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  • Print publication year: 2019
  • Online publication date: April 2019

Bibliography

For Herder’s works, see Note on Citations.

Adler, Hans. “Herders Ästhetik als Rationalitätstyp,” in Bollacher, Martin (ed.), Johann Gottfried Herder. Geschichte und Kultur (Würzburg: Verlag Königshausen und Neumann, 1994), pp. 131–9.
Adler, Hans. “Herder’s Concept of Humanität,” in Adler, and Koepke, (eds.), Companion to Herder, pp. 93–116.
Adler, Hans. “Herder’s Style,” in Adler, and Koepke, (eds.), Companion to Herder, pp. 331–50.
Adler, Hans. Die Prägnanz des Dunklen. Gnoseologie, Ästhetik, Geschichtsphilosophie bei Johann Gottfried Herder (Hamburg: Felix Meiner, 1990).
Adler, Hans, and Koepke, Wulf (eds.). A Companion to the Works of Johann Gottfried Herder (Rochester, NY: Camden House, 2009).
Allison, Henry. Kant’s Theory of Taste (Cambridge: Cambridge University Press, 2001).
Baumgarten, Alexander Gottlieb. Aesthetica (Hildesheim: Georg Olms, 1970).
Baumgarten, Alexander Gottlieb. Reflections on Poetry; Meditationes philosophicae de nonnullis ad poema pertinentibus, trans. Aschenbrenner, Karl and Holther, William B. (Berkeley: University of California Press, 1954).
Bäumler, Alfred. Das Irrationalitätsproblem in der Ästhetik und Logik des 18n Jahrhunderts bis zur Kritik der Urteilskraft (Darmstadt: Wissenschaftliche Buchgesellschaft, 1974).
Beidler, Paul G.The Postmodern Sublime: Kant and Tony Smith’s Anecdote of the Cube,” Journal of Aesthetics and Art Criticism 53: 2 (1995), 177–86.
Beiser, Frederick. Diotima’s Children: German Aesthetic Rationalism from Leibniz to Lessing (Oxford: Oxford University Press, 2011).
Beiser, Frederick. Enlightenment, Revolution, and Romanticism: The Genesis of Modern German Political Thought 1790–1800 (Cambridge, MA: Harvard University Press, 1992).
Beiser, Frederick. Fate of Reason: German Philosophy from Kant to Fichte (Cambridge, MA: Harvard University Press, 1993).
Beiser, Frederick. The German Historicist Tradition (Oxford: Oxford University Press, 2011).
Berkeley, George. An Essay toward a New Theory of Vision (Dublin: Aaron Rhames, 1709).
Berlin, Isaiah. Vico and Herder, in Berlin, I., Three Critics of the Enlightenment: Vico, Hamann, Herder (Princeton: Princeton University Press, 2000).
Bertram, Georg W. Philosophie des Sturm und Drang. Eine Konstitution der Moderne (Munich: Wilhelm Fink Verlag, 2000).
BonJour, Lawrence. “Against Naturalized Epistemology,” Midwest Studies in Philosophy 19 (1994), 283300.
Brady, Emily. The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature (Cambridge: Cambridge University Press, 2013).
Buchenau, Stefanie. The Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art (Cambridge: Cambridge University Press, 2013).
Buchenau, Stefanie. “Herder: Physiology and Philosophical Anthropology,” in Waldow, and DeSouza, (eds.), Herder: Philosophy and Anthropology, pp. 72–93.
Budd, Malcolm. “Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature; Part III: The Sublime in Nature,” British Journal of Aesthetics 38: 3 (1998), 233–50.
Burke, Edmund. A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, ed. Philips, Adam (Oxford: Oxford University Press, 1990).
Campe, Joachim Heinrich (ed.). Wörterbuch der deutschen Sprache (Braunschweig: Schulbuchhandlung, 1807–11).
Carroll, Noël. On Criticism (Thinking in Action) (New York and Oxford: Routledge, 2008).
Cheetham, Mark. Kant, Art and History: Moments of Discipline (Cambridge: Cambridge University Press, 2001).
