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VII - The strange case of the making of Volga, Volga

Published online by Cambridge University Press:  07 October 2009

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Summary

Once upon a time, the KGB came to Aesop and got him by the ass. The meaning of this fable is clear; we don't need such fables!

The musical comedy Volga, Volga holds a special place in the history of Soviet film. According to official histories, it is one of the best film comedies, having been awarded Stalin's Award of the First Degree. When reviewing the history of Soviet film, we see that this picture exemplifies the type of Stalinist propaganda film that illustrates the slogan “Life became better, life became more joyful.” And though Volga, Volga does not arouse as much passionate controversy as the notorious Cossacks of the Kuban (1950) directed by Ivan Alexandrovich Pyriev, it comes very close.

In the case of Volga, Volga, there are two absolutely aggravating circumstances. First there is, apparently, Stalin's personal order, about which G. Alexandrov, with his usual naïveté (or something much worse) reported to a correspondent of the evening newspaper Vercherajaya Moskva, “After our films Happy Guys and Circus our task was to create a film comedy without any romantic and melodramatic distractions.” If we take into account that the work on the film started in 1936, that it was distributed in 1938, and that Stalin's award was given in 1941, the meaning of Stalin's order becomes clear.

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Publisher: Cambridge University Press
Print publication year: 1993

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