Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-jbqgn Total loading time: 0 Render date: 2024-06-26T10:20:56.217Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  15 June 2017

Richard Hunter
Affiliation:
University of Cambridge
Anna Uhlig
Affiliation:
University of California, Davis
Get access
Type
Chapter
Information
Imagining Reperformance in Ancient Culture
Studies in the Traditions of Drama and Lyric
, pp. 303 - 331
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abel, K. 1955. Die Plautusprologe, Dissertation FrankfurtGoogle Scholar
Abramović, M. 2007. Marina Abramović: Seven Easy Pieces, MilanGoogle Scholar
Accorinti, D. ed. 2016. Brill’s Companion to Nonnus of Panopolis, LeidenGoogle Scholar
Ackerman, A. L., Jr. 2001. ‘Visualizing Hamlet’s ghost: the spirit of modern subjectivity’, Theatre Journal 53: 119–44Google Scholar
Agnew, V. 2004. ‘Introduction: what is re-enactment?Criticism 46.3: 327–39Google Scholar
Agócs, P. 2012. ‘Performance and genre: reading Pindar’s κῶμοι’, in Agócs-Carey-Rawles 2012: 191223Google Scholar
Agócs, P., Carey, C., and Rawles, R. eds. 2012. Reading the Victory Ode, CambridgeGoogle Scholar
Akujärvi, J. 2005. Researcher, Traveller, Narrator: Studies in Pausanias’ Periegesis, StockholmGoogle Scholar
Akujärvi, J. 2012. ‘One and “I” in the frame narrative: authorial voice, travelling persona and addressee in Pausanias’ Periegesis’, Classical Quarterly 62: 327–58Google Scholar
Alcock, S. E., Cherry, J. F., and Elsner, J. eds. 2001. Pausanias: Travel and Memory in Roman Greece, OxfordGoogle Scholar
Allan, W. 2001. ‘Euripides in Megale Hellas: some aspects of the early reception of tragedy’, Greece & Rome 48: 6786Google Scholar
Alonge, M. 2011. ‘Greek hymns from performance to stone’, in Lardinois, A. P. M. H., Blok, J. H., and van der Poel, M. G. M. eds., Sacred Words: Orality, Literacy and Religion (Leiden) 217–34Google Scholar
Aloni, A. 1998. Cantare glorie di eroi, TurinGoogle Scholar
Antonaccio, C. M. 1995. An Archaeology of Ancestors: Tomb Cult and Hero Cult in Early Greece, Lanham, MDGoogle Scholar
Arnott, W. G. 1996. Alexis: The Fragments, CambridgeGoogle Scholar
Ashby, A. 2010. Absolute Music, Mechanical Reproduction, Berkeley-Los AngelesGoogle Scholar
Asmis, E. 1986. ‘Psychagogia in Plato’s Phaedrus’, Illinois Classical Studies 11: 153–72Google Scholar
Athanassaki, L. 2004. ‘Deixis, performance, and poetics in Pindar’s First Olympian Ode’, in Felson 2004: 317–41Google Scholar
Athanassaki, L. 2012. ‘Performance and re-performance: the Siphnian treasury evoked (Pindar’s Pythian 6, Olympian 2 and Isthmian 2)’, in Agócs-Carey-Rawles 2012: 134–57Google Scholar
Athanassaki, L. 2016. ‘The symposium as theme and performance context in Pindar’s epinicians’, in Cazzato-Obbink-Prodi 2016: 85112Google Scholar
Aubreton, R. 1972. Anthologie Grecque. Première partie. Anthologie Palatine, Tome X (Livre XI), ParisGoogle Scholar
Auslander, P. 1999. Liveness: Performance in a Mediatized Culture, LondonGoogle Scholar
Austin, J. L. 1955. How to Do Things with Words, Cambridge, MAGoogle Scholar
Bagnall, R. and Derow, P. 1981. Greek Historical Documents: The Hellenistic Period, Chico, CAGoogle Scholar
Bakker, E. J. 1996. Poetry in Speech: Orality and Homeric Discourse, Ithaca, NYGoogle Scholar
Bakker, E. J. 2005. Pointing at the Past: From Formula to Performance in Homeric Poetics, Washington, DCGoogle Scholar
Barba, E. and Savarese, N. 1991. A Dictionary of Theatre Anthropology: The Secret Art of the Performer, London-New YorkGoogle Scholar
Bardel, R. 2005. ‘Spectral traces: ghosts in tragic fragments’, in McHardy, F, Robson, J, and Harvey, D eds., Lost Dramas of Classical Athens (Exeter) 83112Google Scholar
Barnes, T. D. 1982. ‘The date of the Octavia’, Museum Helveticum 39: 215–17Google Scholar
Barrett, W. S. 2007. ‘The Oligaithidai and their victories (Pindar, Olympian 13; SLG 339, 340)’, in Greek Lyric, Tragedy and Textual Criticism: Collected Papers (Oxford) 98117; first published in Dawe, R. D, Diggle, J, and Easterling, P. E eds., Dionysiaca: Nine Studies in Greek Poetry by Former Pupils Presented to Sir Denys Page on His Seventieth Birthday (Cambridge 1978) 120Google Scholar
Barthes, R. 1981. Camera Lucida: Reflections on Photography, New YorkGoogle Scholar
Bassi, K. 2016. Traces of the Past: Classics Between History and Archaeology, Ann Arbor, MIGoogle Scholar
Battezzato, L. 2006. ‘La fatica dei canti: tragedia, commedia e dramma satiresco nel frammento adespoto 646a TrGF’, in Medda, E, Mirto, M. S, and Pattoni, M. P eds., Komodotragodia. Intersezioni del tragico e del comico nel teatro del V secolo a. C. Atti del convegno internazionale, Pisa, 24–25 giugno 2005 (Pisa) 1968Google Scholar
Battezzato, L. 2008. ‘Colometria antica e pratica editoriale moderna’, Quaderni Urbinati di Cultura Classica 90: 137–58Google Scholar
Beard, M. 2007. The Roman Triumph, Cambridge, MAGoogle Scholar
Beck, D. 2005. Homeric Conversation, Washington, DCGoogle Scholar
Behr, C. A. 1968. Aelius Aristides and the Sacred Tales, AmsterdamGoogle Scholar
Belfiore, E. 1984. ‘A theory of imitation in Plato’s Republic’, Transactions of the American Philological Association 114: 121–46Google Scholar
Bennett, J. 2010. Vibrant Matter: A Political Ecology of Things, Durham, NCGoogle Scholar
Bentley, J. 1978. Ritualism and Politics in Victorian Britain: The Attempt to Legislate for Belief, OxfordGoogle Scholar
Berardi, E. 2010. ‘L’Inno agli Asclepiadi di Elio Aristide (or. 38): un problema di performance’, Paideia 65: 137–60Google Scholar
Berman, D. W. 2007. Myth and Culture in Aeschylus’ Seven against Thebes, RomeGoogle Scholar
Berman, D. W. 2015. Myth, Literature, and the Creation of the Topography of Thebes, CambridgeGoogle Scholar
Bernardini, P. A. 1983. Mito e attualità nelle odi di Pindaro: La Nemea 4, l’Olimpica 9, l’Olimpica 7, RomeGoogle Scholar
Bernstein, R. 2009. ‘Dances with things’, Social Text 27: 6794Google Scholar
Bers, V. 1997. Speech in Speech: Studies of Incorporated Oratio Recta in Attic Drama and Oratory, Lanham, MDGoogle Scholar
Biles, Z. P. 2006–7. ‘Aeschylus’ afterlife: reperformance by decree in 5th-C. Athens?Illinois Classical Studies 31–2: 206–42Google Scholar
Biles, Z. P. 2007. ‘Celebrating poetic victory: representations of epinikia in classical Athens’, Journal of Hellenic Studies 127: 1937Google Scholar
Biles, Z. P. 2011. Aristophanes and the Poetics of Competition, CambridgeGoogle Scholar
Blair, K. 2012. Form and Faith in Victorian Poetry and Religion, OxfordGoogle Scholar
Blau, H. 1982/3. Universals of performance; or, amortizing lay’, SubStance 37–8: 140–61Google Scholar
Borggreen, G. and Gade, R. eds. 2013. Performing Archives/Archives of Performance, ChicagoGoogle Scholar
Bosher, K. 2012. Theater outside Athens: Drama in Greek Sicily and South Italy, CambridgeCrossRefGoogle Scholar
Boulter, J. 2011. Melancholy and the Archive: Trauma, History and Memory in the Contemporary Novel, LondonGoogle Scholar
Bowie, A. M. 1997. ‘Thinking with drinking: wine and the symposium in Aristophanes’, Journal of Hellenic Studies 117: 121Google Scholar
Bowie, E. 1989. ‘Greek sophists and Greek poetry in the Second Sophistic’, in Aufstieg und Niedergang der römischen Welt II.33.1 (Berlin-New York) 209–58Google Scholar
Bowie, E. 2001. ‘Inspiration and aspiration: date, genre, and readership’, in Alcock-Cherry-Elsner 2001: 2132Google Scholar
Bowie, E. 2006. ‘Choral performances’, in Konstan, D and Saïd, S eds., Greeks on Greekness. Viewing the Greek Past under the Roman Empire, Cambridge Classical Journal Supplementary Volume 29 (Cambridge) 6192Google Scholar
Bowlby, R. 2010. ‘Derrida’s dying Oedipus’, in Leonard, M. ed., Derrida and Antiquity (Oxford) 187206CrossRefGoogle Scholar
Bowra, C. M. 1947. Pindari carmina, OxfordGoogle Scholar
Boyarin, D. 1994. Intertextuality and the Reading of Midrash, Bloomington, INGoogle Scholar
Boyle, A. J. 1997. Tragic Seneca: An Essay in the Theatrical Tradition, LondonGoogle Scholar
Boyle, A. J. 2006. An Introduction to Roman Tragedy, London-New YorkGoogle Scholar
Boyle, A. J. 2008. Octavia: Attributed to Seneca. Edited with Introduction, Translation, and Commentary, OxfordGoogle Scholar
Braswell, B. K. 1992. A Commentary on Pindar Nemean One, FribourgGoogle Scholar
Braswell, B. K. 1998. A Commentary on Pindar Nemean Nine, Berlin-New YorkGoogle Scholar
Braund, S. 2013. ‘Haunted by horror: the ghost of Seneca in Renaissance drama’, in Dinter, M and Buckley, E eds., A Companion to the Neronian Age (London) 425–43Google Scholar
Briand, M. 2001. ‘Quand Pindare nomme Homère ... Théories du nom propre, étymologies, intertextualités et énonciation lyrique’, in Dubel, S and Rabau, S eds., Fiction d’auteur?: le discours biographique sur l’auteur de l’Antiquité à nos jours (Paris) 2546Google Scholar
Brodsky, J. 1995. ‘The condition we call exile’, in On Grief and Reason (New York) 2235Google Scholar
Brown, P. 1971. ‘The rise and function of the holy man in late antiquity’, Journal of Roman Studies 61: 80101Google Scholar
Brown, P. 2012. Through the Eye of a Needle: Wealth, The Fall of Rome and the Making of Christianity in the West, 350–550 AD, Princeton, NJGoogle Scholar
Brown, T. S. 1967. ‘Alexander’s book order (Plut. Alex. 8)’, Historia 16: 359–68Google Scholar
Buckley, E. 2013. ‘Nero insitivus: constructing Neronian identity in the Pseudo-Senecan Octavia’, in Gibson, A. G. G ed., The Julio-Claudian Succession. Reality and Perception of the ‘Augustan Model’ (Leiden) 133–54Google Scholar
Budelmann, F. ed. 2009. The Cambridge Companion to Greek Lyric Poetry, CambridgeGoogle Scholar
Budelmann, F. 2012. ‘Epinician and the symposion’, in Agócs-Carey-Rawles 2012: 173–90Google Scholar
Bulloch, A. W. 1985. Callimachus: the Fifth Hymn, CambridgeGoogle Scholar
Bundy, E. L. 1962. Studia Pindarica I: the eleventh Olympian ode, Berkeley-Los AngelesGoogle Scholar
Burkert, W. 1985. Greek Religion, OxfordGoogle Scholar
Burnett, A. P. 1985. The Art of Bacchylides, CambridgeGoogle Scholar
Burnett, A. P. 2005. Pindar’s Songs for Young Athletes of Aigina, OxfordGoogle Scholar
Bury, J. B. 1890. The Nemean Odes of Pindar, LondonGoogle Scholar
Butcher, S. H. 1951. Aristotle’s Theory of Poetry and Fine Art, New YorkGoogle Scholar
Butler, J. 1990. Gender Trouble: Feminism and the Subversion of Identity, New York-LondonGoogle Scholar
Butler, J. 1993. Bodies that Matter: On the Discursive Limits of ‘Sex’, New YorkGoogle Scholar
Butler, J. 1997. Excitable Speech: A Politics of the Performative, New York-LondonGoogle Scholar
Butler, J. 2000. Antigone’s Claim: Kinship between Life and Death, New YorkGoogle Scholar
Cadario, M. 2009. ‘L’immagine di una vedette del pantomime: l’altare funebre di Teocritus Pylades (CIL V 5889)’, Stratagemmi 9: 1162Google Scholar
Cairns, D. L. 2010. Bacchylides: Five Epinician Odes, CambridgeGoogle Scholar
Calame, C. 1983. Alcman, RomeGoogle Scholar
Calame, C. 1995. The Craft of Poetic Speech in Ancient Greece, Ithaca, NYGoogle Scholar
Calame, C. 1997. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions, Lanham, MDGoogle Scholar