Clairmont, Heinrich. “‘Die Leute wollen keinen Gott, als in ihrer Uniform, ein menschliches Fabelthier’: Herders anthropologisch fundierte Gnoseologie und seine Spinozadeutung in Gott,” in Schürmann, Eva, Waszek, Norbert, and Weinreich, Frank (eds.), Spinoza in Deutschland des achtzehnten Jahrhunderts (Stuttgart: Fromann-Holzboog, 2002), pp. 329–55.
Clark, Robert. Herder: His Life and Thought (Berkeley: University of California Press, 1955).
Cochrane, Tom. “The Emotional Experience of the Sublime,” Canadian Journal of Philosophy 42: 2 (2012), 125–48.
Cohn, Jan, and Miles, Thomas H.. “The Sublime in Alchemy, Aesthetics and Psychoanalysis,” Modern Philology 74: 3 (1977), 289304.
Cordemann, Claas. Herders christlicher Monismus. Eine Studie zur Grundlegung von Johann Gottfried Herders Christologie und Humanitätsideal (Tübingen: Mohr Siebeck, 2010).
Couturier-Heinrich, Clémence. “‘Der Innigste, der Tiefste der Sinne’ – Das Gehör in Herders Viertem Kritischen Wäldchen,” in Allert, Beate (ed.), J. G. Herder: From Cognition to Cultural Science (Heidelberg: Synchron, 2016), pp. 7994.
Crowther, Paul. The Kantian Sublime (Oxford: Clarendon, 1989).
Cutrofello, Andrew. “Kant’s Debate with Herder about the Philosophical Significance of the Genius of Shakespeare,” Philosophy Compass 3 (2008), 6681.
Danto, Arthur. “The Artworld,” Journal of Philosophy 61 (1964), 571–84.
De Bolla, Peter. The Discourse of the Sublime (Oxford: Blackwell, 1989).
De Man, Paul. “Phenomenality and Materiality in Kant,” in Silverman, Hugh J. and Aylesworth, Gary E. (eds.), The Textual Sublime: Deconstruction and Its Differences (Albany: SUNY Press, 1990), pp. 87108.
Deligiorgi, Katerina. “The Pleasures of Contra-Purposiveness: Kant, the Sublime, and Being Human,” Journal of Aesthetics and Art Criticism 72: 1 (2014), 2535.
Dewey, John. Art as Experience (New York: Penguin Books, 1934).
Doran, Robert. The Theory of the Sublime from Longinus to Kant (Cambridge: Cambridge University Press, 2015).
Dutton, Denis. The Art Instinct: Beauty, Pleasure, and Human Evolution (New York: Bloomsbury, 2009).
Eaton, Anne W.What’s Wrong with the (Female) Nude?,” in Maes, Hans and Levinson, Jerry (eds.), Art and Pornography: Philosophical Essays (Oxford: Oxford University Press, 2012), pp. 277308.
Edelman, Lee. “At Risk in the Sublime,” in Kauffman, Linda (ed.), Gender and Theory: Dialogues on Feminist Criticism (Oxford: Blackwell, 1989), pp. 213–24.
Ekman, Paul. Emotions Revealed (New York: Times Books, Henry Holt and Co., 2003).
Elkins, James. “Against the Sublime,” in Hoffmann, Roald and Whyte, Iain Boyd (eds.), Beyond the Finite: The Sublime in Art and Science (Oxford: Oxford University Press, 2009), pp. 7590.
Ferguson, Frances. Solitude and the Sublime (New York: Routledge, 1992).
Ferry, Luc. Homo Aestheticus: l’invention du goût à l’age démocratique (Paris: Grasset, 1990).
Foley, Richard. “Quine and Naturalized Epistemology,” Midwest Studies in Philosophy 19 (1994), 243–60.
Foot, Philippa. Natural Goodness (New York: Oxford University Press, 2003).
Forster, Michael N. After Herder: Philosophy of Language in the German Tradition (Oxford: Oxford University Press, 2010).
Freeman, Barbara Claire. The Feminine Sublime (Berkeley: University of California Press, 1997).
Fried, Michael. “Art and Objecthood,” in Art and Objecthood: Essays and Reviews (Chicago: University of Chicago Press, 1998), pp. 148–72.
Fugate, Joe. The Psychological Basis of Herder’s Aesthetics (The Hague: Mouton, 1966).
Fumerton, Richard. “Skepticism and Naturalistic Epistemology,” Midwest Studies in Philosophy 19 (1994), 321–40.
