Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gvh9x Total loading time: 0 Render date: 2024-07-17T13:56:22.858Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

12 - Language Corruption, and Rocking the Boat

from SF and Politics

Get access

Summary

This essay started off as a paper read at a conference on Nineteen Eighty-Four, in 1984, at what was then North-East London Polytechnic. I was not especially keen to take part, but in 1984 it was pretty well mandatory for everyone to read papers on Nineteen Eighty-Four. One reason I was not especially keen was that Nineteen Eighty-Four, along with Brave New World, is one of those works mentioned in item 2, above, only sort-of science fiction, but invariably put on academic sf courses by people who do not know much about it. Both works, along with some other dubious cases, like C.S. Lewis's so-called ‘space fiction’ trilogy, on which I have also written elsewhere, are the kind of sf acceptable to what I call (in item 2, above) the ‘gatekeeper’ paradigm.

However, I did have two things I wanted to say about Nineteen Eighty-Four and about Orwell. As regards Orwell, one reason he was acceptable to the ‘gatekeepers’ was that he was a left-winger, and since humanities professors are overwhelmingly ‘liberal’, that meant he was definitely OK. But he was a very disillusioned and disgruntled left-winger, for several reasons. He fought against Franco in the Spanish Civil War (from the left-wing point of view, that was good), and was gallantly shot through the throat (very good), but when he came back to tell people about it, it turned out he had been fighting with the wrong set of left-wingers (bad) – in fact, for the anarchists (very bad) – and since the communists hated the anarchists more even than they did the monarchists, Orwell found that no one wanted to listen. Israel Gollancz wouldn't publish his book, Homage to Catalonia, and his experience was treated as a non-event. Then the communists found it expedient to make common cause with the Nazis, and even after they had switched sides as a result of Hitler's attack on Stalin, Orwell continued to regard his former allies as potential traitors. One result is that Animal Farm is quite obviously a satire on the Russian revolution. Another is that the dreary despotism of Nineteen Eighty-Four is called ‘Ingsoc’, English Socialism. None of this was at all popular with left-wing critics, who performed strange evolutions trying to prove that Orwell was really on their side.

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×