Calame, C. 2009a. ‘Apollo in Delphi and in Delos: poetic performances between paean and dithyramb’, in Athanassaki, L, Martin, R, and Miller, J eds., Apolline Politics and Poetics (Athens) 169–97Google Scholar
Calame, C. 2009b. ‘Referential fiction and poetic ritual: towards a pragmatics of myth (Sappho 17 and Bacchylides 13)’, Trends in Classics 1: 117Google Scholar
Calame, C. 2011. ‘Enunciative fiction and poetic performance’, in Athanassaki, L and Bowie, E. L eds., Archaic and Classical Choral Song: Performance, Politics and Dissemination (Berlin) 115–38Google Scholar
Caldelli, M. L. 1993. L’agon Capitolinus. Storia e protagonisti dall’istituzione domizianea al IV secolo, RomeGoogle Scholar
Carbone, M. E. 1977. ‘The Octavia: structure, date, and authenticity’, Phoenix 31: 4867Google Scholar
Carey, C. 1980. ‘Bacchylides experiments: Ode II’, Mnemosyne 33: 225–43Google Scholar
Carey, C. 1989a. Lysias: Selected Speeches, CambridgeGoogle Scholar
Carey, C. 1989b. ‘The performance of the victory ode’, American Journal of Philology 110: 545–65Google Scholar
Carey, C. 1991. ‘The victory ode in performance: the case for the chorus’, Classical Philology 86: 192200Google Scholar
Carey, C. 1993. ‘Pindar’s Ninth Nemean Ode’, in Jocelyn, H. D and Hurt, H eds., Tria Lustra: Essays and Notes Presented to John Pinsent... (Liverpool) 97107Google Scholar
Carey, C. 2001. ‘Poesia pubblica in performance’, in Cannatà Fera, M and D’Alessio, G. B eds., I lirici greci. Forme della communicazione e storia del testo (Messina) 1126Google Scholar
Carey, C. 2007. ‘Pindar, place, and performance’, in Hornblower, S and Morgan, C eds., Pindar’s Poetry, Patrons and Festivals: From Archaic Greece to the Roman Empire (Oxford) 199210Google Scholar
Carey, C. 2009. ‘Genre, occasion, and performance’, in Budelmann 2009: 21–38Google Scholar
Carey, C. 2012. ‘The victory ode in the theatre’, in Agócs-Carey-Rawles 2012: 1736CrossRefGoogle Scholar
Carey, C. 2013. ‘Comedy and the civic chorus’, in Bakola, E, Prauscello, L, and Telò, M eds. Greek Comedy and the Discourse of Genres (Cambridge) 155–74Google Scholar
Carlson, M. A. 2001. The Haunted Stage: The Theatre as Memory Machine, Ann Arbor, MIGoogle Scholar
Carré, A., Rhéty, M., and Zaytzeff, A. eds. 2013. La Reprise. Special Issue, Agon: Revue des arts de la scène 6Google Scholar
Cavallo, G. and Maehler, H. 2008. Hellenistic Bookhands, Berlin-New YorkGoogle Scholar
Cazzato, V., Obbink, D., and Prodi, E. E. eds. 2016. The Cup of Song: Studies on Poetry and the Symposium, OxfordGoogle Scholar
Ceadel, E. B. 1941. ‘The division of parts among the actors in SophoclesOedipus Coloneus’, Classical Quarterly 35: 139–47Google Scholar
Cerbo, E. 2010. ‘Il peana eritreo: layout e versificazione’, in Inglese, A ed., Epigrammata. Iscrizioni greche e comunicazione letteraria. In ricordo di Giancarlo Susini (Atti del Convegno di Roma, 1–2 ottobre 2009) (Rome) 221–49Google Scholar
Champlin, E. 2003. Nero, Cambridge, MAGoogle Scholar
Chaniotis, A. 2009. ‘A few things Hellenistic audiences appreciated in musical performances’, in Martinelli 2009a: 7597Google Scholar
Chaumartin, F.-G. 2002. ‘Octavie, oeuvre à la croisée de divers chemins’, Symbolae Osloenses 77: 5760Google Scholar
Christenson, D. M. 2000. Plautus Ampitruo, CambridgeGoogle Scholar
Clarke, K. 2017. ‘Walking through history: unlocking the mythical past’, in Hawes, G ed., Myths on the Map: The Storied Landscapes of Ancient Greece (Oxford) 14–31Google Scholar
Clay, J. S. 1999. ‘Pindar’s sympotic epinicia’, Quaderni Urbinati di Cultura Classica 62: 2534Google Scholar
Cohen, A. M. 2003. ‘Hamlet as emblem: the Ars Memoria and the culture of the play’, Journal for Early Modern Cultural Studies 3: 77112Google Scholar
Coleman, K. 1993. ‘Launching into history: aquatic displays in the early Empire’, Journal of Roman Studies 83: 4874Google Scholar
Collard, C. and Cropp, M. 2008a. Euripides: Fragments (Aegeus–Meleager), Cambridge, MAGoogle Scholar
Collard, C. and Cropp, M. 2008b. Euripides: Fragments (Oedipus–Chrysippus. Other Fragments), Cambridge, MAGoogle Scholar
Corbeill, A. 1996. Controlling Laughter: Political Humor in the Late Roman Republic, Princeton, NJGoogle Scholar
Corbeill, A. 2004. Nature Embodied: Gesture in Ancient Rome, Princeton, NJGoogle Scholar
Cox Miller, P. 2000. ‘Strategies of representation in collective biography: Constructing the subject as Holy’, in T. Hägg and P. Rousseau, eds. Greek Biography and Panegyric in Late Antiquity (Berkeley) 209–54Google Scholar
Cribiore, R. 2001a. Gymnastics of the Mind: Greek Education in Hellenistic and Roman Egypt, Princeton, NJGoogle Scholar
Cribiore, R. 2001b. ‘The grammarian’s choice: the popularity of Euripides’ Phoenissae in Hellenistic and Roman education’, in Too, Y.-L ed., Greek and Roman Education (Leiden) 241–59Google Scholar
Csapo, E. 2004. ‘The politics of the New Music’, in Murray, P and Wilson, P eds., Music and the Muses: The Culture of Mousike in the Classical Athenian City (Oxford) 207–48Google Scholar
Csapo, E. 2010. Actors and Icons of the Ancient Theater, ChichesterGoogle Scholar
Csapo, E. 2014. ‘The iconography of comedy’, in Revermann 2014: 95127Google Scholar
Csapo, E. 2015. ‘The earliest phase of “comic” choral entertainments in Athens. The Dionysian pompe and the “birth” of comedy’, in Chronopoulos, S and Orth, C eds., Fragmente einer Geschichte der griechischen Komödie, Fragmentary History of Greek Comedy (Heidelberg) 66108Google Scholar
Csapo, E. 2016. ‘The “theology” of the Dionysia and Old Comedy’, in Eidinow, E, Kindt, J, and Osborne, R eds., Theologies of Ancient Greek Religion (Cambridge) 117–52Google Scholar
Csapo, E. and Slater, W. J. 1995. The Context of Ancient Drama, Ann Arbor, MIGoogle Scholar
Csapo, E. and Wilson, P. 2015. ‘Drama outside Athens in the fifth and fourth centuries BC’, in Lamari 2015a: 316–95Google Scholar
Currie, B. 2004. ‘Reperformance scenarios for Pindar’s odes’, in Mackie, C. J ed., Oral Performance and Its Context (Leiden and Boston) 4969Google Scholar
Currie, B. 2005. Pindar and the Cult of Heroes, OxfordGoogle Scholar
Currie, B. 2011. ‘Epinician choregia: funding a Pindaric chorus’, in Bowie, E and Athanassaki, L eds., Archaic and Classical Choral Song: Performance, Politics and Dissemination (Berlin-Boston) 269310Google Scholar
Currie, B. 2012. ‘Pindar and Bacchylides’, in de Jong, I. J. F ed., Space in Ancient Greek Literature. Studies in Ancient Greek Narrative, Volume Three (Leiden-Boston) 285303Google Scholar
Cvetkovich, A. 2003. An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures, Durham, NCGoogle Scholar
Dakouri-Hild, A. 2001. ‘The house of Kadmos in Mycenaean Thebes reconsidered: architecture, chronology, and context’, Annual of the British School at Athens 96: 81122Google Scholar
Dale, A. M. 1969. ‘Interior scenes and illusion in Greek drama’, in Collected Papers (Cambridge) 259–71Google Scholar
D’Alessio, G. B. 2004. ‘Past future and present past: temporal deixis in Greek archaic lyric’, Arethusa 37: 267–94Google Scholar
D’Alessio, G. B. 2007. ‘ἢν ἰδού: ecce Satyri (Pratina, PMG 708 = TrGF4F3). Alcune considerazioni sull’uso della deissi ne testi lirici e teatrali’, in Perusino, F and Colantonio, M eds., Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca (Rome) 95128Google Scholar
D’Alessio, G. B. 2009a. ‘Language and pragmatics’, in Budelmann 2009: 114–29Google Scholar
D’Alessio, G. B. 2009b. ‘Defining local identities in Greek lyric poetry’, in Hunter-Rutherford 2009: 137–67Google Scholar
D’Alessio, G. B. 2013. ‘The name of the dithyramb’, in Kowalzig, B and Wilson, P eds., Dithyramb in Context (Oxford) 113–32Google Scholar
D’Alessio, G. B. 2016a. ‘Lyric texts on a Michigan Ptolemaic papyrus’, in Casanova, A, Messeri, G, and Pintaudi, R eds., e sì d’amici pieno. Omaggio di studiosi italiani a Guido Bastianini per il suo settantesimo compleanno (Florence) 437–48Google Scholar
D’Alessio, G. B. 2016b. ‘Didymaean songs (on SEG 58.1301, 60.1150)’, Materiali e Discussioni 76: 197212Google Scholar
D’Alessio, G. B. 2016c. ‘Bacchylides at banquet’, in Cazzato-Obbink-Prodi 2016: 63–84Google Scholar
Dalfen, J. ed. 2009. Platon, Minos, Übersetzung und Kommentar, GöttingenGoogle Scholar
Damasio, A. 2012. The Self Comes to Mind, LondonGoogle Scholar
D’Angour, A. 2006. ‘The New Music – so what’s new?’, in Goldhill, S and Osborne, R eds., Rethinking Revolutions through Ancient Greece (Cambridge) 264–83Google Scholar
Davis, C. 2005. ‘État présent, hauntology, spectres and phantoms’, French Studies 59: 373–9Google Scholar
Davis, N. and Meerzon, Y. 2015. ‘Staging an exilic autobiography: on the pleasures and frustrations of repetitions and returns’, Performance Research 20: 63–9CrossRefGoogle Scholar
Dawe, R. D. 2006. Sophocles, Oedipus Rex, 2nd ed., CambridgeGoogle Scholar
Day, J. 2013. ‘Epigraphic literacy in fifth-century epinician and its audiences’, in Liddel, P and Low, P eds., Inscriptions and Their Uses in Greek and Latin Literature (Oxford) 217–30Google Scholar
de Kreij, M. 2014. ‘5191. Lyric’, in Henry, Parsons, and others 2014: 50–7Google Scholar
Demaria, C. 2004. ‘The performative body of Marina Abramović’, European Journal of Women’s Studies 11: 295307Google Scholar
Derrida, J. 1988. The Ear of the Other: Otobiography, Transference, Translation, Lincoln, NEGoogle Scholar
Derrida, J. 1994. Specters of Marx, the State of the Debt, the Work of Mourning and the New International, New York-LondonGoogle Scholar
Derrida, J. 1995. ‘Archive fever: a Freudian impression’, Diacritics 25.2: 963Google Scholar
Derrida, J. 1996. Archive Fever: A Freudian Impression, Chicago.Google Scholar
Derrida, J. 2000. Of Hospitality, Stanford, CAGoogle Scholar
des Jardins, G. 1983. ‘The Hyrcanian beast’, Notes & Queries 30: 124–5Google Scholar
Deufert, M. 2002. Textgeschichte und Rezeption der plautinischen Komödien im Altertum, Berlin-New YorkGoogle Scholar
Di Benedetto, V. and Medda, E. 1997. La tragedia sulla scena. TurinGoogle Scholar
Dickey, E. 2007. Ancient Greek Scholarship, Oxford-New YorkGoogle Scholar
Dickie, M. W. 1997. ‘Philostratus and Pindar’s Eighth Paean’, Bulletin of the American Society of Papyrologists 34: 1120Google Scholar
Diehl, E. 1949–52. Anthologia Lyrica Graeca, 3rd ed., LeipzigGoogle Scholar
Dobrov, G. W. 2001. Figures of Play: Greek Drama and Metafictional Poetics, OxfordGoogle Scholar
Doherty, L. 1995. Siren Songs: Gender, Audiences and Narrators in the Odyssey, Ann Arbor, MIGoogle Scholar
Doolittle, H. D. 2012. Tribute to Freud, 2nd ed., New YorkGoogle Scholar
Dornseiff, F. 1921. Pindars Stil, BerlinGoogle Scholar
Dover, K. J. 1967. ‘Portrait-masks in Aristophanes’, in Boerma, R. E. H. Westendorp ed., ΚΩΜΩΙΔΟΤΡΑΓΗΜΑΤΑ: Studia Aristophanea viri Aristophanei W. J. W. Koster in honorem (Amsterdam) 1628Google Scholar
Dover, K. J. 1968. Aristophanes’ Clouds, OxfordGoogle Scholar
Dover, K. J. 1987. Greek and the Greeks, Vol. I, OxfordGoogle Scholar