Gaier, Ulrich. “Myth, Mythology, New Mythology,” in Adler, and Koepke, (eds.), A Companion to Herder, pp. 165–88.
Gaiger, Jason. “Indeterminacy and Ideal Form: Herder’s Theory of Landscape Depiction,” unpublished paper.
Gaiger, Jason. “Introduction,” in Johann Gottfried Herder, Sculpture: Some Observations on Shape and Form from Pygmalion’s Creative Dream, ed. and trans. Gaiger, Jason (Chicago: University of Chicago Press, 2002).
Gasché, Rodolphe. “On Mere Sight: A Response to de Man,” in Silverman, Hugh J. and Aylesworth, Gary E. (eds.), The Textual Sublime: Deconstruction and Its Differences (Albany: SUNY Press, 1990), pp. 109–16.
Gaskill, Howard. “Introduction,” in Ossian Revisited (Edinburgh: Edinburgh University Press, 1991), pp. 616.
Gaskill, Howard, and Schmidt, Wolf Gerhard (eds.). “Homer des Nordens” und “Mutter der Romantik”: James Macphersons “Ossian” und seine Rezeption in deutschsprachigen Literatur, vol. IV: Kommentierte Neuausgabe wichtiger Texte zur deutschen Rezeption (Berlin: Walter de Gruyter, 2004).
Gjesdal, Kristin. “Hegel and Herder on Art, History, and Reason,” Philosophy and Literature 30: 1 (2006), 1732.
Gjesdal, Kristin. Herder’s Hermeneutics: History, Poetry, Enlightenment (Cambridge: Cambridge University Press, 2017).
Gopnik, Adam. “The Dragon’s Egg,” The New Yorker, December 5, 2011.
Gregory, R. L., and Wallace, J. G., Recovery from Early Blindness, Experimental Psychology Monographs no. 2 (Cambridge, MA: Hefner and Sons, 1963).
Greif, Stefan. “Herders Philosophie des Lebens in Poetologischer Perspektive,” Herder Jahrbuch 13 (2016), 85102.
Greif, Stefan. “Komplementäre Fremdheit. Das Reflexivwerden des Eigenen und das transkulturelle Subjekt bei Johann Gottfried Herder und Thomas Meinecke,” in Barsch, Achim, Scheuer, Helmut, and Schulz, Georg-Michael (eds.), Literatur – Kunst – Medien. Festschrift für Peter Seibert (Munich: Meindenbauer, 2008), pp. 3145.
Groß, Sabine (ed.). Herausforderung Herder/Herder as Challenge (Heidelberg: Synchron, 2010).
Groß, SabineHerder’s ‘Prescient’ Aisthesis: An Update on Touch and Vision,” Herder Jahrbuch 7 (2004), 6987.
Guyer, Paul. “18th Century German Aesthetics,” in Stanford Encyclopedia of Philosophy, www.plato.stanford.edu/entries/aesthetics-18th-german.
Guyer, Paul. “Free Play and True Well-Being: Herder’s Critique of Kant’s Aesthetics,” Journal of Aesthetics and Art Criticism 65: 4 (2007), 353–68.
Guyer, Paul. A History of Modern Aesthetics (Cambridge: Cambridge University Press, 2014).
Hamann, Johann Georg. “Aesthetica in Nuce” [1760], in Bernstein, J. M. (ed.), Classical and Romantic German Aesthetics (Cambridge: Cambridge University Press, 2003), pp. 124.
Hammermeister, Kai. The German Aesthetic Tradition (Cambridge: Cambridge University Press, 2002).
Harold, James. “The Value of Fictional Worlds, or Why The Lord of the Rings is Worth Reading,” Contemporary Aesthetics (2010) at www.contempaesthetics.org/newvolume/pages/article.php?articleID=584.
Haym, Rudolf. Herder. 2 vols. (Berlin: Aufbau, 1954).
Hegel, G. W. F. Aesthetics: Lectures on Fine Art, trans. Knox, T. M. (Oxford: Clarendon, 1975).
Heinz, Marion. “Anthropology and the Critique of Metaphysics in the Early Herder,” in Waldow, and DeSouza, (eds.), Herder: Philosophy and Anthropology, pp. 30–51.
