Book contents
- Frontmatter
- CONTENTS
- Dedication
- Acknowledgements
- List of Figures and Tables
- Preface
- Introduction
- 1 Medieval versus Early Modern Synagogues
- 2 Jews, Synagogues and Compulsory Urban Consolidation at the Dawn of the Early Modern Period
- 3 Urbanization and Jewish Public Space: The First Great Synagogues
- 4 Readmission and Colonial Frontiers: New Synagogues in Lands of Tolerance
- 5 Jews and Early Modern Cultural Exchanges: Cross-Pollination and its Effects on Synagogue Design
- 6 Lavishing the House of Assembly: Synagogues, Global Trade and Exotic Ornamentation
- Conclusion: From Early Modern to Modern: Synagogues in Transition
- Glossary
- Notes
- Works Cited
- Index
5 - Jews and Early Modern Cultural Exchanges: Cross-Pollination and its Effects on Synagogue Design
- Frontmatter
- CONTENTS
- Dedication
- Acknowledgements
- List of Figures and Tables
- Preface
- Introduction
- 1 Medieval versus Early Modern Synagogues
- 2 Jews, Synagogues and Compulsory Urban Consolidation at the Dawn of the Early Modern Period
- 3 Urbanization and Jewish Public Space: The First Great Synagogues
- 4 Readmission and Colonial Frontiers: New Synagogues in Lands of Tolerance
- 5 Jews and Early Modern Cultural Exchanges: Cross-Pollination and its Effects on Synagogue Design
- 6 Lavishing the House of Assembly: Synagogues, Global Trade and Exotic Ornamentation
- Conclusion: From Early Modern to Modern: Synagogues in Transition
- Glossary
- Notes
- Works Cited
- Index
Summary
Cultural exchanges between various Jewish groups as well as Jews and non-Jews, affected synagogue design during the early modern period in ways beyond architectural style. As mentioned previously, synagogue architecture typically reflected either the style(s) popular for a particular locality in a particular period – whether that was Classical, Gothic or Islamic, and so forth – or a vernacular rendering of a style, which was usually the case. Jews have never had an architectural style of their own; instead they have borrowed stylistically from non-Jews, though Jews do at times modify styles to meet their tastes and religious constraints. For example, in order to avoid iconographic ornament, considered a Second Commandment violation by Jews, styles such as Renaissance and Baroque were adjusted on various occasions for synagogues. With some minor exceptions, such as Judah Goldschmied in Prague, non-Jews were the builders and architects of synagogues. All of these factors had an impact on synagogue architectural appearance and layout. In Early Modern Jewry, Ruderman discussed the concept of ‘mingled identities’ and the ‘blurring of religious identities’ from the interactions taking place between various Jewish groups and Jews with non-Jews. His analysis focused on several cultural exchanges that took place and some of these interactions were reflected in synagogue design.
Where to begin such a study is difficult, since cultural exchange is fluid, flowing in more directions than one and fluctuating at different rates.
- Type
- Chapter
- Information
- Jews and the Renaissance of Synagogue Architecture, 1450–1730 , pp. 103 - 134Publisher: Pickering & ChattoFirst published in: 2014