Dué, C. 1993. ‘Poetry and the dēmos: state regulation of a civic possession’, in Dēmos: Classical Athenian Democracy, ed. C. W. Blackwell (The Stoa: A Consortium for Electronic Publication in the Humanities [www.stoa.org], eds. A. Mahoney and R. Scaife), edition of 31 January 2003. www.stoa.org/projects/demos/article_poetry_and_demosGoogle Scholar
Dupont, F. 1985. L’acteur-roi, ParisGoogle Scholar
Dykes, J. 1874. Eucharistic Truth and Ritual: A Letter to the Right Reverend the Lord Bishop of Durham, 2nd ed., London-DurhamGoogle Scholar
Easterling, P. E. 1994. ‘Euripides outside Athens: a speculative note’, Illinois Classical Studies 19: 7480Google Scholar
Easterling, P. E. 1997. ‘From repertoire to canon’, in Easterling, P. E ed., The Cambridge Companion to Greek Tragedy (Cambridge) 211–27Google Scholar
Easterling, P. E. 2002. ‘Actor as icon’, in Easterling, P and Hall, E eds., Greek and Roman Actors: Aspects of an Ancient Profession (Cambridge) 327–34Google Scholar
Easterling, P. E. 2005a. ‘Agamemnon for the ancients’, in Macintosh, F, Michelakis, P, Hall, E, and Taplin, O eds., Agamemnon in Performance: 458 BC to AD 2004 (Oxford) 2336Google Scholar
Easterling, P. E. 2005b. ‘The image of the polis in Greek tragedy’, in Hansen, M. H ed., The Imaginary Polis (Copenhagen) 4972Google Scholar
Easterling, P. E. 2006. ‘The death of Oedipus and what happened next’, in Cairns, D and Liapis, V eds., Dionysalexandros: Essays on Aeschylus and His Fellow Tragedians in Honour of A. F. Garvie (Swansea) 133–50Google Scholar
Eckerman, C. 2012. ‘Was epinician poetry performed at Panhellenic sanctuaries?’, Greek, Roman and Byzantine Studies 52: 338–60Google Scholar
Eckerman, C. 2015. Review of Krummen 2014, Bryn Mawr Classical Review. 24 MarchGoogle Scholar
Edmunds, L. 1996. Theatrical Space and Historical Place in Sophocles’ Oedipus at Colonus, Lanham, MDGoogle Scholar
Edwards, C. 1997. ‘Unspeakable professions: public performance and prostitution in ancient Rome’, in. Hallett, J. P and Skinner, M. B eds., Roman Sexualities (Princeton, NJ) 6695Google Scholar
Eichler, J. 2011. ‘Ghosts in the machine’, BostonGlobe.com, accessed 11 December 2011. www.bostonglobe.com/arts/2011/12/11/ghosts-machine/G2xkHb7r4GVSIAytgs1njO/story.htmlGoogle Scholar
Eisner, R. 2013. ‘Living archives as interventions in Ea Sola’s Forgotten Fields’, in Borggreen-Gade 2013: 127–45Google Scholar
Else, G. F. 1957. Aristotle’s Poetics: The Argument, Cambridge, MAGoogle Scholar
Fantuzzi, M. 2015. ‘Performing and informing: on the prologues of the [Euripidean] Rhesus’, in Lamari 2015a: 224–36Google Scholar
Faraone, C. A. 2011. ‘An Athenian tradition of dactylic paeans to Apollo and Asclepius: choral degeneration or a flexible system of non-strophic dactyls?’, Mnemosyne 64: 206–23Google Scholar
Farnell, L. R. 1930–2. The Works of Pindar, 2 vols., LondonGoogle Scholar
Fearn, D. 2007. Bacchylides: Politics, Performance, and Poetic Tradition, OxfordGoogle Scholar
Fearn, D. 2012. ‘Bacchylidean myths’, in Agócs-Carey-Rawles 2012: 321–43Google Scholar
Fearn, D. 2013. ‘Athens and the empire: the contextual flexibility of dithyramb’, in Kowalzig, B and Wilson, P eds., Dithyramb in Context (Oxford) 133–52Google Scholar
Feldman, M. 2015. The Castrato: Reflections on Natures and Kinds, Oakland, CAGoogle Scholar
Felman, S. 1983. ‘Beyond Oedipus: the specimen story of psychoanalysis’, Modern Language Notes 98: 1021–53Google Scholar
Felson, N. ed. 2004a. ‘The poetics of deixis in Alcman, Pindar, and other lyric’, Arethusa 37.3Google Scholar
Felson, N. 2004b. ‘Introduction’, in Felson 2004a: 254–66Google Scholar
Ferrary, J.-L. 2014. Les mémoriaux de délégations du sanctuaire oraculaire de Claros, d’après la documentation conservée dans le Fonds Louis Robert, ParisGoogle Scholar
Ferri, R. 1998. ‘Octavia’s heroines: Tacitus Annales 14.63-4 and the Praetexta Octavia’, Harvard Studies in Classical Philology 98: 339–56Google Scholar
Ferri, R. 2002. ‘Comments’, Symbolae Osloenses 77: 60–8Google Scholar
Ferri, R. 2003. Octavia. A Play Attributed to Seneca, CambridgeGoogle Scholar
Festugière, A. J. 1986. Aelius Aristide. Discours sacrés. Rêve, religion, médecine au IIe siècle après J.-C. Introduction et traduction par A. J. Festugière, Notes par H.-D. Saffrey, Preface de J. Le Goff, ParisGoogle Scholar
Finglass, P. J. 2015a. ‘Ancient reperformances of Sophocles’, in Lamari 2015a: 207–23Google Scholar
Finglass, P. J. 2015b. ‘Reperformances and the transmission of texts’, in Lamari 2015a: 259–76Google Scholar
Finkelberg, M. 2006. ‘Aristotle and episodic tragedy’, Greece & Rome 53: 672Google Scholar
Fischer, N. R. E. 1992. Hybris: A Study in the Concepts of Honour and Shame in Ancient Greece, WarminsterGoogle Scholar
Fischer-Lichte, E. 2008. The Transformative Power of Performance: A New Aesthetics, London and New YorkGoogle Scholar
Fitch, J. G. 2004. Seneca. Tragedies vol. 2, Cambridge, MAGoogle Scholar
Fletcher, J. 2013. Freud and the Scene of Trauma, New YorkGoogle Scholar
Floridi, L. 2014. Lucillio, ‘Epigrammi’. Introduzione, testo critico, traduzione e commento, Berlin-BostonGoogle Scholar
Flower, H. I. 1995. ‘Fabulae praetextae in context: when were plays on contemporary subjects performed in Republican Rome?’, Classical Quarterly 45: 170–90Google Scholar
Flower, H. I. 1996. Ancestor Masks and Aristocratic Power in Roman Culture, OxfordGoogle Scholar
Flower, H. I. 2002. ‘Roman historical drama and Nero on the stage’, Symbolae Osloenses 77: 6872Google Scholar
Flower, H. I. 2006. The Art of Forgetting: Disgrace and Oblivion in Roman Political Culture, Chapel Hill, NCGoogle Scholar
Foley, H. P. 1985. Ritual Irony: Poetry and Sacrifice in Euripides, Ithaca-LondonGoogle Scholar
Foley, H. P. 1988. ‘Tragedy and politics in AristophanesAcharnians’, Journal of Hellenic Studies 108: 3347Google Scholar
Foley, J. M. 1988. The Theory of Oral Composition: History and Methodology, Bloomington, INGoogle Scholar
Fontaine, M. 2014. ‘Dynamics of appropriation in Roman comedy: Menander’s Kolax in three Roman receptions (Naevius, Plautus and Terence’s Eunuchus)’, in Olson, S. D ed., Ancient Comedy and Reception (Berlin) 180202Google Scholar
Ford, A. 1997. ‘The inland ship: problems in the performance and reception of Homeric epic’, in Bakker, E. J and Kahane, A eds., Written Voices, Spoken Signs (Cambridge) 138–66Google Scholar
Ford, A. 2011. Aristotle as Poet: The Song for Hermias and Its Contexts, New YorkGoogle Scholar
Ford, A. 2015. ‘The purpose of Aristotle’s Poetics’, Classical Philology 110: 121Google Scholar
Forster, K. W. 1982. ‘Monument/memory and the mortality of architecture’, Oppositions 25: 2–19Google Scholar
Frank, J. 2004. ‘Citizens, slaves, and foreigners: Aristotle on human nature’, The American Political Science Review 98: 91104Google Scholar
Franssen, P. 2009. ‘Shakespeare’s afterlives: raising and laying the ghost of authority’, Critical Survey 21: 621Google Scholar
Freud, E. L. ed. 1970. Letters of Sigmund Freud: 1873–1939, LondonGoogle Scholar
Freud, S. 1920. ‘Beyond the pleasure principle’, in Strachey, J ed., The Standard Edition of the Complete Psychological Works of S. Freud (London) XVIII, 764Google Scholar
Freymann-Weyr, J. 2007. ‘New technology recaptures pianists of the past’, NPR.org, accessed 28 May 2007. www.npr.org/templates/story/story.php?storyId=10439850Google Scholar
Führer, R. 1967. Formproblem-Untersuchungen zu den Reden in der frühgriechischen Lyrik, MunichGoogle Scholar
Furley, W. 2010. ‘Hymns to Tyche and related abstract entities’, Paideia 65: 161–80Google Scholar
Furley, W. and Bremer, J. M. 2001. Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic Period, TübingenGoogle Scholar
Fuss, D. 2004. The Sense of an Interior: Four Rooms and the Writers that Shaped Them, New YorkGoogle Scholar
Fyfe, W. Hamilton. 1927. Aristotle, the Poetics, “Longinus” on the Sublime, Demetrius on Style, London/New YorkGoogle Scholar
Gallo, P. 2014. ‘Michael Jackson hologram rocks Billboard Music Awards: watch & go behind the scenes’, Billboard.com, accessed 18 May 2014. www.billboard.com/articles/events/bbma-2014/6092040/michael-jackson-hologram-billboard-music-awardsGoogle Scholar
Gallois, A. 2015. ‘Identity over time’, in Zalta, E. N. ed., The Stanford Encyclopedia of PhilosophyGoogle Scholar
Garelli, M.-H. 2006. ‘Pantomime, tragédie et patrimoine littéraire sous l’Empire’, Pallas 71: 113–25Google Scholar
Garelli, M.-H. 2007. Danser le mythe: la pantomime et sa réception dans la culture antique, LouvainGoogle Scholar
Garvie, A. F. 1986. Aeschylus Cheophori, OxfordGoogle Scholar
Garzya, A. 1981. ‘Sulla questione delle interpolazioni degli attori nei testi tragici’, in Gallo, I ed., Studi Salernitani in memoria di Raffaele Cantarella (Salerno) 5375Google Scholar
Gelzer, T. 1985. ‘Μοῦσα αὐθιγενής: Bemerkungen zu einem Typ pindarischer und bacchylideischer Epinikien’, Museum Helveticum 42: 95120Google Scholar
Genette, G. 1992. The Architext: An Introduction, Berkeley, CAGoogle Scholar
Gentili, B., Catenacci, C., Giannini, P., and Lomiento, L. 2013. Pindaro: le Olimpiche, MilanGoogle Scholar
Gerber, D. E. 1982. Pindar’s Olympian One: A Commentary, TorontoGoogle Scholar
Gerber, D. E. 1999. ‘Pindar, Nemean Six: a commentary’, Harvard Studies in Classical Philology 99: 3391Google Scholar
Giannopoulou, Z. 2010. ‘Enacting the other, being oneself: the drama of rhetoric and philosophy in Plato’s Phaedrus’, Classical Philology 105: 146–61Google Scholar
Gildenhard, I. and Revermann, M. 2010. Beyond the Fifth Century: Interactions with Greek Tragedy from the Fourth Century BCE to the Middle Ages, BerlinGoogle Scholar
Ginsberg, L. D. 2011. ‘Ingens as an etymological pun in the Octavia’, Classical Philology 106.4: 357–60Google Scholar
Ginsberg, L. D. 2013. ‘Wars more than civil: memories of Pompey and Caesar in the Octavia’, American Journal of Philology 134: 637–74Google Scholar
Gleason, M. 1995. Making Men: Sophists and Self-Representation in Ancient Rome, Princeton, NJGoogle Scholar
Glenn Gould Foundation (no year). ‘Glenn Gould FAOs’, The Glenn Gould Foundation, accessed 12 February 2017, http://music.cbc.ca/#!/blogs/2015/8/Bach-seat-the-story-of-Glenn-Goulds-chairGoogle Scholar
Goffman, E. 1959. The Presentation of Self in Everyday Life, EdinburghGoogle Scholar
Goffman, E. 1974. Frame Analysis: An Essay on the Organization of Experience, LondonGoogle Scholar
Goldberg, S. 2003. ‘Authorising Octavia’, in Wilson, M ed., The Tragedy of Nero’s Wife: Studies on the Octavia Praetexta, Prudentia 35 (Auckland) 1336Google Scholar
Goldhill, S. 1983. ‘Narrative structure in Bacchylides 5’, Eranos 81: 6581Google Scholar
Goldhill, S. 1987. ‘The Great Dionysia and civic ideology’, Journal of Hellenic Studies 107: 5876Google Scholar
Goldhill, S. 1991. The Poet’s Voice, CambridgeGoogle Scholar
Goldhill, S. 1993. ‘The Sirens’ song: authorship, authority and citation’, in Biriotti, M and Miller, N eds., What Is an Author? (Manchester-New York) 137–54Google Scholar
Goldhill, S. 1994. ‘The naïve and knowing Eye: ekphrasis and the culture of viewing’, in Goldhill, S and Osborne, R eds., Art and Text in Ancient Greek Culture (Cambridge) 197223Google Scholar
