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New Perspectives in Music History and Criticism

Published online by Cambridge University Press:  15 September 2017

Phyllis Weliver
Affiliation:
Saint Louis University, Missouri
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Chapter
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Mary Gladstone and the Victorian Salon
Music, Literature, Liberalism
, pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2017

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References

Published Titles

Dunn, Leslie C. and Jones, Nancy A. (eds.), Embodied Voices: Representing Female Vocality in Western CultureGoogle Scholar
Thomas, Downing A., Music and the Origins of Language: Theories from the French EnlightenmentCrossRefGoogle Scholar
Grey, Thomas S., Wagner’s Musical ProseGoogle Scholar
Chua, Daniel K. L., Absolute Music and the Construction of MeaningGoogle Scholar
Krims, Adam, Rap Music and the Poetics of IdentityGoogle Scholar
Richards, Annette, The Free Fantasia and the Musical PicturesqueGoogle Scholar
Will, Richard, The Characteristic Symphony in the Age of Haydn and BeethovenGoogle Scholar
Morris, Christopher, Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to BergGoogle Scholar
Dillon, Emma, Medieval Music-Making and the ‘Roman de Fauvel’Google Scholar
Yearsley, David, Bach and the Meanings of CounterpointGoogle Scholar
Metzer, David, Quotation and Cultural Meaning in the Twentieth CenturyGoogle Scholar
Rehding, Alexander, Hugo Riemann and the Birth of Modern Musical ThoughtGoogle Scholar
Gooley, Dana, The Virtuoso LisztGoogle Scholar
Gordon, Bonnie, Monteverdi’s Unruly Women: The Power of Song in Early Modern ItalyGoogle Scholar
Tomlinson, Gary, The Singing of the New World: Indigenous Voice in the Era of European ContactGoogle Scholar
Gelbart, Matthew, The Invention of Folk Music and Art Music: Emerging Categories from Ossian to WagnerGoogle Scholar
Bloechl, Olivia A., Native American Song at the Frontiers of Early Modern MusicGoogle Scholar
Gerbino, Giuseppe, Music and the Myth of Arcadia in Renaissance ItalyGoogle Scholar
Freitas, Roger, Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto MelaniGoogle Scholar
Kreuzer, Gundula, Verdi and the Germans: From Unification to the Third ReichGoogle Scholar
Watkins, Holly, Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold SchoenbergGoogle Scholar
Caddy, Davinia, The Ballets Russes and Beyond: Music and Dance in Belle Époque ParisCrossRefGoogle Scholar
Cohen, Brigid, Stefan Wolpe and the Avant-Garde DiasporaGoogle Scholar
Mathew, Nicholas, Political BeethovenGoogle Scholar
Brown, Julie, Schoenberg and RedemptionCrossRefGoogle Scholar
Weliver, Phyllis, Mary Gladstone and the Victorian Salon: Music, Literature, LiberalismGoogle Scholar

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