Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction: Impossible Liaisons? Genre and Feminist Film Criticism
- 1 Subversive Auteur, Subversive Genre
- 2 Repeat to Remake: Diablo Cody and Karyn Kusama’s Jennifer’s Body
- 3 Hollywood Transvestite: Kathryn Bigelow’s The Hurt Locker
- 4 Genre in the Margins: Kelly Reichardt’s Meek’s Cutoff
- 5 Genre on the Surface: Sofia Coppola’s Marie Antoinette
- 6 What a Woman Wants? Nancy Meyers’s The Intern
- Afterword: Desperately Seeking Wonder Women
- Bibliography
- Index
Acknowledgements
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction: Impossible Liaisons? Genre and Feminist Film Criticism
- 1 Subversive Auteur, Subversive Genre
- 2 Repeat to Remake: Diablo Cody and Karyn Kusama’s Jennifer’s Body
- 3 Hollywood Transvestite: Kathryn Bigelow’s The Hurt Locker
- 4 Genre in the Margins: Kelly Reichardt’s Meek’s Cutoff
- 5 Genre on the Surface: Sofia Coppola’s Marie Antoinette
- 6 What a Woman Wants? Nancy Meyers’s The Intern
- Afterword: Desperately Seeking Wonder Women
- Bibliography
- Index
Summary
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- Information
- Genre, Authorship and Contemporary Women Filmmakers , pp. viii - xPublisher: Edinburgh University PressPrint publication year: 2018