Goldhill, S. 2005. Who Needs Greek? Contests in the Cultural History of Hellenism, CambridgeGoogle Scholar
Goldhill, S. 2007. ‘What’s in a wall?’, in Kraus, C, Goldhill, S, Foley, H. P, and Elsner, J eds., Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature (Oxford) 127–47Google Scholar
Goldhill, S. 2011a. Freud’s Couch, Scott’s Buttocks, Brontë’s Grave, ChicagoGoogle Scholar
Goldhill, S. 2011b. Victorian Culture and Classical Antiquity: Art, Opera, Fiction and the Proclamation of Modernity, Princeton, NJGoogle Scholar
Goldhill, S. 2012. Sophocles and the Language of Tragedy, OxfordGoogle Scholar
Goldhill, S. 2015a. ‘Lived experience, history and narrative form in the rabbinical writings’, Religion in the Roman Empire 1: 343–77Google Scholar
Goldhill, S. 2015b. ‘Preposterous poetics and the erotics of death’, Eugesta 5: 154–77Google Scholar
Goldman, D. 2003. ‘Ghostcatching: an intersection of technology, labor, and race’, Dance Research Journal 35/36: 6887Google Scholar
Gopnik, A. 2007. ‘Angels and ages: Lincoln’s language and its legacy’, The New Yorker, 28 MayGoogle Scholar
Gourlay, P. S. 1971. ‘Guilty creatures sitting at play: a note on Hamlet, Act II, Scene 2’, Renaissance Quarterly 24: 221–5Google Scholar
Gow, A. S. F. and Page, D. L. 1968. The Greek Anthology. The Garland of Philip, CambridgeGoogle Scholar
Graf, F. 2002. ‘Myth in Ovid’, in Hardie, P ed., The Cambridge Companion to Ovid, (Cambridge) 108–21Google Scholar
Graf, F. 2015. Roman Festivals in the Greek East. From the Early Empire to the Middle Byzantine Era, CambridgeGoogle Scholar
Green, J. R. 1985. ‘Drunk again: a study in the iconography of the comic theater’, American Journal of Archaeology 89: 465–72Google Scholar
Greenblatt, S. 2001. Hamlet in Purgatory, Princeton, NJGoogle Scholar
Gregory, J. 1999. Euripides: Hecuba, Introduction, Text and Commentary, Atlanta, GAGoogle Scholar
Griffith, R. D. 1998. ‘Corporeality in the ancient Greek theatre’, Phoenix 52: 230–56Google Scholar
Gudeman, A. 1934. Aristoteles περὶ ποιητικῆς, Berlin-LeipzigGoogle Scholar
Gunderson, E. ed. 2009. The Cambridge Companion to Ancient Rhetoric, CambridgeGoogle Scholar
Günther, H.-C. 1996. Exercitationes Sophocleae, GöttingenGoogle Scholar
Gurd, S. 2007. ‘Meaning and material presence: four epigrams on Timomachus’ unfinished Medea’, Transactions of the American Philological Association 137: 305–31Google Scholar
Gutzwiller, K. 2004. ‘Seeing thought: Timomachus’ Medea and ekphrastic Epigram’, American Journal of Philology 125: 339–86Google Scholar
Habicht, C. 1985. Pausanias’ Guide to Ancient Greece, Berkeley-Los AngelesGoogle Scholar
Habinek, T. 2005. Ancient Rhetoric and Oratory, OxfordGoogle Scholar
Hadjimichael, T. 2010–11. ‘Epinician competitions: persona and voice in Bacchylides’, Rudiae 22–3: 333–56Google Scholar
Hägglund, M. 2004. ‘The necessity of discrimination: disjoining Derrida and Levinas’, Diacritics 34: 4071Google Scholar
Hall, E. 2008. ‘Is the Barcelona Alcestis a libretto?’, in Hall-Wyles 2008: 157–68Google Scholar
Hall, E. 2015. ‘Adventures in ancient Greek and Roman libraries’, in Crawford, A. ed., The Meaning of the Library: A Cultural History (Princeton, NJ) 130Google Scholar
Hall, E. and Harrop, S. eds. 2010. Theorising Performance: Greek Drama, Cultural History and Critical Practice, LondonGoogle Scholar
Hall, E., Macintosh, F., and Wrigley, A. eds. 2004. Dionysus since 69: Greek Tragedy at the Dawn of the Third Millennium, OxfordGoogle Scholar
Hall, E. and Wyles, R. eds. 2008. New Directions in Ancient Pantomime, OxfordGoogle Scholar
Halliwell, S. 1986. Aristotle’s Poetics, LondonGoogle Scholar
Halliwell, S. 2005. ‘Learning from suffering: ancient responses to tragedy’, in Gregory, J. ed., A Companion to Greek Tragedy (Malden, MA) 394412Google Scholar
Hamilakis, Y. and Anagnastopoulos, A. 2009. ‘What is archaeological ethnography?’, Public Archaeology 8: 6587Google Scholar
Hamilton, R. 1974. ‘Objective evidence for actors’ interpolations in Greek tragedy’, Greek, Roman and Byzantine Studies 15: 387402Google Scholar
Hanink, J. 2014a. Lycurgan Athens and the Making of Classical Tragedy, CambridgeGoogle Scholar
Hanink, J. 2014b. ‘The Great Dionysia and the end of the Peloponnesian war’, Classical Antiquity 33: 319–46Google Scholar
Hanink, J. 2014c. ‘Literary evidence for new tragic production: the view from the fourth century’, in Csapo, E., Goette, H. R., Green, J. R., and Wilson, P. eds., Greek Theatre in the Fourth Century BC (Berlin) 189206Google Scholar
Hanink, J. 2015. ‘Why 386? Lost empire, old tragedy and reperformance in the era of the Corinthian War’, in Lamari 2015a: 277–96Google Scholar
Hansen, W. 1996. Phlegon of Tralles’ Book of Marvels, ExeterGoogle Scholar
Harder, R. 1956. ‘Inschriften von Didyma Nr. 217 Vers 4’, in Navicula Chilonensis: studia philologica Felici Jacoby ... oblata (Leiden) 8897 [= Kleine Schriften (Munich 1960), 137–47]Google Scholar
Hardie, A. 2005. ‘Sappho, the Muses, and life after death’, Zeitschrift für Papyrologie und Epigraphik 154: 1332Google Scholar
Hawes, G. 2016. ‘Stones, names, stories, and bodies: Pausanias before the walls of seven-gated Thebes’, in McInerney, J. and Sluiter, I. eds., Valuing Landscape in Classical Antiquity: Natural Environment and Cultural Imagination (Leiden) 431–57Google Scholar
Heath, M. 1988. ‘Receiving the κῶμος: the context and performance of epinician’, American Journal of Philology 109: 180–95Google Scholar
Heathfield, A. 2012. ‘Then again’, in Jones, A. and Heathfield, A. eds., Perform, Repeat, Record: Live Art in History (Bristol) 2735Google Scholar
Helm, R. 1934. ‘Die Praetexta Octavia’, Sitzungsberichte der Preussischen Akademie der Wissenschaften 16: 283347Google Scholar
Henrichs, A. 1994–5. ‘“Why should I dance?”: choral self-referentiality in Greek tragedy’, Arion 3.1: 56111Google Scholar
Henrichs, A. 1996. ‘Dancing in Athens, dancing on Delos: some patterns of choral projection in Euripides’, Philologus 140: 4862Google Scholar
Henry, W. B. 2005. Pindar’s Nemeans: A Selection, Munich-LeipzigGoogle Scholar
Henry, W. B., Parsons, P. J., and others eds. 2014. The Oxyrhynchus Papyri, Vol. 79, LondonGoogle Scholar
Herbert, T. W. 1950. ‘Shakespeare announces a ghost’, Shakespeare Quarterly 4: 247–54Google Scholar
Herington, C. J. 1961. ‘Octavia Praetexta: A Survey’, Classical Quarterly 11: 1830Google Scholar
Herington, J. 1985. Poetry into Drama: Early Tragedy and the Greek Poetic Tradition, Berkeley, CAGoogle Scholar
Heubeck, A., West, S., and Hainsworth, J. B. 1988. A Commentary on Homer’s Odyssey vol. I, OxfordGoogle Scholar
Heyworth, S. J. 1992. ‘Propertius 2.13’, Mnemosyne 45: 4559Google Scholar
Hickman, R. M. 1938. Ghostly Etiquette on the Classical Stage, Cedar Rapids, IAGoogle Scholar
Hickok, G. 2014. The Myth of Mirror Neurons: The Real Neuroscience of Communication and Cognition, New York-LondonGoogle Scholar
Hicks, R. B. 1976. Aristotle, De Anima, with Translation, Introduction, and Notes, New YorkGoogle Scholar
Hinds, S. 1987. Metamorphosis of Persephone: Ovid and the Self-Conscious Muse, CambridgeGoogle Scholar
Hinge, G. 2006. Die Sprache Alkmans. Textgeschichte und Sprachgeschichte, WiesbadenGoogle Scholar
Hirsch, M. 2012. The Generation of Postmemory: Writing and Visual Culture after the Holocaust, New YorkGoogle Scholar
Hirsch, M. and Taylor, D. 2012. ‘Editorial remarks’, in Hirsch, M. and Taylor, D. eds., On the subject of archives, E-misférica 9 (http://hemisphericinstitute.org/hemi/en/e-misferica-91/hirschtaylor)Google Scholar
Hobden, F. 2013. ‘Presenting the past’, Classical Receptions Journal 5.1: 137Google Scholar
Holmes, B. 2013. ‘Antigone at Colonus and the end(s) of tragedy’, Ramus 42: 2343Google Scholar
Holmes, R. 2005. Footsteps: Adventures of a Romantic Biographer, LondonGoogle Scholar
Homan, S. 1989. The Audience as Actor and Character, LondonGoogle Scholar
Hommel, H. 1964. ‘Das Versorakel des Apollo von Didyma (Rehm-Harder No. 217)’, in Akten des IV. internationalen Kongresses für griechische und lateinische Epigraphik, (Wien, 17. bis 22. September 1962), Vienna: 140–56 [reprinted with changes in Sebasmata: Studien zur antiken Religionsgeschichte und zum frühen Christentum, 1, Tübingen 1983, 210–27]Google Scholar
Hordern, J. H. 2002. The Fragments of Timotheus of Miletus, OxfordGoogle Scholar
Hornblower, S. 2004. Thucydides and Pindar. Historical Narrative and the World of Epinikian Poetry, OxfordGoogle Scholar
Hubbard, T. K. 1985. The Pindaric Mind: A Study of Logical Structure in Early Greek Poetry, LeidenGoogle Scholar
Hubbard, T. K. 2004. ‘The dissemination of epinician lyric: pan-hellenism, reperformance, written texts’, in Mackie, C. J. ed., Oral Performance and Its Context (Leiden-Boston) 7193Google Scholar
Hubbard, T. K. 2011. ‘The dissemination of non-epinician lyric: Pan-Hellenism, reperformance, written texts’, in Bowie, E. L. and Athanassaki, L. eds., Archaic and Classical Choral Poetry (Berlin) 347–64Google Scholar
Hughes, P. 1988. ‘Painting the ghost: Wittgenstein, Shakespeare, and textual representation’, New Literary History 19: 371–84Google Scholar
Hunt, Y. 2008. ‘Roman pantomime libretti and their Greek themes: the role of Augustus in the Romanization of the Greek classics’, in Hall-Wyles 2008: 169–84Google Scholar
Hunter, R. 1983. Eubulus: The Fragments, CambridgeGoogle Scholar
Hunter, R. 1995. ‘Plautus and Herodas’, in Benz, L., Stärk, E., and Vogt-Spira, G. eds., Plautus und die Tradition des Stegreifspiels (Tübingen)155–69 [= Hunter 2008: 212–28]Google Scholar
Hunter, R. 2002. ‘“Acting down”: the ideology of Hellenistic performance’, in Easterling, P. and Hall, E. eds., Greek and Roman Actors (Cambridge) 189205 [= Hunter 2008: 643–62]Google Scholar
Hunter, R. 2008. On Coming After. Studies in Post-classical Greek Literature and Its Reception, BerlinGoogle Scholar
Hunter, R. 2009. Critical Moments in Classical Literature, CambridgeGoogle Scholar
Hunter, R. 2016. ‘Some dramatic terminology’, in Frangoulidis, S., Harrison, S., and Manuwald, G. eds., Roman Drama and its Contexts (Berlin) 1324Google Scholar
Hunter, R. and Rutherford, I. eds. 2009. Wandering Poets in Ancient Greek Culture, CambridgeGoogle Scholar
Hutchinson, G. O. 1985. Aeschylus, Septem contra Thebas, OxfordGoogle Scholar
Hutchinson, G. O. 2001. Greek Lyric Poetry: A Commentary on Selected Larger Pieces, OxfordGoogle Scholar
Hutton, W. 2005. Describing Greece: Landscape and Literature in the Periegesis of Pausanias, CambridgeGoogle Scholar
Huyssen, A. 2003. Present Pasts: Urban Palimpsests and the Politics of Memory, Stanford, CAGoogle Scholar
Instone, S. 1996. Pindar: Selected Odes, WarminsterGoogle Scholar
Irigoin, J. 1952. Histoire du texte de Pindare, ParisGoogle Scholar
Itsumi, K. 2009. Pindaric Metre: The ‘Other Half’, OxfordGoogle Scholar
Jacobson, R. 1962–2014. Selected Writings, 10 vols., The HagueGoogle Scholar
Jameson, F. 1995. ‘Marx’s purloined letter’, New Left Review 209: 75109Google Scholar
Janes, D. 2009. Victorian Reformation: The Fight over Idolatry in the Church of England 1840–1860, OxfordGoogle Scholar