Heinz, Marion. “Grundzüge von Herders Psychologie: ‘Uebers Erkennen und Empfinden der Menschlichen Seele’,” in Koepke, Wulf (ed.), Johann Gottfried Herder: Academic Disciplines and the Pursuit of Knowledge (Columbia, SC: Camden House, 1996), pp. 137–51.
Heinz, Marion. Sensualistischer Idealismus. Untersuchungen der Erkenntnistheorie und Metaphysik des jungen Herder (1763–1778) (Hamburg: Meiner, 1994).
Heller, Morton A., and Ballesteros, Soledad (eds.). Touch and Blindness: Psychology and Neuroscience (Mahwah, NJ: Lawrence Erlbaum Associates, 2006).
Hogarth, William. The Analysis of Beauty (New Haven: Yale University Press, 1997).
Home, Henry (Lord Kames). Elements of Criticism, ed. Jones, Peter (Indianapolis: Liberty Fund, 2005).
Hopkins, Robert. “Painting, Sculpture, Sight and Touch,” British Journal of Aesthetics 44: 2 (2004), 149–66.
Huhn, Thomas. “The Kantian Sublime and the Nostalgia for Violence,” Journal of Aesthetics and Art Criticism 53: 3 (1995), 269–75.
Hutcheson, Francis. An Inquiry into the Original of Our Ideas of Beauty and Virtue, ed. Leidhold, Wolfgang (Indianapolis: Liberty Fund, 2004).
Hylton, Peter. “Quine’s Naturalism Revisited,” in Harman, Gilbert and Lepore, Ernie (eds.), A Companion to W. V. O. Quine (Oxford: Wiley-Blackwell, 2014), pp. 148–62.
Irmscher, Hans Dietrich. Herder (Stuttgart: Reclam, 2001).
Irmscher, Hans Dietrich. “Der Vergleich im Denken Herders,” in Koepke, Wulf (ed.), Johann Gottfried Herder: Academic Disciplines and the Pursuit of Knowledge (Columbia, SC: Camden House, 1996), pp. 7897.
Irvin, Sherri. “Scratching an Itch,” Journal of Aesthetics and Art Criticism 66: 1 (2008), 2535.
Jackson, Frank. From Metaphysics to Ethics: A Defense of Conceptual Analysis (Oxford: Clarendon, 1998).
Jacoby, Günther. Herder und Kants Ästhetik (Leipzig: Verlag der Dürrschen Buchhandlung, 1907).
James, Thomas W., James, Karen Harman, Humphrey, G. Keith, and Goodale, Melvyn A., “Do Visual and Tactile Object Representations Share the Same Neural Substrate?,” in Heller, and Ballesteros, (eds.), Touch and Blindness, pp. 139–55.
Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (Berkeley: University of California Press, 1994).
Kant, Immanuel. Critique of Judgment, in Kants gesammelte schriften (Berlin: Königliche Preußische Wissenschaften, 1902– ), vol. 5.
Kitcher, Philip. The Advancement of Science: Science without Legend, Objectivity without Illusions (Oxford: Oxford University Press, 1993).
Kitcher, Philip. The Ethical Project (Cambridge, MA: Harvard University Press, 2014).
Kivy, Peter. Philosophies of the Arts (Cambridge: Cambridge University Press, 1997).
Knodt, Eva. “Dramatic Illusion in the Making of the Past: Shakespeare’s Impact on Herder’s Philosophy of History,” in Koepke, Wulf (ed.), Johann Gottfried Herder: Language, History and the Enlightenment (Columbia, SC: Camden House, 1990), pp. 209–23.
Koepke, Wulf. “Herder’s Views on the Germans and Their Future Literature,” in Adler, Hans and Koepke, Wulf (eds.), Companion to Herder, pp. 215–32.
Korsmeyer, Carolyn. Making Sense of Taste: Food and Philosophy (Ithaca: Cornell University Press, 1999).
Lakoff, George, and Mark, Johnson. Metaphors We Live By (Chicago: University of Chicago Press, 2003).
Lange, Horst. “‘Ich bin (k)ein Spinozist.’ Warum sich Herders Beruung auf Spinoza gewandelt hat,” in Groß, Sabine and Sauder, Gerhard (eds.), Der frühe und der späte Herder: Kontinuität und/oder Korrektur/Early and Late Herder: Continuity and/or Correction (Heidelberg: Synchron, 2007), pp. 253–65.
