1 - Filming Down Syndrome
Summary
Yo, también (2009)
and the Political Project of Disability Studies
Aquellas sociedades que dividen y apartan a las minorías son sociedades mutiladas.
[Those societies that separate and cordon off minorities are mutilated societies.]
Daniel, protagonist of Yo tambiénAt the heart of Álvaro Pastor and Antonio Naharro's film, Yo, también [Me, Too] (2009), there is the seed of a wonderfully understated political project, pushing for the full social and economic inclusion of people with disabilities, developmental disabilities in particular. Screened at festivals in both San Sebastian and Cannes (2010), the film documents a crucial and transitional period in the life of Daniel, a 34-year-old Sevillano who has become Europe's first person with Down syndrome to have obtained a university degree (to this extent, the character reflects in broad strokes the life of university graduate and lead actor Pablo Pineda, who, like the character he portrays, also has Down syndrome). Daniel, whose portrayal won Pineda San Sebastian's Concha de Plata [Silver Shell Award] for Best Actor, takes a job in public administration advocating for people with disabilities, where he meets Laura (Lola Dueñas, winner of the Goya award for Best Lead Female Actor). Widely disseminated publicity images for the movie present Daniel and Laura laughing together on a beautiful day by the water, intimating the possibility of an amorous relationship between the two that might complement their working relationship. Similarly, the official synopsis of the movie emphasizes this theme of love, recounting that ‘Ambos inician una relación de amistad que pronto llama la atención de su entorno laboral y familiar. Esta relación se convierte en un problema para Laura cuando Daniel se enamora de ella’ [The pair initiates a friendship that soon attracts the attention of their co-workers and families. This relationship becomes a problem for Laura when Daniel falls in love with her]. Nevertheless, Yo también is more than just a love story. The dual thrust of the film is to strongly advocate for equality for disabled people in the realms of both love and work; in the process, it provides filmic anchors for specific articles of the 2006 Convention on the Rights of People with Disabilities.
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- Disability Studies and Spanish CultureFilms, Novels, the Comic and the Public Exhibition, pp. 1 - 33Publisher: Liverpool University PressPrint publication year: 2013