Book contents
- Commedia dell’Arte in Context
- Commedia dell’Arte in Context
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I Elements
- Part II Commedia dell’Arte and Europe
- Part III Social and Cultural Conflicts
- Part IV Opera, Music, Dance, Circus and Iconography
- Part V Commedia dell’Arte from the Avant-Garde to Contemporary Theatre
- 19 Stanislavsky and Meyerhold
- 20 Copeau and the Work of the Actor
- 21 Staging Gozzi
- 22 Staging Goldoni
- 23 Eduardo De Filippo and the Mask of Pulcinella
- 24 Dario Fo, Commedia dell’Arte and Political Theatre
- 25 Commedia dell’Arte and Experimental Theatre
- Conclusion
- Glossary
- Bibliography
- Further Reading
- Index
22 - Staging Goldoni
Reinhardt, Strehler
from Part V - Commedia dell’Arte from the Avant-Garde to Contemporary Theatre
Published online by Cambridge University Press: 03 April 2018
- Commedia dell’Arte in Context
- Commedia dell’Arte in Context
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I Elements
- Part II Commedia dell’Arte and Europe
- Part III Social and Cultural Conflicts
- Part IV Opera, Music, Dance, Circus and Iconography
- Part V Commedia dell’Arte from the Avant-Garde to Contemporary Theatre
- 19 Stanislavsky and Meyerhold
- 20 Copeau and the Work of the Actor
- 21 Staging Gozzi
- 22 Staging Goldoni
- 23 Eduardo De Filippo and the Mask of Pulcinella
- 24 Dario Fo, Commedia dell’Arte and Political Theatre
- 25 Commedia dell’Arte and Experimental Theatre
- Conclusion
- Glossary
- Bibliography
- Further Reading
- Index
Summary
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- Commedia dell'Arte in Context , pp. 266 - 276Publisher: Cambridge University PressPrint publication year: 2018