Frontmatter
Published online by Cambridge University Press: 20 April 2017
- Frontmatter
- Contents
- Editorial
- The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion
- The Bright Star of the North: James I and his English Coronation
- ‘Ye know eek that in forme of speche is change’: Chaucer, Henryson, and the Welsh Troelus a Chresyd
- Playing the Crucifixion in Medieval Wales
- ‘My Boy shall Knowe Himself from Other Men’: Active Spectating, Annunciation, and the St John's College Narcissus
- ‘I Speke so Miche to Ȝow’: Authority, Didacticism, and Audience Address in Middle English Sermons and Morality Plays
- Early English Spectatorship and the ‘Cognitive Turn’
- The Theatre of the Mind in Late-Medieval England
- Poetics and Beyond: Noisy Bodies and Aural Variations in Medieval English Outdoor Performance
- Women and the Performance of Libel in Early-Modern
- Abraham Sacrifiant
- Miscellaneous Endmatter
Summary
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- Type
- Chapter
- Information
- Medieval English Theatre 38The Best Pairt of our Play. Essays presented to John J. McGavin. Part II, pp. i - ivPublisher: Boydell & BrewerPrint publication year: 2017