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Introduction: Human Remains Curation in the United Kingdom

Published online by Cambridge University Press:  05 May 2013

Myra Giesen
Affiliation:
Newcastle University
Myra Giesen
Affiliation:
Newcastle University
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Summary

Human remains are not just another artifact; they have potency, they are charged with political, evidentiary, and emotional meanings but can also be quite mundane, such as classroom anatomical study collections. Where once […] considered standard materials for museums to curate and the ‘property’ of lone curators and researchers, they are now numerous voices to be heard and considered on the subject. The acts of collecting and studying human remains have become political and socially more complex, and new unwritten rules of order are slowly developing into standard practice.

(Cassman et al 2007, 1)

Introduction and Scope

Archaeologists, museum practitioners, government agencies, claimants and the public often disagree over the subject of human remains (see Walker 2008). Questions of how to care for, store, display and interpret human remains can be contentious, where ownership debates place the subject into the political, cultural and legal arenas. In their landmark book, Cassman et al (2007) summarised key issues faced by curators of human remains, which embellish topics discussed in the 2005 publication by the Department for Culture, Media and Sport (DCMS) Guidance for the Care of Human Remains in Museums. This reference document is for the use of institutions in England, Wales and Northern Ireland that hold human remains in permanent collections; the Guidelines for the Care of Human Remains in Scottish Museum Collections (Museums Galleries Scotland (MGS) 2011) provide similar background for and recommendations to Scottish institutions. Both documents provide strong impetus for standardising practices in the United Kingdom (UK).

Type
Chapter
Information
Curating Human Remains
Caring for the Dead in the United Kingdom
, pp. 1 - 12
Publisher: Boydell & Brewer
Print publication year: 2013

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