Book contents
- Engaging Haydn
- Engaging Haydn:
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Introduction
- Part I Cultures of vocal music
- 1 Fantasy island:
- 2 Haydn invents Scotland
- 3 Haydn’s English canzonettas in their local context
- 4 Revolution, rebirth, and the sublime in Haydn’s L’anima del filosofo and The Creation
- 5 “Achieved is the glorious work”: The Creation and the choral work concept
- Part II Analytical readings and rereadings
- Part III Performance
- Bibliography
- General index
- Index of works by Haydn
5 - “Achieved is the glorious work”: The Creation and the choral work concept
from Part I - Cultures of vocal music
Published online by Cambridge University Press: 05 August 2012
- Engaging Haydn
- Engaging Haydn:
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Introduction
- Part I Cultures of vocal music
- 1 Fantasy island:
- 2 Haydn invents Scotland
- 3 Haydn’s English canzonettas in their local context
- 4 Revolution, rebirth, and the sublime in Haydn’s L’anima del filosofo and The Creation
- 5 “Achieved is the glorious work”: The Creation and the choral work concept
- Part II Analytical readings and rereadings
- Part III Performance
- Bibliography
- General index
- Index of works by Haydn
Summary
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- Engaging HaydnCulture, Context, and Criticism, pp. 124 - 142Publisher: Cambridge University PressPrint publication year: 2012
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