The Epilogue considers anonymous pamphlets printed in the later part of King James’s reign that deploy the female voice as a form of political critique: Ester Hath Hang’d Haman, Hic Mulier, Haec Vir, and Muld Sacke. Of the cross-dressing pamphlets, Haec Vir in particular recruits the female voice for its association with militant Elizabethan values and the freedom of the subject, while the pseudonymous author Esther Sowernam ventriloquizes Esther, the biblical heroine who confronts the king. The female voice occupied a unique position in the seventeenth-century political landscape, allowing women writers to critique abuses of male power without compromising their position as dutiful subjects. Unlike the freedoms achieved by male citizens at the expense of women later in the seventeenth century, the “reasonable libertie” sought by men and women in early Stuart England authorized the voice of the wife/subject as a powerful political tool.