Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-fnpn6 Total loading time: 0 Render date: 2024-07-29T08:36:42.899Z Has data issue: false hasContentIssue false

Afterword

Published online by Cambridge University Press:  27 April 2022

Get access

Summary

IN WRITING THIS book I have sorted fictional Shakespeares into various categories as if they were entirely distinct, but naturally that is not true. The works that suggest someone else wrote the plays make the same claim the versions in Chapter One do—that the plays grow out of lived experiences. Some of the more tormented Shakespeares in Chapter One could have snuck into Chapter Two and many of the supernaturally-inspired Shakespeares of Chapter Three end up having experiences that create or shape their genius. All systems of classification are artificial and as such I would like to close this book by exploring how the categories I propose collapse into each other in two very different works.

The Shakespeare Code

For the first example, I turn to an episode of a television show that is as much a part of British history and culture as Shakespeare, and that is Doctor Who. Begun over fifty years ago, the show has become an icon and, especially since the reboot in 2005, an international powerhouse. The main character of the show, the Doctor, is a Time Lord, an alien who explores the universe, usually with one or more human companions, in a ship, the TARDIS, that can travel in both time and space. Originally the show was conceived of as family-friendly entertainment that would teach children history with episodes that have the Doctor and his companions travel into humanity's past. The popularity of the science-fiction aspect quickly overwhelmed that original idea and now, even when an episode is set in the past, it usually features aliens or monsters. Despite many trips to the past, it was not until 2007 that an episode focusing on Shakespeare was presented. “The Shakespeare Code” has the Doctor taking his new companion, Martha, to 1599. What is meant to be a short trip to introduce Martha to time travel turns into a fight to save the human race from the Carrionites, an alien race of witch-like creatures who use words as energy. They have been exiled from this universe for millennia, and plan to use the power of Shakespeare's words to return and destroy the human race. The Doctor, with the help of Martha and Shakespeare, defeat the Carrionites and banish them again.

Type
Chapter
Information
Publisher: Amsterdam University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Afterword
  • Annalisa Castaldo
  • Book: Fictional Shakespeares and Portraits of Genius
  • Online publication: 27 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781641892452.006
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Afterword
  • Annalisa Castaldo
  • Book: Fictional Shakespeares and Portraits of Genius
  • Online publication: 27 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781641892452.006
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Afterword
  • Annalisa Castaldo
  • Book: Fictional Shakespeares and Portraits of Genius
  • Online publication: 27 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781641892452.006
Available formats
×