Janko, R. 1987. Aristotle, Poetics I, Indianapolis, INGoogle Scholar
Janko, R. 2013. ‘The hexametric incantations against witchcraft in the Getty Museum: from archetype to exemplar’, in Faraone, C. A. and Obbink, D. eds., The Getty Hexameters. Poetry, Magic, and Mystery in Ancient Selinous (Oxford) 3156Google Scholar
Jarratt, S. 1991. Rereading the Sophists. Classical Rhetoric Refigured, CarbondaleGoogle Scholar
Jauss, H. R. 1970. ‘Literary history as a challenge to literary theory’, New Literary History 2.1: 737Google Scholar
Jebb, R. C. 1900. Sophocles: Plays (Oedipus Coloneus), CambridgeGoogle Scholar
Jebb, R. C. 1905. Bacchylides: The Poems and Fragments, CambridgeGoogle Scholar
Jocelyn, H. D. 1993. Review of O. Zwierlein, Zur Kritik und Exegese des Plautus. I: Poenulus und Curculio (Stuttgart 1990), Gnomon 65: 122–37Google Scholar
Jocelyn, H. D. 1996. Review of O. Zwierlein, Zur Kritik und Exegese des Plautus. II: Miles Gloriosus (Stuttgart 1991), Gnomon 68: 402–20Google Scholar
Johnston, B. 1993. ‘The metamorphoses of Theseus in Oedipus at ColonusComparative Drama 27: 271–85Google Scholar
Johnston, S. I. 1999. Restless Dead: Encounters between the Living and the Dead in Ancient Greece, Berkeley-Los AngelesGoogle Scholar
Johnston, S. I. 2008. Ancient Greek Divination, Hoboken, NJGoogle Scholar
Jong, I. J. F. de. 2004. Narrators and Focalizers: The Presentation of the Story in the Iliad, 2nd ed., BristolGoogle Scholar
Jory, E. J. 2008. ‘The pantomime dancer and his libretto’, in Hall-Wyles 2008:157–68Google Scholar
Jouanna, J. 1982. ‘Réalité et théâtralité du rêve: le rêve dans l’Hécube d’Euripide’, Ktema 7: 4352Google Scholar
Kannicht, R. 1969. Euripides: Helena, vol. II, HeidelbergGoogle Scholar
Käppel, L. 1992. Paian. Studien zur Geschichte einer Gattung, Berlin-New YorkGoogle Scholar
Karanastassi, P. 1992. ‘Nemesis’, in Lexicon Iconographicum Mythologiae Classicae VI.1 (Zurich-Munich) 733–62Google Scholar
Kartsaki, E. and Schmidt, T. eds. 2015a. ‘On repetition’, Performance Research 20.5Google Scholar
Kartsaki, E. and Schmidt, T. 2015b. ‘Editorial’, in Kartsaki-Schmidt 2015a: 1–3Google Scholar
Kassel, R. 1974. ‘Ärger mit dem Koch (Com. Gr. Fr. 219 Austin)’, Zeitschrift für Papyrologie und Epigraphik 14: 121–7Google Scholar
Kassel, R. 1987. Die Abgrenzung des Hellenismus, Berlin-New YorkGoogle Scholar
Kassel, R. and Austin, C. eds. 1983–2001. Poetae Comici Graeci, BerlinGoogle Scholar
Kay, N. M., 2006. Epigrams from the Anthologia Latina: Text, Translation and Commentary, LondonGoogle Scholar
Keramopoulos, A. 1909. ‘Ἡ οἰκία τοῦ Κάδμου’, Ephemeris, 57122Google Scholar
Kerrigan, J. 1996. Revenge Tragedy: Aeschylus to Armageddon, OxfordGoogle Scholar
Keyssner, K. 1933. ‘Die Hygieiahymnen des Ariphron und des Likymnius’, Philosophische Wochenschrift 53: 1289–96Google Scholar
Kiermeier-Debre, J. 1989. Eine Komödie und auch keine: Theater als Stoff und Thema des Theaters von Harsdörffer bis Handke, StuttgartGoogle Scholar
Kirkwood, G. M. 1989. ‘Nemean 4,93 and eris in Pindar’, Quaderni Urbinati di Cultura Classica 31: 712Google Scholar
Köhnken, A. 1971. Die Funktion des Mythos bei Pindar, BerlinGoogle Scholar
Kothari, S. 1989. Kathak: Indian Classical Dance Art, New DelhiGoogle Scholar
Kott, J. 1976. ‘The Aeneid and the Tempest, Arion 3: 424–51Google Scholar
Kowalzig, B. 2007. Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, OxfordGoogle Scholar
Kowalzig, B. and Wilson, P. eds. 2013. Dithyramb in Context, OxfordGoogle Scholar
Kragelund, P. 1982. Prophecy, Populism, and Propaganda in the ‘Octavia’, CopenhagenGoogle Scholar
Kragelund, P. 2002. ‘Historical drama in ancient Rome: Republican flourishing and imperial decline?’, Symbolae Osloenses 77: 551, 88102Google Scholar
Kragelund, P. 2007. ‘Agrippina’s revenge’, in Moltesen, M. and Nielsen, A.-M. eds., Agrippina Minor: Life and Afterlife (Copenhagen) 2743Google Scholar
Kragelund, P. 2016. Roman Historical Drama: The Octavia in Antiquity and Beyond, OxfordGoogle Scholar
Krummen, E. 1990. Pyrsos Hymnon: festliche Gegenwart und mythisch-traditionell Tradition als Voraussetzung einer Pindarinterpretation, Berlin-New YorkGoogle Scholar
Krummen, E. 2014. Cult, Myth, and Occasion in Pindar’s Victory Odes: A Study of Isthmian 4, Pythian 5, Olympian 1, and Olympian 3, PrentonGoogle Scholar
Kurke, L. 1991. The Traffic in Praise: Pindar and the Poetics of Social Economy, Ithaca, NYGoogle Scholar
Kurke, L. 2013. ‘Pindar’s Pythian 11 and the Oresteia: contestatory ritual poetics in the 5th c. BCE’, Classical Antiquity 32: 101–75Google Scholar
Lacan, J. 1938 (2001). ‘Les complexes familiaux dans la formation de l’individu: essai d’analyse d’une fonction en psychologie’, in Autres Écrits (Paris) 2384Google Scholar
Lada-Richards, I. 2003. ‘“Mobile statuary”: refractions of pantomime dancing from Callistratus to Emma Hamilton and Andrew Ducrow’, International Journal of the Classical Tradition 10: 337Google Scholar
Lada-Richards, I. 2007. Silent Eloquence: Lucian and Pantomime Dancing, LondonGoogle Scholar
Lamari, A. 2015a. ed. Reperformances of Drama in the Fifth and Fourth Centuries BC (Trends in Classics Vol. 7), BerlinGoogle Scholar
Lamari, A. 2015b. ‘Aeschylus and the beginning of tragic reperformances’, in Lamari 2015a: 189206Google Scholar
Lämmle, R. 2013. Poetik des Satyrspiels, HeidelbergGoogle Scholar
Lane, N. 2007. ‘Staging Polydorus’ ghost in the prologue of Euripides’ Hecuba’, Classical Quarterly 57: 290–4Google Scholar
Lanna, S. 2013. Mesomede. Inno a Φύσις. Introduzione, testo critico, traduzione e commento, RomeGoogle Scholar
Lattmann, C. 2010. Das Gleiche im Verschiedenen: Metapher des Sports und Lob des Siegers in Pindars Epinikien, BerlinGoogle Scholar
Lawrence, M. 2010. ‘BACH & friends HD Dr. John Q. Walker Zenph Studios – Michael Lawrence Films’ [excerpt from Dr. John Q. Walker Zenph Studios 2010], 4: 38. Posted 19 June 2010. www.youtube.com/watch?v=Q-568EhUTRYGoogle Scholar
Lebek, W. D. 1983. ‘Das neue Alcestis-Gedicht der Papyri Barcinonenses’, Zeitschrift für Papyrologie und Epigraphik 52: 129Google Scholar
Lefkowitz, M. R. 1969. ‘Bacchylides’ ode 5: imitation and originality’, Harvard Studies in Classical Philology 73: 4596Google Scholar
Lefkowitz, M. R. 2012. The Lives of the Greek Poets, 2nd ed., Baltimore, MDGoogle Scholar
Leonard, M. 2005. Athens in Paris: Ancient Greece and the Political in Post-war Paris, OxfordGoogle Scholar
Leonard, M. 2012. Socrates and the Jews: Hellenism and Hebraism from Moses Mendelssohn to Sigmund Freud, ChicagoGoogle Scholar
Lepecki, A. 2010. ‘The body as archive: will to re-enact and the afterlives of dances’, Dance Research Journal 42.2: 2848Google Scholar
Leppin, H. 1992. Histrionen: Untersuchungen zur sozialen Stellung von Bühnenkünstlern im Westen des römischen Reiches zur Zeit der Republik und des Principats, BonnGoogle Scholar
LeVen, P. 2014. The Many-Headed Muse: Tradition and Innovation in Late Classical Greek Lyric Poetry, CambridgeGoogle Scholar
Lewis, V. B. 2006. ‘Plato’s ‘Minos’: the political and philosophical context of the problem of natural right’, Review of Metaphysics 60: 1753Google Scholar
Ley, G. 2013. ‘Rehearsing Aristophanes’, in Harrison, G. W. M. and Liapis, V. eds., Performance in Greek and Roman Theatre (Leiden) 291308Google Scholar
Linders, T. 1972. Studies in the Treasure Records of Artemis Brauronia Found in Athens, StockholmGoogle Scholar
Littlewood, C. A. J. 2004. Self-Representation and Illusion in Senecan Tragedy, OxfordGoogle Scholar
Lloyd, M. 1999. ‘The tragic aorist’, Classical Quarterly 49: 2445Google Scholar
Lobel, E. 1967. ‘2625. Choral lyric’, in Lobel, E. ed., The Oxyrhynchus Papyri Vol. XXXII (London) 114–19Google Scholar
Loraux, N. 1998. Mothers in Mourning, Ithaca, NYGoogle Scholar
Loraux, N. 2006. The Invention of Athens: The Funeral Oration in the Classical City, Cambridge, MAGoogle Scholar
Loscalzo, D. 2003. La parola inestinguibile: studi sull’ epinicio pindarico, RomeGoogle Scholar
Lucas, D. W. 1968. Aristotle Poetics, OxfordGoogle Scholar
Lucas, F. L. 1921. ‘The Octavia’, Classical Review 35: 91–3Google Scholar
Luckhurst, M. and Morin, E. eds. 2014. Theatre and Ghosts: Materiality, Performance, and Modernity, New YorkGoogle Scholar
Luschnig, C. A. E. 1976. ‘Euripides’ ‘Hecabe’: the time is out of joint’, Classical Journal 71: 227–34Google Scholar
Macdonald, S. 2013. Memorylands: Heritage and Identity in Europe Today, LondonGoogle Scholar
Macleod, C. 1974. ‘Euripides’ rags’, Zeitschrift für Papyrologie und Epigraphik 15: 221–2Google Scholar
Macleod, C. 1980. ‘Euripides’ rags again’, Zeitschrift für Papyrologie und Epigraphik 39: 6Google Scholar
Maehler, H. 1982. Die Lieder des Bakchylides I: Die Siegeslieder, LeidenGoogle Scholar
Maehler, H. 1997. Die Lieder des Bakchylides II: Die Dithyramben und Fragmente, LeidenGoogle Scholar
Magie, D. 1950. Roman Rule in Asia Minor, to the End of the Third Century after Christ, Princeton, NJGoogle Scholar
Máñez, M. J. O. 2012. ‘Socrates as character, Socrates as narrator: dialogue and representation in Plato’, in Cooren, F. and Létourneau, A. eds., (Re)Presentations and Dialogue (Amsterdam-Philadelphia) 289302Google Scholar
Manuwald, G. 2001. Fabulae praetextae. Spuren einer literarischen Gattung, MunichGoogle Scholar
Manuwald, G. 2011. Roman Republican Theatre, CambridgeGoogle Scholar
March, J. 1987. The Creative Poet: Studies on the Treatment of Myths in Greek Poetry, LondonGoogle Scholar
Markantonatos, A. 2007. Oedipus at Colonus: Sophocles, Athens, and the World, BerlinGoogle Scholar
Marshall, C. W. 1999. ‘Some fifth-century masking conventions’, Greece & Rome 46: 188202Google Scholar
Martin, R. P. 1989. The Language of Heroes: Speech and Performance in the Iliad, Ithaca, NYGoogle Scholar
Martindale, C. and Thomas, R. eds. 2006. Classics and the Uses of Reception, OxfordGoogle Scholar
Martinelli, M. C. ed. 2009a. La Musa dimenticata. Aspetti dell’esperienza musicale greca in età ellenistica, PisaGoogle Scholar
Martinelli, M. C. 2009b. ‘Testi musicati, testi per la musica. Ipotesi su alcuni papiri lirici’, in Martinelli 2009a: 317–54Google Scholar
Marx, K. 1913. The Eighteenth Brumaire of Louis Bonaparte, Ann Arbor, MIGoogle Scholar
Marx, U., Schwartz, G. et al., eds. 2007. Walter Benjamin’s Archive, LondonGoogle Scholar
Mastronade, D. J. 1994. Euripides: Phoenissae, CambridgeGoogle Scholar
Matthiessen, K. 2008. Euripides Hekabe, Berlin-New YorkGoogle Scholar
Mazzoli, G. 2000. ‘Ombre nell’Octavia’, in Stärk, E. and Vogt-Spira, G. eds., Dramatische Wäldchen: Festschrift für Eckard Lefèvre zum 65. Geburtstag (Hildesheim) 203–20Google Scholar
McGann, J. 2014. A New Republic of Letters: Memory and Scholarship in the Age of Digital Reproduction, Cambridge, MAGoogle Scholar
Mezger, F. 1880. Pindars Siegeslieder, LeipzigGoogle Scholar
Mikalson, J. D. 1972. ‘The noumenia and epimenia in Athens’, Harvard Theological Review 65: 291–6Google Scholar
Miller, A. W. 1993. ‘Pindaric mimesis: the associative mode’, Classical Journal 89: 2153Google Scholar
