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Introduction: Schubert and the Gothic

Published online by Cambridge University Press:  15 May 2024

Joe Davies
Affiliation:
Maynooth University, Ireland and University of California, Irvine
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Summary

Evening light. Dreamer (A). His dreamt self (B). Dreamt hands R (right) and L (left). Last 7 bars of Schubert's Lied, ‘Nacht und Träume’.

A dreamer sits in darkness, head bowed, hands resting in front of him. All is hushed, no words, little movement. A male voice hums the last seven bars of Schubert's ‘Nacht und Träume’, D 827 – ‘sweet dreams, come back!’ (‘Holde Träume, kehret wieder!’). Haunting in its fragmentation, the music is repeated, this time with words, the man's head sinking deeper into his hands. At the words ‘Holde Träume’, the light reveals the man's own reflection, his dreamt self, gazing down on him from a podium suspended in mid-air: a mirror image of his waking self.

This scene from Samuel Beckett's last television play, ‘Nacht und Träume’, broadcast on 19 May 1983, provides a springboard for thinking about the prominence of death (whether real or imagined) in Schubert's music. Central to the discussion is the relationship between biography and art – or, more specifically, the relationship between depictions of death and Schubert's confrontation with his own mortality, as intimated in his oft-quoted letter to Leopold Kupelwieser:

I feel myself to be the most unhappy and wretched creature in the world. Imagine a man whose health will never be right again, and who in sheer despair over this ever makes things worse and worse, instead of better; imagine a man, I say, whose most brilliant hopes have perished, for whom the felicity of love and friendship have nothing to offer but at best pain, whose enthusiasm (at least of the stimulating kind) for all things beautiful threatens to forsake him, and I ask you, is he not a miserable, unhappy being? My peace is gone, my heart is sore, I shall find it never and nevermore [‘Meine Ruh’ ist hin, Mein Herz ist schwer, Ich finde sie nimmer und nimmermehr’], I may well sing every day now, for each night, on retiring to bed, I hope I may not wake again, and each morning but recalls yesterday's grief. Thus, joyless and friendless, I should pass my days, did not Schwind visit me now and again and turn on me a ray of those sweet days of the past.

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Publisher: Boydell & Brewer
Print publication year: 2024

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  • Introduction: Schubert and the Gothic
  • Joe Davies, Maynooth University, Ireland and University of California, Irvine
  • Book: The Gothic Imagination in the Music of Franz Schubert
  • Online publication: 15 May 2024
  • Chapter DOI: https://doi.org/10.1017/9781805432388.002
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  • Introduction: Schubert and the Gothic
  • Joe Davies, Maynooth University, Ireland and University of California, Irvine
  • Book: The Gothic Imagination in the Music of Franz Schubert
  • Online publication: 15 May 2024
  • Chapter DOI: https://doi.org/10.1017/9781805432388.002
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction: Schubert and the Gothic
  • Joe Davies, Maynooth University, Ireland and University of California, Irvine
  • Book: The Gothic Imagination in the Music of Franz Schubert
  • Online publication: 15 May 2024
  • Chapter DOI: https://doi.org/10.1017/9781805432388.002
Available formats
×