Lange, Horst. Laocoön; An Essay on the Limits of Painting and Poetry, trans. McCormick, Edward Allen (Baltimore: Johns Hopkins University Press, 1984).
Levin, Janet. “Molyneux’s Question and the Individuation of Perceptual Concepts,” Philosophical Studies 138 (2008), 128.
Lyotard, Jean-François. Lessons on the Analytic of the Sublime, trans. Rottenberg, Elizabeth (Stanford: Stanford University Press, 1994).
Lyotard, Jean-François. “Presenting the Unpresentable: The Sublime,” Artforum 20: 8 (1982), 6470.
Macpherson, James. Poems of Ossian, ed. Gaskill, Howard (Edinburgh: Edinburgh University Press, 1996).
Makkreel, Rudolf. Imagination and Interpretation in Kant (Chicago: University of Chicago Press, 1990).
Malsch, Wilfrid. “Herders Schrift über die Skulpturkunst in der Geschichte der Unterscheidung des Plastischen und Malerischen oder Musikalischen in Kunst und Literatur,” in Koepke, Wulf (ed.), Johann Gottfried Herder: Language, History, and the Enlightenment (Columbia, SC: Camden House, 1990), pp. 224–33.
Mauer, Michael. “Ganz Ohr; Zu Herders Theorie der Sinne als Grundlegung jeder Anthropologie,” Herder Jahrbuch 10 (2010), 5772.
McDowell, John. Mind, Value, and Reality (Cambridge, MA: Harvard University Press, 1998).
Meinecke, Friedrich. Historism: The Rise of a New Historical Outlook, trans. Anderson, J. E. (London: Routledge and Kegan Paul, 1972).
Melville, Stephen. “Richard Serra: Taking the Measure of the Impossible,” Res 46 (2004), 185201.
Mendelssohn, Moses. Philosophical Writings, ed. and trans. Dahlstrom, Daniel (Cambridge: Cambridge University Press, 1997).
Menke, Christoph. Force: A Fundamental Concept of Aesthetic Anthropology, trans. Jackson, Gerrit (New York: Fordham University Press, 2013).
Monk, Samuel. The Sublime: A Study of Critical Theories in XVIIIth Century England (Ann Arbor: University of Michigan Press, 1960).
Montero, Barbara. “The Body Problem,” Noûs 33: 2 (1999), 183200.
Montero, Barbara. “Proprioception as an Aesthetic Sense,” Journal of Aesthetics and Art Criticism 64 (2006), 231–42.
Moore, Dafydd. Ossian and Ossianism: Subcultures and Subversions 1750–1850 (New York: Routledge, 2004).
Morgan, Benjamin. “After the Arctic Sublime,” New Literary History 47: 1 (2016), 126.
Morton, Michael. Herder and the Poetics of Thought: On Unity and Diversity in “On Diligence in Several Learned Languages” (State College: Penn State University Press, 1989).
Mülder-Bach, Inka. Im Zeichen Pygmalions. Das Modell der Statue und die Entdeckung der “Darstellung” im 18. Jahrhundert (Munich: Fink, 1998).
Murdoch, Iris. The Sovereignty of the Good (London: Routledge, 1970).
Muthu, Sankar. Enlightenment against Empire (Princeton: Princeton University Press, 2003).
Nead, Lynda. The Female Nude: Art, Obscenity, and Sexuality (London: Routledge, 2002).
Neer, Richard. The Emergence of Classical Style in Greek Sculpture (Chicago: University of Chicago Press, 2010).
Newman, Barnett. “The Sublime Is Now” (1948), reprinted in Caws, Mary Ann (ed.), Manifesto (Lincoln: University of Nebraska Press, 2001).
Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting (Cambridge, MA: Harvard University Press, 2012).
Nisbet, H. B. Herder and Scientific Thought (Cambridge: Modern Humanities Research Association, 1970).
Norton, Robert. Herder’s Aesthetics and the European Enlightenment (Ithaca: Cornell University Press, 1991).
Norton, Robert. “The Myth of the Counter-Enlightenment,” Journal of the History of Ideas 68: 4 (2007), 635–85.
Noyes, John K. Herder: Aesthetics against Imperialism (Toronto: University of Toronto Press, 2015).
