Contents

pp v-vi

List of Illustrations

pp vii-viii

Notes on Contributors

pp ix-x

Preface and Acknowledgments

pp xi-xvi

Editorial Method

pp xvii-xix

Abbreviations

pp xx-xx

Biographical Notes on Correspondents and Others

pp xxi-xxviii

General Introduction

pp xxix-xliv

I - The Early Career

pp 1-1

1 - Schenker as Composer

pp 2-29

2 - Schoenberg and Schenker’s Syrian Dances

pp 30-43

3 - Johannes Messchaert and Performance

pp 44-52

4 - The Society for Creative Musicians and Schoenberg’s Music

pp 53-58

5 - Julius Röntgen: Editing and Ornamentation

pp 59-72

II - Schenker and His Publishers

pp 81-81

6 - Cotta and the New Musical Theories and Fantasies

pp 74-92

7 - Otto Erich Deutsch and the “Moonlight” Sonata Facsimile

pp 93-105

8 - Universal Edition and the Tonwille Dispute

pp 106-129

9 - Drei Masken Verlag andThe Masterwork in Music

pp 130-150

III - Schenker and the Institutions

pp 159-159

10 - The Sofie Deutsch Bequest and the Vienna Academy

pp 152-178

11 - Invitations to Serve: Guido Adler

pp 179-186

12 - The Photogram Archive

pp 187-207

13 - Professorial Sorties: Ludwig Karpath and Wilhelm Furtwängler

pp 208-224

IV - Beethoven’s Ninth Symphony

pp 241-241

14 - Genesis of Beethoven’s Ninth Symphony

pp 226-236

15 - Paul von Klenau and Beethoven

pp 237-250

16 - Georg Dohrn and the Ninth Symphony

pp 251-254

V - Contrary Opinions

pp 271-271