Millis, B. W. and Olson, S. D. 2012. Inscriptional Records for the Dramatic Festivals in Athens: IG II2 2318–2325 and Related Texts, LeidenGoogle Scholar
Miola, R. 1992. Shakespeare and Classical Tragedy: The Influence of Seneca, OxfordGoogle Scholar
Moore, C. 2013. ‘Socrates psychagogos (Birds 1555, Phaedrus 261a7)’, in de Luise, F. and Stavru, A. eds., Socratica III (Sankt Augustin) 4155Google Scholar
Mossman, J. 1995. Wild Justice: A Study of Euripides’ Hecuba, OxfordGoogle Scholar
Morgan, K. A. 1993. ‘Pindar the professional and the rhetoric of the κῶμος’, Classical Philology 88: 115Google Scholar
Morrison, A. D. 2007a. The Narrator in Archaic Greek and Hellenistic Poetry, CambridgeGoogle Scholar
Morrison, A. D. 2007b. Performance and Audiences in Pindar’s Sicilian Victory Odes, LondonGoogle Scholar
Morrison, A. D. 2010. ‘Aeginetan odes, reperformance, and Pindaric intertextuality’, in Fearn, D. ed., Aegina: Contexts for Choral Lyric Poetry (Oxford) 227–53Google Scholar
Morrison, A. D. 2011. ‘Pindar and the Aeginetan patrai: Pindar’s intersecting audiences’, in Athanassaki, L. and Bowie, E. L. eds., Archaic and Classical Choral Song (Berlin) 299321Google Scholar
Morrison, A. D. 2012. ‘Performance, re-performance and Pindar’s audiences’, in Agócs-Carey-Rawles 2012: 111–33Google Scholar
Morrison, J. S. and Coates, J. F. 1989. An Athenian Trireme Reconstructed: The British Sea Trials of Olympias, 1987, OxfordGoogle Scholar
Morrison, J. S., Coates, J. F., and Rankov, N. B. 2000. The Athenian Trireme: The History and Reconstruction of an Ancient Greek Warship, 2nd ed., CambridgeGoogle Scholar
Most, G. W. 1992. ‘Il poeta nell’Ade: catabasi epica e teoria dell’epos tra Omero e Virgilio’, Studi Italiani di Filologia Classica 85: 1014–26Google Scholar
Most, G. W. and Ozbek, L. eds. 2015. Staging Ajax’s Suicide, PisaGoogle Scholar
Muecke, F. 1982. ‘“I know you – by your rags”: costume and disguise in fifth-century drama’, Antichthon 16: 1734Google Scholar
Mueller, M. 1997. ‘Hamlet and the world of ancient tragedy’, Arion 5: 2245Google Scholar
Mueller, M. 2015. Objects as Actors: Props and the Poetics of Performance in Greek Tragedy, ChicagoGoogle Scholar
Mülke, M. 2000. ‘Phrynichos und Athen: der Beschluß über die Miletu Halosis (Hdt. 6, 21, 2)’, in Gödde, S. and Heinze, T. eds., Skenika. Beiträge zum antiken Theater und seiner Rezeption (Darmstadt) 233–46Google Scholar
Müller, C. W. 2000. Euripides: Philoktet, BerlinGoogle Scholar
Muellner, L. 1998. ‘Glaucus redivivus’, Harvard Studies in Classical Philology 98: 130Google Scholar
Mullen, W. 1982. Choreia: Pindar and Dance, Princeton, NJGoogle Scholar
Murnaghan, S. 1988. ‘Body and voice in Greek tragedy’, Yale Journal of Criticism 1: 2343Google Scholar
Murray, P. 1981. ‘Poetic inspiration in early Greece’, Journal of Hellenic Studies 101: 87101Google Scholar
Nagy, G. 1979. The Best of the Achaeans: Concepts of the Hero in Ancient Greek Poetry, Baltimore, MDGoogle Scholar
Nagy, G. 1990. Pindar’s Homer: The Lyric Possession of an Epic Past, Baltimore, MDGoogle Scholar
Nagy, G. 1996. Poetry as Performance: Homer and Beyond, CambridgeGoogle Scholar
Nagy, G. 2001. Plato’s Rhapsody and Homer’s Music: The Poetics of the Panathenaic Festival in Classical Athens, Washington, DCGoogle Scholar
Nagy, G. 2011. ‘A second look at the poetics of re-enactment in ode 13 of Bacchylides’, in Athanassaki, L. and Bowie, E. L. eds., Archaic and Classical Choral Song: Performance, Politics and Dissemination (Berlin) 173206Google Scholar
Nagy, G. 2012. ‘Signs of hero cult in Homeric poetry’, in Montanari, F., Rengakos, A., and Tsagalis, C. eds., Homeric Contexts: Neoanalysis and the Interpretation of Oral Poetry (Berlin-Boston) 2771Google Scholar
Nagy, G. 2013. ‘The Delian maidens and choral mimesis in classical drama’, in Gagné, R. and Hopman, M. G. eds., Choral Mediations in Greek Tragedy (Cambridge) 227–56Google Scholar
Nervegna, S. 2007. ‘Staging scenes or plays? Theatrical revivals of “old” Greek drama in antiquity’, Zeitschrift für Papyrologie und Epigraphik 162: 1442Google Scholar
Nervegna, S. 2013. Menander in Antiquity: The Contexts of Reception, CambridgeGoogle Scholar
Ness, S. A. 2008. ‘The inscription of gesture: inward migrations in dance’, in Noland, C. and Ness, S. A. eds., Migrations of Gestures (Minneapolis-London) 130Google Scholar
Nesselrath, H.-G. 2011. ‘Menander and his rivals: new light from the Comic Adespota?’, in Obbink, D. and Rutherford, R. eds., Culture in Pieces (Oxford) 119–37Google Scholar
Neumann-Hartmann, A. 2009. Epinikien und ihr Aufführungsrahmen, HildesheimGoogle Scholar
Nicholson, N. 2001. ‘Pindar Nemean 4.57–58 and the arts of poets, wrestlers and trainers’, Arethusa 34: 3159Google Scholar
Nicholson, N. 2005. Aristocracy and Athletics in Archaic and Classical Greece, CambridgeGoogle Scholar
Nicholson, N. 2013. ‘Cultural studies, oral tradition, and the promise of intertextuality’, American Journal of Philology 134: 921Google Scholar
Nightingale, A. 1995. Genres in Dialogue: Plato and the Construct of Philosophy, CambridgeGoogle Scholar
Nisetich, F. J. 1975. ‘Olympian 1.8–11: an epinician metaphor’, Harvard Studies in Classical Philology 79: 5568Google Scholar
Nisetich, F. J. 1980. Pindar’s Victory Songs, Baltimore-LondonGoogle Scholar
Noland, C. 2008. ‘Introduction’, in Noland, C. and Ness, S. A. eds., Migrations of Gestures (Minneapolis-London) ixxviiiGoogle Scholar
Nooter, S. 2012. When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy, CambridgeGoogle Scholar
Noussia-Fantuzzi, M. 2010. Solon the Athenian, the Poetic Fragments, Leiden-BostonGoogle Scholar
Ober, J. 1989. Mass and Elite in Democratic Athens: Rhetoric, Ideology and the Power of the People, Princeton, NJGoogle Scholar
Ogden, D. 2001. Greek and Roman Necromancy, Princeton, NJGoogle Scholar
Ogden, D. 2002. Magic, Witchcraft and Ghosts in the Greek and Roman Worlds: A Source Book, OxfordGoogle Scholar
Oliensis, E. 2009. Freud’s Rome: Psychoanalysis and Latin Poetry, CambridgeGoogle Scholar
Oliver, J. H. 1936. ‘The Sarapion Monument and the paean of Sophocles’, Hesperia 5: 91122Google Scholar
Olson, S. D. 2002. Aristophanes: Acharnians, OxfordGoogle Scholar
Osanna, M. 2008. ‘Eptapyloi Thebai: le mura tebane da Omero a Pausania’, in Le perle e il filo: a Mario Torelli per i suoi settanta anni (Venosa) 243–60Google Scholar
Page, D. L. 1934. Actors’ Interpolations in Greek Tragedy, OxfordGoogle Scholar
Page, D. L. 1978. The Epigrams of Rufinus, CambridgeGoogle Scholar
Palumbo Stracca, B. M. 1993. ‘Corinna e il suo pubblico’, in Pretagostini, R. ed., Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Scritti in onore di Bruno Gentili (Rome) 3.403–12Google Scholar
Palumbo Stracca, B. M. 1996. ‘Parodia del canto alterno in Aristoph. Ach. 1097–1142, 1214–1225’, Studi Italiani di Filologia Classica 14: 3547Google Scholar
Papastamati-von Moock, C. 2007. ‘Menander und die Tragikergruppe. Neue Forschungen zu den Ehrenmonumenten im Dionysostheater von Athen’, Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung 122: 273327Google Scholar
Pardini, A. 1997. ‘Note ad un inno a Demetra (adesp. lyr. S 460–463. 465 P.)’, Zeitschrift für Papyrologie und Epigraphik 117: 50–6Google Scholar
Parker, R. C. T. 1996. Athenian Religion: A History, OxfordGoogle Scholar
Parker, R. C. T. 2011. On Greek Religion, Ithaca, NYGoogle Scholar
Parkin-Gounelas, R. 1999. ‘Anachrony and anatopia: spectres of Marx, Derrida, and Gothic fiction’, in Buse, P. and Scott, A. eds., Ghosts: Deconstruction, Psychoanalysis, History (London) 127–43Google Scholar
Parsons, P. J. 2014. ‘5187–5189. “Mimes”’, in The Oxyrhynchus Papyri Vol. LXXIX (London) 1341Google Scholar
Parsons, P. J., Nisbet, R. G. M., Hutchinson, G. 1983. ‘Alcestis in Barcelona’, Zeitschrift für Papyrologie und Epigraphik 52: 31–6Google Scholar
Pavlou, M. 2011. ‘Past and present in Pindar’s religious poetry’, in Lardinois, A. P. M. H., Blok, J. H., and Van der Poel, M. G. M. eds., Sacred Words: Orality, Literacy and Religion (Leiden) 5978Google Scholar
Pavlou, M. 2012. ‘Pindar and the reconstruction of the past’, in Marincola, J., Llewellyn-Jones, L. and Maciver, C. eds., Greek Notions of the Past in the Archaic and Classical Eras: History without Historians (Edinburgh) 95112Google Scholar
Pelliccia, H. 1995. Mind, Body, and Speech in Homer and Pindar, GöttingenGoogle Scholar
Pelliccia, H. 2009. ‘Simonides, Pindar and Bacchylides’, in Budelmann 2009: 240–6Google Scholar
Pernigotti, C. 2009. ‘I papiri e le pratiche della scrittura musicale nella Grecia antica’, in Martinelli 2009a: 303–16Google Scholar
Petrakos, B. Ch. 1999. Δῆμος τοῦ Ραμνοῦντος. Οἱ ἐπιγραφές, AthensGoogle Scholar
Petrides, A. 2013. ‘Lucian’s On Dance and the poetics of the pantomime mask’, in Harrison, G. W. M. and Liapis, V. eds., Performance in Greek and Roman Theatre (Leiden) 433–5Google Scholar
Petrovic, I. 2011. ‘Callimachus and contemporary religion: the Hymn to Apollo,’ in Acosta-Hughes, B., Lehnus, L., and Stephens, S. eds., Brill’s Companion to Callimachus (Leiden-Boston) 264–85Google Scholar
Pfeiffer, R. 1968. History of Classical Scholarship from the Beginnings to the End of the Hellenistic Age, OxfordGoogle Scholar
Pfeijffer, I. L. 1999a. ‘Bacchylides’ Homer, his tragedy, and his Pindar’, in Pfeijffer, I. L. and Slings, S. R. eds., One Hundred Years of Bacchylides (Amsterdam) 4360Google Scholar
Pfeijffer, I. L. 1999b. Three Aeginetan Odes of Pindar. A Commentary on Nemean V, Nemean III, and Pythian VIII, LeidenGoogle Scholar
Phelan, P. 1993. Unmarked: The Politics of Performance, LondonGoogle Scholar
Pickard-Cambridge, A. 1946. The Theatre of Dionysus in Athens, OxfordGoogle Scholar
Pickard-Cambridge, A. 1962. Dithyramb Tragedy and Comedy, 2nd ed. rev. by T. B. L. Webster, OxfordGoogle Scholar
Pickard-Cambridge, A. 1988. The Dramatic Festivals of Athens, 2nd ed. rev. by J. Gould and D. M. Lewis, OxfordGoogle Scholar
Platter, C. 1994. ‘Heracles, Deianeira, and Nessus: reverse chronology and human knowledge in Bacchylides 16’, American Journal of Philology 115: 337–49Google Scholar
Platter, C. 2007. Aristophanes and the Carnival of Genres, Baltimore, MDGoogle Scholar
Poe, J. P. 1989. ‘Octavia Praetexta and its Senecan model’, American Journal of Philology 110: 434–59Google Scholar
Pöhlmann, E. and West, M. 2001. Documents of Ancient Greek Music, OxfordGoogle Scholar
Polansky, R. 2007. Aristotle’s De Anima, CambridgeGoogle Scholar
Poliakoff, M. 1982. Studies in the Terminology of the Greek Combat Sports, Königstein im TaunusGoogle Scholar
Pollard, T. 2012. ‘What’s Hecuba to Shakespeare?’, Renaissance Quarterly 65: 1060–93Google Scholar
Pordomingo, F. 2013. Antologías de época helenística en papiro, FlorenceGoogle Scholar
Porter, J. 2000. The Invention of Dionysus: A Reading of ‘The Birth of Tragedy’, Stanford, CAGoogle Scholar
Porter, J. 2006a. Classical Pasts: The Classical Traditions of Greece and Rome, Princeton, NJGoogle Scholar
Porter, J. 2006b. ‘Feeling classical: classicism and ancient literary criticism’, in Porter 2006a: 301–52Google Scholar