Papineau, David. “Naturalism,” in Stanford Encyclopedia of Philosophy, at plato.stanford.edu/entries/naturalism.
Peters, Julia. Hegel on Beauty (London: Routledge, 2015).
Porter, James. The Sublime in Antiquity (Cambridge: Cambridge University Press, 2016).
Potts, Alex. The Sculptural Imagination: Figurative, Modernist, Minimalist (New Haven: Yale University Press, 2000).
Proß, Wolfgang. Johann Gottfried Herder Werke, vol. III/2: Kommentar (Munich: Hanser, 2002).
Quine, W. V. O.Epistemology Naturalized,” in Ontological Relativity and Other Essays (New York: Columbia University Press, 1969), pp. 6990.
Quine, W. V. O.Naturalism,” in From Stimulus to Science (Cambridge, MA: Harvard University Press, 1995), pp. 1526.
Read, Herbert. The Art of Sculpture (New York: Pantheon Books, 1956).
Reed, Eugene E.Herder, Primitivism and the Age of Poetry,” The Modern Language Review 60: 4 (1965), 553–67.
Reid, Thomas. Inquiry into the Human Mind on the Principles of Common Sense, ed. Beanblossom, Ronald and Lehrer, Keith (Indianapolis: Hackett, 1983).
Renner, Kaspar, and Wagner, Ulrike. “Herder und die Philologie. Fünf Thesen zu einer produktiven Beziehung. Am Beispiel des Volkliedsprojekts,” Herder Jahrbuch/Yearbook 13 (2016), 1341.
Riedel, Manfred. Kunst als “Auslegerin der Natur.” Naturästhetik und Hermeneutik in der klassischen deutschen Dichtung und Philosophie (Cologne: Böhlau, 2001).
Robinson, Jenefer. Deeper than Reason: Emotion and Its Role in Literature, Music, and Art (Oxford: Clarendon, 2007).
Robinson, Jenefer. “On Being Moved by Architecture,” Journal of Aesthetics and Art Criticism 70: 4 (2012), 337–53.
Schelling, F. W. J. The Philosophy of Art, trans. Stott, D. W. (Minneapolis: University of Minnesota Press, 1989).
Schmidt, Alexander. “Scholarship, Morals, and Government: Jean-Henri-Samuel Formey’s and Johann Gottfried Herder’s Responses to Rousseau’s First Discourse,” Modern Intellectual History 9: 2 (2012), 249–74.
Schmidt, Johannes. “Herder’s Religious Anthropology in His Later Writings,” in Waldow, and DeSouza, (eds.), Herder: Philosophy and Anthropology, pp. 185–202.
Schmidt, Wolf Gerhard. “Paradigma des Sentimentalischen. Die Ossianrezeption des späten Herders,” in Groß, Sabine and Sauder, Gerhard (eds.), Der Frühe und der spate Herder: Kontinuität und/oder Korrektur/Early and Late Herder: Continuity and/or Correction (Heidelberg: Synchron, 2007), pp. 425–31.
Shapshay, Sandra. “Contemporary Environmental Aesthetics and the Neglect of the Sublime,” British Journal of Aesthetics 53: 2 (2013), 181–98.
Shiner, Larry, and Kriskovets, Yulia. “The Aesthetics of Smelly Art,” The Journal of Aesthetics and Art Criticism 65 (2007), 273–86.
Shusterman, Richard. “Somaesthetics: A Disciplinary Proposal,” Journal of Aesthetics and Art Criticism 57 (1999), 299313.
Sikka, Sonia. Herder on Humanity and Cultural Difference: Enlightened Relativism (Cambridge: Cambridge University Press, 2011).
Simmons, David L.Counter-Traditions in Herder Reception,” in Groß, Sabine (ed.), Herausforderung Herder/Herder as Challenge (Heidelberg: Synchron, 2010), pp. 5971.
Spencer, Vicki A. Herder’s Political Thought: A Study of Language, Culture, and Community (Toronto: University of Toronto Press, 2012).
Stafford, Fiona. Sublime Savage (Edinburgh: University of Edinburgh Press, 1988).
Steinby, Liisa. “Zur ‘Wissenschaflichkeit’ von Herders Methode,” Herder Jahrbuch/Yearbook 13 (2016), 103–28.
