Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-2xdlg Total loading time: 0 Render date: 2024-07-06T01:30:53.658Z Has data issue: false hasContentIssue false

2 - Theories of Hearing

from Part I - Sound Analysis and Representation Overview

Published online by Cambridge University Press:  28 April 2017

Richard F. Lyon
Affiliation:
Google, Inc., Mountain View, California
Get access

Summary

In respect of the theory of hearing, it seems to me that we need fewer theories and more theorizing. Of theories, focused upon some new finding and seeking to align the entire body of auditory fact with the new principle, we have more than a plenty.

—“Auditory theory with special reference to intensity, volume, and localization,” Edwin G. Boring (1926)

The principle of diversity suggests that a simple description of the auditory process may not be possible because the process may not be simple. Theories that appear at first thought to be alternatives may in fact supplement one another.

—“Place mechanisms of auditory frequency analysis,” William H. Huggins and Licklider (1951)

Many theories and models have influenced thinking in this field; here we survey some of these, including those modern theories on which we base machine hearing systems.

A “New” Theory of Hearing

Books and papers entitled “A New Theory of Hearing” or something to that effect were once almost commonplace (Rutherford, 1887; Hurst, 1895; Ewald, 1899; Meyer, 1899; Békésy, 1928; Fletcher, 1930; Wever and Bray, 1930b; Wever, 1949). Like many ideas from a few generations back, some of these theories seem a bit quaint from our modern perspective. But in many cases they really did represent some of the most insightful scientific thinking and freshest experimental observations of their times. We review some of these ideas here, emphasizing those that left a lasting mark on our thinking about how hearing works.

Hermann von Helmholtz's Tonempfindungen (Helmholtz, 1863) presented the first major influential theory of hearing. His theory that structures in the cochlea vibrate sympathetically, each place resonating with its own narrow range of frequencies to stimulate a specific nerve, was the foundation for the long-lasting concept of the ear as a frequency analyzer. The arrangement of nerves in the cochlea was associated with individual just-distinguishable tone frequencies, adapting Müller's doctrine of specific nerve energies (Müller, 1838) and applying Fourier's finding that any periodic signal is equal to a sum of sinusoids of harmonically related frequencies (Fourier, 1822).

Type
Chapter
Information
Human and Machine Hearing
Extracting Meaning from Sound
, pp. 23 - 32
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×