Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-9pm4c Total loading time: 0 Render date: 2024-04-28T14:58:05.586Z Has data issue: false hasContentIssue false

2 - Religion

Published online by Cambridge University Press:  24 July 2019

Thomas Betteridge
Affiliation:
Professor of Theatre and Dean of the College of Business, Arts and Social Sciences, Brunel University, London.
Get access

Summary

John Colet's convocation sermon of February 1512 was an impassioned demand for the reform of the clergy and an attack on their covetousness and secularity. It was not, however, anti-clerical. The sermon of February 1512 was in practice profoundly clericalist. Colet, an eminent humanist scholar, argued that ‘the dignity of priests … is greater than either the king's or emperor's; it is equal with the dignity of angels’ (Harper-Bill 1997: 18). Colet's view of the priesthood reflected above all an emphasis on their status as different and separate, as a superior estate. And indeed the central ritual of the medieval Church, the mass, did stress the privileged elevated nature of the clergy. As Eamon Duffy writes:

the prestige of the Sacrament [of the Altar] as the centre and source of the whole symbolic system of late medieval Catholicism implied an enormously high doctrine of priesthood. The priest had access to mysteries forbidden to others; only he might utter the words which transformed bread and wine into the flesh and blood of God incarnate.

(Duffy 1992: 110)

The mass was at the centre of medieval Catholicism. It was its central miracle, its image of a reconciled Christendom and a source of constant mediation and prayer. Those entrusted with performing the Eucharistic rite were a class apart. And John Skelton was one of these men.

It should be relatively easy to write about Skelton's religion. He entered holy orders in 1498 and was rector in the parish of Diss, Norfolk, for most of his life. There are numerous moments in his life when he performed regular clerical duties, including celebrating mass on 1 November 1498 in the presence of Henry VII. The problem is that ‘religion’ as it appears in such works as Piers Plowman, the York Corpus Christi play, or in devotional fifteenth-century verse is simply absent from Skelton's poetry. There is none of the searching vernacular theology that is a marked feature of late fourteenth- and fifteenth-century writing. Skelton's religion is ‘medieval’ in a way that has become unfashionable among scholars who have rightly stressed the vibrancy and popularity of fifteenth-century Western Christianity.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Religion
    • By Thomas Betteridge, Professor of Theatre and Dean of the College of Business, Arts and Social Sciences, Brunel University, London.
  • Edited by Sebastian Sobecki, John Scattergood
  • Book: A Critical Companion to John Skelton
  • Online publication: 24 July 2019
  • Chapter DOI: https://doi.org/10.1017/9781787443273.004
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Religion
    • By Thomas Betteridge, Professor of Theatre and Dean of the College of Business, Arts and Social Sciences, Brunel University, London.
  • Edited by Sebastian Sobecki, John Scattergood
  • Book: A Critical Companion to John Skelton
  • Online publication: 24 July 2019
  • Chapter DOI: https://doi.org/10.1017/9781787443273.004
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Religion
    • By Thomas Betteridge, Professor of Theatre and Dean of the College of Business, Arts and Social Sciences, Brunel University, London.
  • Edited by Sebastian Sobecki, John Scattergood
  • Book: A Critical Companion to John Skelton
  • Online publication: 24 July 2019
  • Chapter DOI: https://doi.org/10.1017/9781787443273.004
Available formats
×