Chapter 2 is concerned with the role of the writer as artist. It focuses on three auto/biographical texts which document the ugly difficulties of writing the self: Alison Bechdel’s Are You My Mother? (2012), Sheila Heti’s How Should a Person Be? (2012), and Kate Zambreno’s Heroines (2012). None of these texts is a pure autobiography: Bechdel’s graphic memoir follows her psychotherapeutic unravelling of her relationship with her mother; Heti’s ‘novel from life’ recounts a crucial friendship between Sheila and her artist friend Margaux; and Kate Zambreno’s Heroines is part memoir, part biographical essay about female writers such as Virginia Woolf, Vivien(e) Eliot, and Zelda Fitzgerald, who she dubs the ‘mad wives’ of modernism. All three texts are interested in female genius and tell of the unravelling of the self from others en route to becoming an artist. I argue that ugliness is crucial to their aesthetic projects: the ugliness of the self and its secrets, the ugliness of writer’s block, the ugliness of betrayal, and the ugly terrain of genius.