Book contents
- Frontmatter
- Contents
- Preface
- 1 Expressive sources and resources in Janáček's musical language
- 2 ‘Nothing but pranks and puns’: Janáček's solo piano music
- 3 Narrative in Janáček's symphonic poems
- 4 Evasive realism: narrative construction in Dostoyevsky's and Janáček's From the House of the Dead
- 5 Direct discourse and speech melody in Janáček's operas
- 6 Kundera's eternal present and Janáček's ancient Gypsy
- 7 Janáček's folk settings and the Vixen
- 8 Janáček's operas in Australia and New Zealand: a performance history
- 9 Janáček's Moravian publishers
- 10 Janáček, musical analysis, and Debussy's ‘Jeux de vagues’
- Index
Contents
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Preface
- 1 Expressive sources and resources in Janáček's musical language
- 2 ‘Nothing but pranks and puns’: Janáček's solo piano music
- 3 Narrative in Janáček's symphonic poems
- 4 Evasive realism: narrative construction in Dostoyevsky's and Janáček's From the House of the Dead
- 5 Direct discourse and speech melody in Janáček's operas
- 6 Kundera's eternal present and Janáček's ancient Gypsy
- 7 Janáček's folk settings and the Vixen
- 8 Janáček's operas in Australia and New Zealand: a performance history
- 9 Janáček's Moravian publishers
- 10 Janáček, musical analysis, and Debussy's ‘Jeux de vagues’
- Index
Summary
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- Type
- Chapter
- Information
- Janácek Studies , pp. v - viPublisher: Cambridge University PressPrint publication year: 1999