Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-8zxtt Total loading time: 0 Render date: 2024-07-12T04:46:16.555Z Has data issue: false hasContentIssue false

4 - Julian of Norwich and the Varieties of Middle English Mystical Discourse

Published online by Cambridge University Press:  10 March 2023

Liz Herbert McAvoy
Affiliation:
Swansea University
Get access

Summary

Writing near the end of the fourteenth century, the anonymous author of the Cloud of Unknowing warns his disciple that the language of spirituality is radically metaphoric:

& þerfore beware þat þou conceyue not bodely þat þat is mente goostly, þof al it be spokyn in bodely wordes […] For þof al þat a þing be neuer so goostly in itself, neuerþeles 3if 3it it schal be spoken of, siþen it so is þat speche is a bodely werk wrou3t wiþ þe tonge, þe whiche is an instrument of þe body, it behoueþ alweis be spoken in bodely wordes. Bot what þerof? Schal it þerfore be taken & conceyuid bodely? Nay, it bot goostly.

The Cloud author's remark is usually regarded as a criticism of the sensational language of the first Middle English mystic, Richard Rolle (c.1300–49), and other literal-minded practitioners of contemplation. However, his words also provide a warning to those who study texts about mysticism: we must regard them as metaphoric discourse rather than as literal accounts of experience.

Over the last two decades, scholars have heeded the Cloud author's advice and focused greater attention on the language contemplative writers employ rather than any experience informing their texts. In his magisterial three-volume study, The Presence of God, for example, Bernard McGinn acknowledges that since readers can never have access to the mystic's consciousness, they can only explore the language he or she uses to describe it. Like the Cloud author, McGinn recognizes the metaphoric complexity of texts about mysticism and compares their deployment of language to poetry:

Mystical masterpieces … are often close to poetry in the ways in which they concentrate and alter language to achieve their ends … [and employ] verbal strategies in which language is used not so much informationally as transformationally, that is, not to convey a content but to assist the hearer or reader to hope for or to achieve the same consciousness.

In his study of the apophatic tradition, The Darkness of God, Denys Turner also insists that one can only study the mystic's language. Despite the continuity of metaphors of interiority and ascent, of light and darkness, and of oneness with God in the Christian discourse of spirituality, he contends that the meaning of these metaphors is radically different for medieval and modern writers.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×