Porter, J. 2010. The Origins of Aesthetic Thought in Ancient Greece, Cambridge.Google Scholar
Pouilloux, J. 1954. La Forteresse de Rhamnonte, ParisGoogle Scholar
Power, T. 2000. ‘The parthenoi of Bacchylides 13’, Harvard Studies in Classical Philology 100: 6781Google Scholar
Power, T. 2010. The Culture of Kitharôidia, Washington, DCGoogle Scholar
Prauscello, L. 2006. Singing Alexandria: Music between Practice and Textual Transmission, LeidenGoogle Scholar
Prauscello, L. 2009. ‘Wandering poetry, “travelling” music: Timotheus’ muse and some case-studies of shifting cultural identities’, in Hunter-Rutherford 2009: 168–94Google Scholar
Preiser, C. 2000. Euripides: Telephos, HildesheimGoogle Scholar
Prendergast, C. 2005. ‘Derrida’s Hamlet’, SubStance 34.1: 44–7Google Scholar
Pretzler, M. 2007. Pausanias: Travel Writing in Ancient Greece, LondonGoogle Scholar
Pucci, P. 1998. The Song of the Sirens: Essays on Homer, Lanham, MDGoogle Scholar
Puech, A. 1949–52. Pindare, 4 vols., ParisGoogle Scholar
Purves, A. 2004. ‘Topographies of time in Hesiod’, in Rosen, R. ed., Time and Temporality in the Ancient World (Philadelphia, PA) 147–68Google Scholar
Race, W. H. 1997. Pindar, 2 vols., Cambridge, MAGoogle Scholar
Race, W. H. 2004. ‘Pindar’s Olympian 11 revisited post-Bundy’, Harvard Studies in Classical Philology 102: 6996Google Scholar
Rankov, N. B., and Bockius, R. 2012. Trireme Olympias: The Final Report: Sea trials 1992–4, Conference Papers 1998, OxfordGoogle Scholar
Rapaport, H. 1998. ‘Archive trauma’, Diacritics 28: 6881Google Scholar
Raykoff, I. 2014. Dreams of Love: Playing the Romantic Pianist, OxfordGoogle Scholar
Rayner, A. 2006. Ghosts: Death’s Double and the Phenomena of Theatre, Minneapolis, MNGoogle Scholar
Rehm, R. 2002. The Play of Space: Spatial Transformation in Greek Tragedy, Princeton-OxfordGoogle Scholar
Reiter, F. ed. 2012. Literarische Texte der Berliner Papyrussammlung. Zur Wiedereröffnung des neuen Museums, BerlinGoogle Scholar
Remijsen, S. 2014. ‘Games, competitors, and performers in Roman Egypt’, in Henry-Parsons 2014: 190206Google Scholar
Revermann, M. 2006. Comic Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy, OxfordGoogle Scholar
Revermann, M. ed. 2014. The Cambridge Companion to Greek Comedy, CambridgeGoogle Scholar
Rich, A. 1979. On Lies, Secrets and Silence, New YorkGoogle Scholar
Riegl, A. 1982. ‘The modern cult of monuments: its character and its origin’, Oppositions 25: 2151Google Scholar
Ringer, M. 1998. Electra and the Empty Urn, Chapel Hill, NCGoogle Scholar
Roach, J. 1996. Cities of the Dead: Circum-Atlantic Performance, New YorkGoogle Scholar
Robert, L. 1974. ‘Des Carpathes à la Propontide’, Studii clasice 16: 5388Google Scholar
Roberts, C. H. 1956. Greek Literary Hands, 350 BC–AD 400, OxfordGoogle Scholar
Robertson, N. D. 1964. Nemesis: The History of a Social and Religious Idea in Early Greece, Dissertation Cornell UniversityGoogle Scholar
Robson, J. 2005. ‘Aristophanes on how to write tragedy: what you wear is what you are’, in McHardy, F., Robson, J., and Harvey, D. eds., Lost Dramas of Classical Athens: Greek Tragic Fragments (Exeter) 173–88Google Scholar
Rokem, F. 2007. Performing History: Theatrical Representations of the Past in Contemporary Theatre, Iowa City, IAGoogle Scholar
Roselli, D. K. 2005. ‘Vegetable-hawking mom and fortunate son: Euripides, tragic style, and reception’, Phoenix 59: 149Google Scholar
Rosen, R. M. 1997. ‘Performance and textuality in AristophanesClouds’, Yale Journal of Criticism 10: 397421Google Scholar
Rosen, R. M. 2012. ‘Timocles fr. 6 K-A and the parody of Greek literary theory’, in Marshall, C. W. and Kovacs, G. eds., No Laughing Matter: Studies in Athenian Comedy (London) 177–86Google Scholar
Rosen, R. M. 2015. ‘Reconsidering the reperformance of Aristophanes’ Frogs’, in Lamari 2015a: 237–56Google Scholar
Rosenbloom, D. 1993. ‘Shouting “fire” in a crowded theater: Phrynichos’s Capture of Miletos and the politics of fear in early Attic tragedy’, Philologus 137: 159–96.Google Scholar
Rösler, W. 2002. ‘The historians and writing’, in E. J. Bakker, I. F. F. de Jong and H. van Wees, eds., Brill’s Companion to Herodotus (Leiden) 79–94Google Scholar
Rossiter, H. and Whipp, B. 2012. ‘Paleo-bioenergetics: clues to the maximum sustainable speed of a trireme under oar’, in Rankov-Bockius 2012: 165–9Google Scholar
Rothstein, J. 2007. ‘Is it live ... or Yamaha? Channeling Glenn Gould’, NYTimes.com, accessed 12 March 2007. www.nytimes.com/2007/03/12/arts/music/12conn.htmlGoogle Scholar
Rubinstein, J. 2003. The Culture of the Babylonian Talmud, Baltimore, MDGoogle Scholar
Ruffell, I. A. 2011. Politics and Anti-realism in Athenian Old Comedy, OxfordGoogle Scholar
Rutherford, I. 2001. Pindar’s Paeans. A Reading of the Fragments with a Survey of the Genre, OxfordGoogle Scholar
Rutherford, I. 2013. State Pilgrims and Sacred Observers in Ancient Greece: A Study of Theoria and Theoroi, CambridgeGoogle Scholar
Rutherford, R. B. 2012. Greek Tragic Style: Form, Language and Interpretation, CambridgeGoogle Scholar
Ruti, M. 2012. The Singularity of Being: Lacan and the Immortal Within, New YorkGoogle Scholar
Said, E. W. 2000. Reflections on Exile and Other Essays, Cambridge, MAGoogle Scholar
Sammons, B. 2010. The Art and Rhetoric of the Homeric Catalogue, OxfordGoogle Scholar
Santayana, G. 1905. The Life of Reason, New YorkGoogle Scholar
Santone, J. 2008. ‘Marina Abramović’s Seven Easy Pieces: critical documentation strategies for preserving art’s history’, Leonardo 41: 147–52Google Scholar
Scattolin, P. 2011. ‘Aristotele e il coro tragico (Poetica 12, 18)’, in Rodighiero, A. and Scattolin, P. eds., ‘... un enorme individuo, dotato di polmoni soprannaturali’. Funzioni, interpretazioni e rinascite del coro drammatico Greco (Verona) 161215Google Scholar
Schachter, A. 2005. ‘The singing contest of Kithairon and Helikon: Korinna fr. 654 PMG col. i and ii.1–11: content and context’, in Kolde, A., Lukinovich, A., and Rey, A.-L. eds., κορυφαίῳ ἀνδρί. Mélanges offerts à André Hurst (Geneva) 275–83Google Scholar
Schadewaldt, W. 1928. Der Aufbau des pindarischen Epinikion, Halle-SaaleGoogle Scholar
Schechner, R. 1965. ‘Theatre criticism’, The Tulane Drama Review 9.3: 13–24Google Scholar
Schechner, R. 1985. Between Theater and Anthropology, Philadelphia.Google Scholar
Schechner, R. 2013. Performance Studies: An Introduction. 3rd ed., London-New YorkGoogle Scholar
Schein, S. L. 2013. Sophocles: Philoctetes, CambridgeGoogle Scholar
Schenker, D. J. 2006. ‘The strangeness of the “Phaedrus”’, American Journal of Philology 127: 6787Google Scholar
Schepens, G. 1996. ‘Ancient paradoxography: origin, evolution, production and reception’, in Pecere, O. and Stramaglia, A. eds., La letteratura di consumo nel mondo greco-latino (Cassino) 343460Google Scholar
Schmid, W. and Stählin, O. 1929. Geschichte der griechischen Literatur I, MunichGoogle Scholar
Schmidt, D. A. 1990. ‘Bacchylides 17: paean or dithyramb?’, Hermes 118: 1831Google Scholar
Schmidt, P. L. 1985. ‘Die Poetisierung und Mythisierung der Geschichte in der Tragödie Octavia’, Aufstieg und Niedergang der römischen Welt 32.2: 1421–53Google Scholar
Schmitt Pantel, P. 1990. ‘Sacrificial meal and symposion: two models of civic institutions in the archaic city?’, in Murray, O. ed., Sympotica. A Symposium on the Symposion (Oxford) 1433Google Scholar
Schmitt Pantel, P. 1992. La cité au banquet: Histoire des repas publics dans les cités grecques, Rome-ParisGoogle Scholar
Schneider, R. 2001. ‘Archives: performance remains’, Performance Research 6.2: 100–8Google Scholar
Schneider, R. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment, LondonGoogle Scholar
Schneider, R. 2014. Theatre and History, LondonGoogle Scholar
Scodel, R. 1996. ‘Self-correction, spontaneity, and orality in archaic poetry’, in Worthington, I. ed., Voice into Text: Orality and Literacy in Ancient Greece (Leiden) 5979Google Scholar
Scodel, R. 2002. Listening to Homer: Tradition, Narrative, and Audience, Ann Arbor, MIGoogle Scholar
Sear, F. 2006. Roman Theatres: An Architectural Study, OxfordGoogle Scholar
Sedley, D. 2016. ‘I am not the person I used to be’, Omnibus 71: 1517Google Scholar
Segal, C. 1962. ‘Gorgias and the psychology of the logos’, Harvard Studies in Classical Philology 66: 99155Google Scholar
Segal, C. 1976. ‘Bacchylides reconsidered: epithets and the dynamics of lyric narrative’, Quaderni Urbinati di Cultura Classica 22: 99130Google Scholar
Segal, C. 1981. Tragedy and Civilization: An Interpretation of Sophocles, Cambridge, MAGoogle Scholar
Seremetakis, C. N. 1994. ‘The memory of the senses, part I: marks of the transitory’, in The Senses Still: Perception and Memory as Material Culture in Modernity (Chicago) 118Google Scholar
Sheer, J. 2012. ‘Religion and the polis: the cult of the tyrannicides in Athens’, Kernos 25: 2755Google Scholar
Shilo, A. 2013. ‘From oblivion to judgment, afterlives, politics, and unbeliefs in Greek tragedy and Plato’, ThéoRèmes 5: 228Google Scholar
Sickinger, J. P. 1999. Public Records and Archives in Classical Athens, Chapel Hill, NCGoogle Scholar
Sidwell, K. 2001. ‘Aristotle, Poetics 1456a25–32’, in McGroarty, K. ed., Eklogai. Studies in Honour of Thomas Finan and Gerard Watson (Maynooth) 78-84Google Scholar
Sidwell, K. 2009. Aristophanes the Democrat: The Politics of Satirical Comedy during the Peloponnesian War, CambridgeGoogle Scholar
Sifakis, G. M. 2013. ‘The misunderstanding of opsis in Aristotle’s Poetics’, in Harrison, G. W. M. and Liapis, V. eds., Performance in Greek and Roman Theatre (Leiden) 4161Google Scholar
Silk, M. S. 1974. Interaction in Poetic Imagery with Special Reference to Early Greek Poetry, CambridgeGoogle Scholar
Silk, M. S. and Stern, J. P. 1981. Nietzsche on Tragedy, CambridgeGoogle Scholar
Slater, N. W. 1996. ‘Nero’s masks’, Classical World 90: 3340Google Scholar
Slater, N. W. 2002. Spectator Politics: Metatheatre and Performance in Aristophanes, Philadelphia, PAGoogle Scholar
Slater, W. J. 1969a. Lexicon to Pindar, BerlinGoogle Scholar
Slater, W. J. 1969b. ‘Futures in Pindar’, Classical Quarterly 19: 8694Google Scholar
Slater, W. J. 1989. ‘Pelops at Olympia’, Greek, Roman and Byzantine Studies 30: 485501Google Scholar
Slater, W. J. 1996. ‘Inschriften von Magnesia 192 revisited’, Greek, Roman and Byzantine Studies 37: 195204Google Scholar
Smalec, T. 2006. ‘Not what it seems: the politics of re-performing Vito Acconci’s Seedbed (1972)’, Postmodern Culture 17, http://muse.jhu.edu/article/211473Google Scholar
Small, J. P. 1997. Wax Tablets of the Mind: Cognitive Studies of Literacy and Memory in Classical Antiquity, LondonGoogle Scholar
Smith, J. A. 2003. ‘Flavian drama: looking back with Octavia’, in Boyle, A. J. and Dominik, W. J. eds., Flavian Rome: Culture, Image, Text (Leiden) 391430Google Scholar
Snell, B. and Maehler, H. 1970. Bacchylidis carmina cum fragmentis, StuttgartGoogle Scholar
Snell, B. and Maehler, H. 1987. Pindari carmina cum fragmentis. Pars i: epinicia, LeipzigGoogle Scholar
