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Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures
- Acknowledgments
- A Note on Style
- Introduction
- Chapter One Crafting Artists as Primitive Artisans: Ethnology, Exhibitions and Museums in Colonial Punjab
- Chapter Two The Visual Literacy Orientalism in Punjab: The Mayo School of Art in the Late Nineteenth Century
- Chapter Three From Hereditary Craftsmanship to Modern Art and Design for Industry: The Mayo School of Art in the Early Twentieth Century
- Chapter Four Framing of a National Tradition: Aesthetic Modernism and Traditional Art at the NCA
- Epilogue
- Notes
- Bibliography
- Glossary
- Index
- Frontmatter
- Dedication
- Contents
- List of Figures
- Acknowledgments
- A Note on Style
- Introduction
- Chapter One Crafting Artists as Primitive Artisans: Ethnology, Exhibitions and Museums in Colonial Punjab
- Chapter Two The Visual Literacy Orientalism in Punjab: The Mayo School of Art in the Late Nineteenth Century
- Chapter Three From Hereditary Craftsmanship to Modern Art and Design for Industry: The Mayo School of Art in the Early Twentieth Century
- Chapter Four Framing of a National Tradition: Aesthetic Modernism and Traditional Art at the NCA
- Epilogue
- Notes
- Bibliography
- Glossary
- Index
Summary
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- Type
- Chapter
- Information
- The Colonial and National Formations of the National College of Arts, Lahore, circa 1870s to 1960sDe-scripting the Archive, pp. i - ivPublisher: Anthem PressPrint publication year: 2022