Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pjpqr Total loading time: 0 Render date: 2024-06-17T04:45:45.011Z Has data issue: false hasContentIssue false

6 - Hyperreal Peninsula: North Korea’s Nuclear Cinema and South Korea’s Digital Revolution

Published online by Cambridge University Press:  22 December 2021

Micky Lee
Affiliation:
University of Suffolk
Peichi Chung
Affiliation:
The Chinese University of Hong Kong
Get access

Summary

Drawing from the televisual simulacra of North Korea weapons provocations and projections of regime power, this chapter examines the emergence of a video-mediated nuclear North Korea in the new millennium within the broader frame of networked digital technologies that have facilitated South Korean media flows into the country. Military displays and the more recent emergence of the leadership's nuclear diplomacy can be evaluated as simulation, and is interrogated in the explicit context of a cultural moment when the people of the territorialised and retrenched nation-state of twenty-first century North Korea are receptive to South Korean popular culture and neoliberal productions (see also Chapter 5 about South Korean popular culture in North Korea).

This chapter highlights the opportunities and constraints of global media and information flows for the newly emerging society of ‘transnational Korea’ being built on capitalist imperatives and shaping hierarchical relations. In contrast to approaches that exclusively situate North Korea's nuclear weapons in the defence policy of the nation, this chapter reframes the North Korea missile ‘crisis’ in the era of Kim Jong-un as cultural expenditure, and as part of Pyongyang's comprehensive propaganda network. Within this configuration, military displays simulate state power at a historical moment when South Korea televisual media is the driving force behind prohibited North Korea leisure time. Mediated technologies, and their capacity to meticulously steer the social, illustrate the uneasy relationship between work and play, and state sovereignty and global flow.

North Korea has a long history of developing nuclear weapons, but the policy was not in the foreground until after the death of founder Kim Il-sung in 1994, and was not in public circulation as simulated deterrence in the digital video space until 2003 (Shim, 2017a), when new technologies were already weakening the boundaries of the state (Debord, 2002) and ushering in capitalist media. Prior to the new millennium, North Korea did not release missile images following testing events, a fact obfuscated by outside media's use of substitute images, including images of the wrong missiles, for the August 1998 launch of the Taepodong-1 and the May 1993 test of the Rodong-1 missile (Munhwa Broadcasting Corporation, 1993; 1998).

Type
Chapter
Information
Media Technologies for Work and Play in East Asia
Critical Perspectives on Japan and the Two Koreas
, pp. 173 - 196
Publisher: Bristol University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×