Taylor, Charles. Hegel (Cambridge: Cambridge University Press, 1975).
Taylor, Charles. “The Importance of Herder,” in Margalit, Edna and Margalit, Avishai (eds.), Isaiah Berlin: A Celebration (Chicago: University of Chicago Press, 1991), pp. 4063.
Taylor, Charles. Sources of the Self (Cambridge, MA: Harvard University Press, 1989).
Terezakis, Katie. The Immanent Word: The Turn to Language in German Philosophy, 1759–1801 (New York: Routledge, 2007).
Thomä, Dieter. “Leben als Teilnehmen: Überlegungen im Anschluss an Johann Gottfried Herder,” Deutsche Zeitschrift für Philosophie 59 (2011), 532.
Thomson, Derick S. The Gaelic Sources of Macpherson’s “Ossian” (Edinburgh: Oliver and Boyd, 1952).
Tolstoy, Leo. What Is Art?, trans. Maude, Aylmer (Indianapolis: Hackett, 1996).
Vance, Robert. “Sculpture,” British Journal of Aesthetics 35: 3 (1995), 217–26.
Velkley, Richard. Being after Rousseau: Philosophy and Culture in Question (Chicago: University of Chicago Press, 2002).
Waldow, Anik, and DeSouza, Nigel (eds.). Herder: Philosophy and Anthropology (Oxford: Oxford University Press, 2017).
Walton, Kendall. “Categories of Art,” The Philosophical Review 79 (1970), 334–67.
Weiskel, Thomas. The Romantic Sublime (Baltimore: Johns Hopkins University Press, 1976).
Wilson, Catherine. “Another Darwinian Aesthetics,” Journal of Aesthetics and Art Criticism 74: 3 (2016), 237–52.
Wollheim, Richard. “On Pictorial Representation,” Journal of Aesthetics and Art Criticism 56: 3 (1998), 217–26.
Yeager, Patricia. “Toward a Female Sublime,” in Kaufman, Linda (ed.), Gender and Theory: Dialogues on Feminist Criticism (Oxford: Blackwell, 1989), pp. 191212.
Zammito, John. “Herder and Historical Metanarrative: What’s Philosophical about History?,” in Adler, and Koepke, (eds.), A Companion to the Works of Johann Gottfried Herder, pp. 65–91.
Zammito, John. Kant, Herder and the Birth of Anthropology (Chicago: University of Chicago Press, 2002).
Zammito, John. “Die Rezeption der schottischen Aufklärung in Deutschland: Herders entscheidende Einsicht,” in Schmidt-Haberkamp, B., Steiner, U., and Wehinger, B. (eds.), Europäischer Kulturtransfer im 18. Jahrhundert (Berlin: Wissenschafts Verlag, 2003), pp. 113–38.
Zammito, John H., Menges, Karl, and Menze, Ernest A.. “Johann Gottfried Herder Revisited: The Revolution in Scholarship in the Last Quarter Century,” Journal of the History of Ideas 71 (2010), 661–84.
Zeuch, Ulrike. Umkehr der Sinneshierarchie. Herder und die Aufwertung des Tastsinns seit der frühen Neuzeit (Tübingen: Niemeyer, 2000).
Žižek, Slavoj. The Fragile Absolute (New York: Verso, 2000).
Zuckert, Rachel. “Adaptive Naturalism in Herder’s Aesthetics: An Intepretation of ‘Shakespeare’,” Graduate Faculty Philosophy Journal 36: 2 (2015), 269–93.
Zuckert, Rachel. “The Associative Sublime: Gerard, Kames, Alison, and Stewart,” in Costelloe, Timothy (ed.), The Sublime (Cambridge: Cambridge University Press, 2012), pp. 6476.
Zuckert, Rachel. “Is There Kantian Art Criticism?,” in Bacin, Stefano, Ferrarin, Alfredo, della Rocca, Claudio, and Ruffing, Margit (eds.), Kant und die Philosophie in weltbürgerlicher Absicht; Akten des XI. Kant-Kongresses (Berlin: De Gruyter, 2013), 343–58.
Zuckert, Rachel. “Metaphysics and Organisms: Kant’s First Herder Review,” in Goy, Ina and Watkins, Eric (eds.), Kant’s Theory of Biology (Berlin: De Gruyter, 2014), pp. 6177.