Sokolowski, F. 1955. Lois sacrées de l’Asie mineure, ParisGoogle Scholar
Sommerstein, A. H. 2010. ‘The titles of Greek dramas’, in The Tangled Ways of Zeus (Oxford) 1129Google Scholar
Sourvinou-Inwood, C. 1995. ‘Reading Greek Death, OxfordGoogle Scholar
Sourvinou-Inwood, C. 2003. Tragedy and Athenian Religion, Lanham, MDGoogle Scholar
Spelman, H. 2015. Pindar and His Audiences, Dissertation Oxford UniversityGoogle Scholar
Steedman, C. 2006. ‘“Something she called a fever”: Michelet, Derrida, and dust (or, in the archives with Michelet and Derrida)’, in Blouin, F. X. and Rosenberg, W. G. eds., Archives, Documentation and Institutions of Social Memory (Ann Arbor, MI) 419Google Scholar
Stehle, E. 1997. Performance and Gender: Nondramatic Poetry in Its Setting, Princeton, NJGoogle Scholar
Steiner, D. 1986. The Crown of Song: Metaphor in Pindar, LondonGoogle Scholar
Steiner, D. 2002. ‘Indecorous dining, indecorous speech: Pindar’s First Olympian and the poetics of consumption’, Arethusa 35: 297314Google Scholar
Steiner, G. 1993. Antigones, LondonGoogle Scholar
Steiner, G. 2008. ‘“Tragedy”, reconsidered’, in Felski, R. ed., Rethinking Tragedy (Baltimore, MD) 2944Google Scholar
Stewart, S. 1993. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection, Durham, NCGoogle Scholar
Stewart-Steinberg, S. 2011. Impious Fidelity: Anna Freud, Psychoanalysis, Politics, Ithaca, NYGoogle Scholar
Storey, I. 2003. Eupolis. Poet of Old Comedy, OxfordGoogle Scholar
Strasser, J.-Y. 2004. ‘Inscriptions grecques et latines en l’honneur de pantomimes’, Tyche 19: 175212Google Scholar
Sumi, G. S. 2002. ‘Impersonating the dead: mimes at Roman funerals’, American Journal of Philology 123: 559–85Google Scholar
Summa, D. 2008. ‘Un concours de drames “anciens” à Athènes’, Revue des Études Grecques 121: 479–96Google Scholar
Sutton, D. F. 1983. The Dramaturgy of Octavia, KönigsteinGoogle Scholar
Tanner, J. 2006. The Invention of Art History in Ancient Greece, CambridgeGoogle Scholar
Taplin, O. 1977a. ‘Did Greek dramatists write stage instructions?’, Proceedings of the Cambridge Philological Society 23: 121–32Google Scholar
Taplin, O. 1977b. The Stagecraft of Aeschylus: the Dramatic Use of Entrances and Exits in Greek Tragedy, OxfordGoogle Scholar
Taplin, O. 1978. Greek Tragedy in Action, Berkeley-Los AngelesGoogle Scholar
Taplin, O. 1986. ‘Fifth-century tragedy and comedy: a syncrisis’, Journal of Hellenic Studies 106: 163–74Google Scholar
Taplin, O. 1993. Comic Angels and Other Approaches to Greek Drama through Vase-Paintings, OxfordGoogle Scholar
Taplin, O. 1999. ‘Spreading the word through performance’, in Goldhill, S. and Osborne, R. eds., Performance Culture and Athenian Democracy (Cambridge) 3357Google Scholar
Taplin, O. 2003. Greek Tragedy in Action, 2nd ed., LondonGoogle Scholar
Taylor, D. 1997. Disappearing Acts, Durham, NCGoogle Scholar
Taylor, D. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas, Raleigh, NCGoogle Scholar
Telò, M. 1999. ‘Eliodoro e la critica omerica antica’, Studi Italiani di Filologia Classica 92: 7187Google Scholar
Telò, M. 2011. ‘The eagle’s gaze in the opening of Heliodorus’s Aethiopica, American Journal of Philology 132: 581613Google Scholar
Telò, M. 2016. Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon, ChicagoGoogle Scholar
Tessier, A. 2014. ‘Peani in dattili tra Ellade classica ed età imperiale’, in Graeca Tergestina. Praelectiones Philologae Tergestinae 4: 174Google Scholar
Theunissen, M. 2000. Pindar: Menschenlos und Wende der Zeit, MunichGoogle Scholar
Thomas, D. 2002. Aesthetics of Opera in the Ancien Régime, CambridgeGoogle Scholar
Thompson, A. and Taylor, N. 2006. Hamlet, the Texts of 1603 and 1623, LondonGoogle Scholar
Torrance, I. 2011. ‘In the footprints of Aeschylus: recognition, allusion, and metapoetics in Euripides’, American Journal of Philology 132: 177204Google Scholar
Trümpy, C. 1998. ‘Feste zur Vollmondszeit: Die religiösen Feiern Attikas im Monatslauf und der vorgeschichtliche attische Kultkalender’, Zeitschrift für Papyrologie und Epigraphik 121: 109–15Google Scholar
Tsagalis, C. 2009. ‘Blurring the boundaries: Dionysus, Apollo and Bacchylides 17’, in Athanassaki, L., Martin, R., and Miller, J. eds., Apolline Politics and Poetics (Athens) 199215Google Scholar
Turner, F. 1981. The Greek Heritage in Victorian Britain, New Haven, CTGoogle Scholar
Turner, J. 2014. Philology: The Forgotten Origins of Modern Humanities, Princeton, NJGoogle Scholar
Turyn, A. 1952. Pindari carmina cum fragmentis, OxfordGoogle Scholar
Uhlig, A. 2011. Script and Song in Pindar and Aeschylus, Dissertation Princeton UniversityGoogle Scholar
Vahtikari, V. 2014. Tragedy Reperformances outside Athens in the late Fifth and the Fourth Centuries BC, HelsinkiGoogle Scholar
Vance, N. 1997. The Victorians and Ancient Rome, OxfordGoogle Scholar
Van Noorden, H. 2014. Playing Hesiod. The ‘Myth of the Races’ in Classical Antiquity, CambridgeGoogle Scholar
Van Nortwick, T. 2012. ‘Last things: Oedipus at Colonus and the end of tragedy’, in Ormand, K. ed., A Companion to Sophocles (Malden, MA) 141–54Google Scholar
Van Vliet, M. ‘Rituel et mythe chez Warburg, Cassirer et Lévi-Strauss’, Appareil http://appareil.revues.org/2074Google Scholar
Varner, E. R. 2001. ‘Portraits, plots, and politics: Damnatio Memoriae and the images of imperial women’, Memoirs of the American Academy in Rome 46: 4193Google Scholar
Vetta, M. 1996. ‘Convivialità pubblica e poesia per simposio in Grecia’, Quaderni Urbinati di Cultura Classica 54: 197209Google Scholar
Veyne, P. 1989. ‘ΔΙΑΣΚΕΥΑΙ: le théâtre grec sous l’empire (Dion de Pruse, XXXII, 94)’, Revue des Études Grecques 102: 339–45Google Scholar
Vidal-Naquet, P. 2001. ‘Oedipe entre deux cités: essai sur l’Oedipe à Colone’, in Vernant, J.-P. and Vidal-Naquet, P., Mythe et tragédie en Grèce ancienne, vol. II (Paris) 172211 (originally published 1986)Google Scholar
Wagman, R. 1995. Inni di Epidauro, PisaGoogle Scholar
Wagman, R. 2000. L’inno epidaurico a Pan. Il culto di Pan a Epidauro, PisaGoogle Scholar
Wagman, R. 2012. ‘From song to monument. Sacred poetry and religious revival in Roman Epidaurus’, in Bouchon, R., Brillet-Dubois, P., Le Meur-Weissman, N. eds., Les Hymnes de la Grèce antique: Entre littérature et histoire. Actes du colloque international, Lyon, 19–21 juin 2008 (Lyon) 219–31Google Scholar
Wakker, G. 1994. Conditions and Conditionals: An Investigation of Ancient Greek, AmsterdamGoogle Scholar
Walker, J. Q. 2007. ‘Great piano performances, recreated’, Ted.com, accessed December 2007, www.ted.com/speakers/john_walkerGoogle Scholar
Wallochy, B. 1992. Streitszenen in der griechischen Komödie, TübingenGoogle Scholar
Waszink, J. H. 1969. Euripidis Hecuba et Iphigenia Latinae Factae Erasmo Interprete. Vol. I, AmsterdamGoogle Scholar
Webb, R. 2008. Demons and Dancers: Performance in Late Antiquity, Cambridge, MAGoogle Scholar
Weber, U. 2008. ‘Eine neue Orakelinschrift aus Didyma zum Kult der Horen in der späten Kaiserzeit’, Istanbuler Mitteilungen / Deutsches Archäologisches Institut, Abteilung Istanbul 58: 243–60Google Scholar
Wecowski, M. 2014. The Rise of the Greek Aristocratic Banquet, OxfordGoogle Scholar
Weinreich, O. 1914. ‘Hymnologica’, Archiv für Religionswissenschaft 17: 524–31 [= Ausgewählte kleine Schriften (Amsterdam 1969) 311–17]Google Scholar
Weinreich, O. 1948. Epigramm und Pantomimus, HeidelbergGoogle Scholar
Weitzman, E. 2007. Hollow Land: Israel’s Architecture of Occupation, LondonGoogle Scholar
West, M. L. 1970. ‘Corinna’, Classical Quarterly 20: 277–87Google Scholar
West, M. L. 1982. Greek Metre, OxfordGoogle Scholar
West, M. L. 1990. ‘Dating Corinna’, Classical Quarterly 40: 553–7Google Scholar
West, M. L. 1992. Ancient Greek Music, OxfordGoogle Scholar
West, M. L. 2013. ‘The writing tablets and papyrus from tomb II in Daphni’, Greek and Roman Musical Studies 1: 7392Google Scholar
Wilamowitz-Moellendorff, U. v. 1922. Pindaros, BerlinGoogle Scholar
Wiles, D. 1991. The Masks of Menander: Sign and Meaning in Greek and Roman Performance, CambridgeGoogle Scholar
Willcock, M. M. 1995. Pindar: Victory Odes, CambridgeGoogle Scholar
Williams, G. 1994. ‘Nero, Seneca and stoicism in the Octavia’, in Elsner, J. and Masters, J. eds., Reflections of Nero: Culture, History, & Representation (Chapel Hill-London) 178–95Google Scholar
Wilson, P. 2000. The Athenian Institution of the Khoregia, CambridgeGoogle Scholar
Winkler, J. J. and Zeitlin, F. I. eds. 1990. Nothing to Do with Dionysos? Athenian Drama in Its Social Context, Princeton, NJGoogle Scholar
Worman, N. 2014. ‘Oedipus abuser: insult and embodied aesthetics in Sophocles’, Cahiers Mondes Anciens 5 (https://mondesanciens.revues.org/1237#text)Google Scholar
Worman, N. forthcoming. ‘Touching, proximity, and the aesthetics of pain in Sophocles’ in A. Purves, ed., Touch and the Ancient Senses, LondonGoogle Scholar
Wörrle, M. 1988. Stadt und Fest im kaiserzeitlichen Kleinasien. Studien zu einer agonistischen Stiftung aus Oinoanda, MunichGoogle Scholar
Worthen, W. B. 2010. Drama: Between Poetry and Performance, Malden, MAGoogle Scholar
Wyles, R. 2011. Costume in Greek Tragedy, LondonGoogle Scholar
Yates, N. 1999. Anglican Ritualism in Victorian Britain 1830–1910, OxfordGoogle Scholar
Yerushalmi, Y. 1982. Zakhor: Jewish History and Jewish Memory, Seattle, WAGoogle Scholar
Young, D. C. 1983. ‘Pindar Pythians 2 and 3: inscriptional ποτέ and the “poetic epistle”’, Harvard Studies in Classical Philology 87: 3048Google Scholar
Yunis, H. 2011. Plato, Phaedrus, CambridgeGoogle Scholar
Zanobi, A. 2008. ‘The influence of pantomime on Seneca’s tragedies’, in Hall-Wyles 2008: 227–57Google Scholar
Zanobi, A. 2014. Seneca’s Tragedies and the Aesthetics of Pantomime, LondonGoogle Scholar
Zeitlin, F. I. 1990. ‘Thebes: theater of self and society in Athenian drama’, in Winkler-Zeitlin 1990: 130–67Google Scholar
Zeitlin, F. I. 1991. ‘Euripides’ Hekabe and the somatics of Dionysiac drama’, Ramus 20: 5393Google Scholar
Zimmermann, B. 1992. Dithyrambos: Geschichte einer Gattung, GöttingenGoogle Scholar
Zimmermann, B. 2008. ‘Seneca and pantomime’, in Hall-Wyles 2008: 218–26Google Scholar
Zwierlein, O. 1986. L. Annaei Senecae Tragoediae, OxfordGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Richard Hunter, University of Cambridge, Anna Uhlig, University of California, Davis
  • Book: Imagining Reperformance in Ancient Culture
  • Online publication: 15 June 2017
  • Chapter DOI: https://doi.org/10.1017/9781316597798.014
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Richard Hunter, University of Cambridge, Anna Uhlig, University of California, Davis
  • Book: Imagining Reperformance in Ancient Culture
  • Online publication: 15 June 2017
  • Chapter DOI: https://doi.org/10.1017/9781316597798.014
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Richard Hunter, University of Cambridge, Anna Uhlig, University of California, Davis
  • Book: Imagining Reperformance in Ancient Culture
  • Online publication: 15 June 2017
  • Chapter DOI: https://doi.org/10.1017/9781316597798.014
Available formats
×