Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pjpqr Total loading time: 0 Render date: 2024-06-13T11:31:24.706Z Has data issue: false hasContentIssue false

4 - A View to a Franchise: James Bond

Published online by Cambridge University Press:  10 December 2020

Get access

Summary

In CASINO ROYALE (Martin Campbell, 2006), the first film in the Bond franchise to star Daniel Craig, there is a peculiar series of events early in the film; a chase sequence, in which Bond follows a suspected terrorist through construction sites in Madagascar, ends at the Nambutu Embassy. While this is not out of the ordinary, throughout the scenes at the embassy of this imaginary African country the use of security cameras and screens is highlighted, much more so than in any earlier Bond film. At the end of the sequence, as Bond shoots the suspect and blows up the embassy, his actions are all distinctly recorded on one of the security cameras. The audience soon finds out that the man was indeed a terrorist bomb-maker, which is meant to justify Bond's actions to some extent. Nonetheless, it is the information age and the rules have changed; in the following scenes, Bond's actions, along with the security camera footage, are reported on news sites and newspapers, read by Bond's nemesis Le Chiffre, and his boss M. The new Bond, played by a new actor, is as susceptible to global information networks as any other citizen in the world.

Sony Corporation, which was responsible for CASINO ROYALE, is itself embedded in transnational networks on various levels. Originally an electronics firm, Sony was founded in Japan in 1946. It has since entered the music, film, and video games businesses, as well as finance and biotech. With offices in almost 40 countries and regions, Sony is truly a transnational corporation. As the parent company of Sony Pictures Entertainment, Sony is a major player in Hollywood. It purchased Columbia Pictures and Tristar Pictures in 1989 to benefit from potential synergies between hardware and software. Sony also acquired MGM and its subsidiary United Artists, which traditionally produced the Bond films, in 2005. Although Sony no longer owns MGM, in 2011 it entered a partnership with MGM in order to co-finance and distribute the films in the franchise. The franchise has consistently been a great source of profit, but for Sony, the benefits of Bond go beyond the box office or even home market sales.

Type
Chapter
Information
Hollywood is Everywhere
Global Directors in the Blockbuster Era
, pp. 81 - 96
Publisher: Amsterdam University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×